Every language teacher knows that relationship building is essential to making the language classroom a place where students can lower their Affective Filters and acquire tons of language. This is easier said than done – so we have to be on the lookout for techniques that can intentionally make this happen. And if they accomplish two goals – both building relationships AND giving students personalized input – all the better!
Why not just start each class with some Small Talk or Chit Chat in the language? Nothing groundbreaking, nothing curricular, just asking good questions and following up on the answers! Through these conversations, we can learn about opinions, experiences, and life circumstances of our precious little flowers, and also fill them up with tons of input. Boom.
Here is a free resource: a set of slides for starting Small Talk conversations in your virtual or in-person classroom! Lots of visual support for your learners, and I can imagine they would be easy to “annotate” on Zoom or turn into a workspace for Jamboard!
Huge shoutout to Bill Langley, who created the Spanish version that I then turned into German! (Any comments / suggestions for the German versions are welcome – I am a lifelong learner myself!)
One of the things we are asked to do as teachers is provide feedback to students to help move their learning forward. It appears on any rubric for evaluation, and is a natural and necessary part of the teaching and learning process.
Best practice in teaching dictates that we set a clear goal for our learners to begin the feedback cycle. Then, we describe to the learner both where they are relative to that goal, as well as what the next steps for that learner are to meet or go beyond the original goal.
Often, we find ourselves giving lots of comments on student work, and then watch that marked-up work end up in the garbage after a cursory glance at the grade. So, to complete the feedback process, we have to create a need for students to use the feedback as part of their learning. The cycle begins again after students produce a new product or draft using the feedback given.
Here’s the thing…
These processes and practices have been researched and developed as relates to the explicit teaching and learning of facts and processes. Think skills like describing the functionality of a cell, crafting a historical analysis, or modeling a real-world situation using mathematical notation. If students “miss” something or make an “error,” the teacher can show students areas to consciously focus on to improve.
With language acquisition, we can say that there are no “errors,” but rather “developmental forms.” (I take this term from the writings of Bill Van Patten.) A learner’s linguistic system develops in an ordered way in response to basically one thing: comprehended input. Any of the “developmental forms” we hear in a learner’s production along the way are just indicators of where they are in their development, and this development is to be honored and celebrated.
So…the answer for what feedback is needed to develop learners’ linguistic systems: more input! Any explicit feedback about things like verb endings, adjective agreement, etc. will not necessarily make its way into the learner’s linguistic system, because language (in its abstraction, complexity, and implicit nature) does not reside in the realm of consciously learned facts and skills. Indeed, studies on explicit error correction show no lasting benefits for students’ accuracy so…let’s ditch it!
Our challenge, then…
…is to find ways to keep our learners calm and focused on input in a school system that shows great value in always being correct, getting things perfectly on the first try, and ranking systems like grades. To that end, teachers who have moved away from traditional language teaching must make clear to students what acquisition is going to look and feel like, that it’s okay to make errors in efforts to communicate, that progression is going to be messy and seem nonlinear, and that it all just takes time. We as teachers cannot be too explicit about these values – otherwise, students will have no reason to believe that this class is unlike any other class in school, when really, I think it should be. Language is special and different from content area courses.
I also know that there are the linguistics kids out there (bashfully raises hand because I was/am one of those) who want to know more about “proper” L2. It never hurts to throw them a bone with grammar pop-ups during readings once meaning has been thoroughly established! Meaning has to come first, so then we can draw connections between the forms and the meanings they create.
My experience has also shown me that it’s not until usually the third year (or even later!) that many students start to take an interest in how the language works at that grammar-y level, so I’m giving myself permission to hold off on too much grammar-y stuff until that interest bubbles up after lots and lots of input. Again, they need lots and lots of meaningful experiences with the language to contextualize any grammatical musings so, for now (and especially in this age of limited input because of all-virtual teaching!), I’m just going to focus on meaningful classroom interactions.
What about marking up student output?
Some kids might want it – most won’t know what to do with it. I have borrowed Meredith White’s idea of giving an option on any assignment to get corrective feedback on output, if students want it. I usually focus on one or two big ideas that students can focus on, and try to explain “fixes” in non-grammar-y terms that spotlight how the grammar contributes to meaning. (“Oh, this -o at the end of the verb tells us that we’re talking about ourselves, so if you’re talking about yourself, double check that it has that -o!”) Less is more, in this case – no one wants an assignment back that has been given the Red Pen of Death. 🙂
But really – the answer is more input! What systems or tricks do you have in your tool kit to focus mostly on providing great communicative input, while also satisfying the need students sometimes has for your class to look “like school”? Let me know in the comments!
Amongst the many triumphs, failures, victories, and indignities of Pandemic Teaching, I have found it incredibly important to stay in regular contact with teachers (and non-teacher!) whom I love and respect. This has meant planning Zoom chats, starting a book club, and rallying a local PLC to monthly meetings on Saturday mornings, even when we all feel tired and over it.
This dedication to planned socialization is what got me on Zoom with Mr. Mike Peto, who I have learned so much from at conferences like the ACTFL Convention and Comprehensible Cascadia. We talked about teaching online, frustrations and wins, and how to get back to the basics of providing rich CI to kids.
One thing that Mike said slapped me right in the face, and was a reminder that I hope can positively shape my planning and mindset as we journey into the darkness of our first winter of COVID: Real conversations do not have a planned outcome – you can’t expect what will happen next!
Now, on the surface, this is like “well…yeah.” We don’t launch into conversations with others knowing exactly what they are going to say, how we will respond, exactly what words we’re going to use.
But! In hearing this, I recognized how that need to meticulously plan and “cover” curriculum had creeped into my mindset for teaching, and I think it has been slightly stifling the sparks of real conversation that turn into real engagement in class. Not every moment in a CI class has to be wild and crazy. Most days are not! But taking time to ask about and pick up on the little details of my students’ lives is what has made me so happy as the teacher – and what has helped me provide loads of engaging CI.
The many anxieties of this year have me wondering things like “Are we where we are supposed to be?” “Is this class good enough for the level they’re supposed to be at according to the course title?” “Am I doing enough?”
That thinking is garbage, and I am done with it. Real conversations have participants, not performers. I don’t need to perform us “getting through” my curricular objectives when things are this difficult. I have less than half the contact hours I would have had during a typical year, and we are still in a global pandemic that is irreversibly impacting just about every aspect of our lives.
I want to participate in my students’ lives, participate in them maintaining and growing in their hope, their joy, their intellectuality. We can participate in each others’ lives through genuine engagement around topics that kids care about. Which means that I can let go of including every single little assignment, reading, and word that I “would have” got to in an ideal world, and just be where I am. Be, where we are.
Now, I’m obviously still a teacher paid to grow the students in their proficiency in an additional language. I am going to recommit myself to using as much TL as possible (though 90%+ is definitely not in the cards for this year) because I believe you can make genuine, strong connections in the L2, even with Novices. And I will continue to touch on themes and topics that are interesting, continue to have my students question their assumptions about culture. It will not be the same as a typical school year because it cannot be so. And that’s fine. We need this connection now more than ever.
Maybe I can do myself a favor by keeping a list of high-frequency verbs nearby to serve as springboards for every conversation. I think of this post by Mike that talks about the advantages of having those high-frequency verbs in your classroom – if all students had these verbs rock solid in their acquired language, they would be capable of quite a lot, and there would be so many ways to keep our conversations going without having to just repeat the same sentences or vocab over and over and over. Maybe the minimal-seeming goal of just the Sweet 16 as curriculum is what this moment calls for. Imagine the possibilities…
In any case, as our students are being crushed by trying to learn difficult subjects on line, crushed by mountains of homework after hours seated in front of screens, crushed by missing their friends and their teachers, I am recommitting to connections over curriculum. (I think I may have got that from Martina and Elicia at The Comprehensible Classroom.) Let our classes be those that lift the weight for them.
Do you feel connected? Cheer your fellow educators on in the comments below!
I am very lucky to have a local PLC of CI-oriented teachers that keeps me sane. We meet once a month to exchange ideas, experiences, joys, and frustrations. The problem solving power of the group has only grown with time as we have worked together longer. No, really: get yourself a PLC of people who are focused on the same (or similar) goals as you and who can grow in trust and capacity to push each other. I am a better teacher for this group’s love and support.
Today, our check in question was, “If you were to give advice to another language teacher who is teaching online, what would you say to them?” Everyone shared for two minutes each. Our shyest members tended to begin their sharing with something like “well, I’m here to mostly listen for advice for myself, so I don’t promise anything profound. But I’ll give it a try!” …And then they laid down some absolute wisdom. Reader, teacher friend, please don’t discount the expertise and wisdom that you do have. Sometimes, we just have to dust it off in trying times like these and let it shine again.
If you’re reading this and thinking that you yourself could use some advice, I even challenge you to search deep within, right now, for the wisdom that is already there. I’m a big fan of journaling (and I keep a separate teaching journal for this purpose), and it has helped remind me of the many things I have learned in my life. Give it a try.
Whether you try to retrieve the wisdom from yourself first or not, here is some of the food for thought that our PLC produced. I hope it is thought-provoking, or maybe even comforting for you. I am so thankful for the group that generated it.
Some Advice from October 2020, Month One Million of Quarantine, the Zoom Mullet (Button-Up Up Top, Pajama Pants Down Below), and Unthinkable Challenges:
Input is the data learners need to acquire a language, so remember that it is still a top priority. We play a long game when teaching for acquisition, but that input is definitely doing something in learner’s brains, even if it is impossible for us to see it. Personalize it, make sure it is comprehended, repeat.
Find a fairly predictable and productive schedule of activities or routines that works for you, and stick to it. One of our colleagues is doing martes de música (Music Tuesday), and showing cooking videos in the language on Fridays. When they haven’t followed the routine, the kids have asked for it. Because they love it! There is comfort in routines and predictability. Routines and schedules make planning for the teacher easier, too – you just find the song, the game, the recipe that fits into the open block in your lesson plan and you’re good to go.
See how early and how often you can get learners to respond to prompts in the chat, if you are virtual or hybrid. This can be for answering personalized questions, comprehension checking, whatever. Give students plenty of opportunities to show their engagement (and help prevent them from spacing out too much, though spacing is natural and necessary).
Work smarter, not harder. Find one single goal you want to focus on for a week, and make it your everything. When you are feeling confident in your growth, move onto a new single goal. Go back and forth between goals as you ebb and flow in your progress, as needed. One. Single. Goal.
Maybe sometimes, an activity’s secondary (or primary!) purpose is just to give students (and you!) a chance to socialize a bit in the L1. Many of us are lamenting the slip away from 90% TL, but we are in a pandemic. It will definitely be forgiven, and both you and your students need that connection. I have been leaving my kids in breakout rooms for slightly too long, and they’ve told me how nice it was to get the task done and then just talk to their peers in L1.
Slow down. Put a post-it on your computer, write it on your lesson plan, do what you have to to make sure that you are bringing all students along for the ride with slow, comprehended language.
Don’t try to teach like you’re a YouTuber. YouTubers are known for breathlessly moving from topic to topic, talking mostly to themselves with insane amounts of energy. It will be natural if you take a pause to come up with a good question during instruction, because you are in conversation with your students. You are not attempting to garner a “like” from them with a roller coaster of “content.”
Create self-grading assignments. You will thank yourself when everyone turns in homework and you just get to sit back and watch results roll in. Glorious.
It’s okay to not put as much emphasis on output this year. There certainly may be good opportunities for it, but you may save everyone a ton of stress by focusing on personalized, comprehended input.
Sing! Frequently! Poorly! It’s food for the soul, and music is a great connector.
Alternate between pushing students forward, and moving back into their comfort zone. If they’re starting to break down, walk back into safer territory to let them know they’re on the right track and experiencing a good, necessary challenge.
Challenge students’ fixed mindsets. Be prepared to repeat “Everyone can learn a language” like an incantation with students who are struggling. Let them know that you believe they can meet your high standards because you want so much for them to be a multilingual rockstar of the future.
Ask yourself: what can I let go of? It may be much more than you initially think.
What advice do you have for language teachers right now? Do not be afraid to share – who knows whom it may help!
Surely, at some point this year, a student in one of your classes has mentioned the mobile game “Among Us.” It is a social deduction team game where a group of brightly-colored astronauts is hurtling through space, attempting to keep their spaceship intact and complete ship maintenance tasks. Among the crew mates, a couple “imposters” sneak around the ship, sabotaging the work of the crew members and taking them out of the game. The goals of the crew mates are either to identify all the imposters and vote them out of the game during an emergency meeting, or complete all the tasks on the ship. The goals of the imposter(s) are either to irreparably sabotage the ship’s systems, or take out enough of the crew mates such that the imposters have taken over the ship.
I think students love it because it is very fun to debate who saw what, who has actually been completing tasks for the good of the ship, and who is acting “sus” – that’s “suspicious.” I personally love social deduction games (like One Night Ultimate Werewolf, or Mafia), so I totally get it when my students want to talk about their strategies, the tricks they have played on friends and strangers, and their frustrations when no one believes them when they knew the truth all along! It’s intense, and so much fun.
But how can we talk about it during class? Just now, I happened upon a post in the iFLT / NTPRS / CI Teaching Facebook group by a teacher named Christan. They had created a template with vocabulary for talking about the game in Spanish, and another teacher named Christy quickly offered a French translation. I’m here to offer the German one I whipped through real quick!
How might we use these? It sounds to me like a great brain break. Maybe we just want to show the students the vocab so that students can have it for themselves – they LOVE talking about this game. Christan suggested displaying the vocab, and then actually playing a game as a class! (This is possible if you make your own private game room within the game, as far as I know.) Students who have the game will obviously be very involved, but students who are not playing can follow along as the teacher or a chosen student plays, and the teacher can narrate the whole time in the L2. Students could even give input on what the teacher should do, or who to vote for during the emergency meetings, based on what they have seen from the projected game or their classmates’ reactions!
I think we could all use more play generally, and also specifically this year. I think I’m going to try this out, and I’ll try to report back, too, about what worked! For now, check out these chat mats for the very popular mobile game “Among Us:”
Have you ever played “Among Us”, or talked about it in class? Comment below and tell us how you utilized this very popular game for fun and language gains!
Online learning, for me, has been about simplifying and streamlining my planning processes to yield maximum results without sending me into internet search spirals that last hours and generate maybe one slight adjustment to what I was already going to do in the first place. (It has not, however, cured me of my tendency to write giant compound sentences like the previous one. #BAinGerman)
I have been feeling pretty successful in providing high-quality, personalized CI, given the circumstances. But I had been missing those little bits of memorized language that I was using as “Passwords” (a la Bryce Hedstrom) to get into my classroom – how can I get students those helpful phrases in this online way? Enter The Question of the Week!
Why should you use it? Because often times, students enter language courses with expectations of what they should be learning, and how that learning should look. We can definitely through them a bone with these phrases, which are very useful and help us ensure that they have natural, powerful language for use right away!
When do I use the Question of the Week?
I use the Question of the Week outside of my normal lesson cycle, usually during the “Warm Up” or “Do Now” portion of the lesson, before we really get going where we’re headed that day. It has been a nice ritual for my first lesson of the week with each class because it is expected, and it makes it easy for me to remember to plan it ahead of time!
How do I do it? – Logistics
When thinking of potential Questions of the Week, I have been thinking about phrases that might be expected by the student, given the class or unit content, or are just difficult to weave into stories or discussions. For example, it’s helpful for students to know how to say “My name is…” but awkward to ask it of them if…Zoom just tells me their name on the screen at all times. (These are called “Display Questions” in pedagogical literature – questions to which we either already know the answer or for which the answer is apparent to all and thus for which there is no communicative purpose – they are only for “language practice.” “What color is my shirt?” is not communicative if all students can see it.)
Here are some examples from the first units of my current courses to help clarify even more:
Level 1: What is your name? Where are you from? Where do you live? How old are you? What languages do you speak?
Level 2: What is your favorite food? What is your favorite drink? What do you think about that? (or, “What’s your opinion?” after I make some statement) What do you like to cook?
Level 3: How do you feel? (reflexive in both Spanish and German) What are you interested in? (also reflexive in German!) What does that remind you of? What is important to you?
How do I do it? – Procedure
I introduce each Question of the Week during the first class meeting of the week. I have students note down both the question, and the sentence frame that they can use to respond to it! For example, they would note: “What is your name?” –> “My name is…” in L2, as well as what it means in L1.
Then, I have my class answer in the chat all at once (which I have turned so that they can only chat with me), and I repeat and comment on their answers. “Oh, Soandso is from California? I am also from California! Where are you from specifically, Soandso?” etc etc.
After I get all these initial answers, I move on with my lesson. BUT ALSO: throughout my lesson, I randomly ask the question to my class to make sure they are there and engaged! This helps both reinforce that memorized language, as well as help me make sure that cameras aren’t just off because students are off secretly recording Tik Tok dance videos or something during class.
After we have built a repertoire of these questions, I sometimes cycle through a couple and have students respond to all of them in the chat. Great spaced practice – especially if you ask “Level 1” questions in level 2 or 3!
What do I do with it now that we’ve finished learning it?
Use these questions all the time! I have built the Questions of the Week into stories I’ve told with class, just to build out what we know about characters and setting. Variations on the questions and statements have also appeared in readings I have given my students to reinforce the different forms (person, tense, etc.)
My level 1s have talked a lot this year about “wanting practice speaking,” which we know can be very pleasurable even if it doesn’t necessarily lead directly to language acquisition itself. So I am creating an assignment where students introduce themselves by answering all the Questions of the Week. Because they have practiced and heard these questions and their responses over and over again over the weeks of class we have had together, this will be a slam dunk-easy assignment for students to just speak their memorized answer and get comfortable with the new language in their own voices.
Truly though, if you pick a meaty question (“What is your favorite movie?” “What do you do in your free time?”), you could make the question your entire lesson. Once you start a discussion, you can just focus on a couple answers, write up a summary of the discussion with Write and Discuss, and have spent a good long while getting to know your students and the way their minds work.
Pro Tips!
Pick useful questions and sentence frames! What are some basic sentence frames that allow students to describe, express an opinion, show their emotions? With an eye to useful functions, we can give our students a strong and flexible set of conversational moves that they can apply across their language learning experience. I tend to forget to build some of these phrases into my class stories and experiences, so planning like this ensures that I get the students the useful stuff they need.
Recycle them! Use them over and over as attention getters, in new contexts, make them really stick.
What if I want to learn more?
Bryce Hedstrom’s post about his passwords (which students have to say before entering the classroom) can be a great source of inspiration for ideas of what sorts of things you can build in to your Question of the Week repertoire. Check out his posts about his higher levels, too, to see how the idea scales.
What do you think? Do you feel ready to use the Question of the Week? Comment below and send me any questions you might have!
This post will assume familiarity with the Card Talk strategy. If you haven’t heard of it or done it before, check out my post here about it and then come on back for some thoughts about how to bring it online!
As we move into a school year where many of us are fully online (and many are doing some sort of wonky not-normal something), I have been thinking about high-powered strategies and how to best bring them into the online environment. At the same time, I have talked to so many other teachers who are falling into the spiral of internet discovery that leaves them with too many ideas and not enough confident planning. It reminds me to be clear about what are the most important principles for my teaching – access to high-quality input, personalized discussions about relevant content, frequent chances to read on-level texts, and getting feedback on all of the above – and stick to making those things happen, over and over again.
I have always loved Card Talk for a couple big reasons. For one thing, it is a very flexible strategy. You can give a prompt for any sort of topic/theme, and boom! You have generated content for possibly weeks. For instance, this year level 1’s prompt is the typical beginning-of-level-one “Show a picture of an activity you like to do (bonus: put a picture of you doing that activity!)” Level 2, starting a unit about food? “Show a picture of a food that has meaning to you and/or your family, and another picture of a food you absolutely hate.” Level 3, beginning the year with a unit on art? “Show a picture of an artwork you listen to/view over and over again, and another picture of an artwork that really inspires you.”
The other big reason I love it is because it lends itself so nicely to community building. It does this by beginning conversations around individuals that enable us to draw connections between the members of our classes. This has been helpful to remind us all that behind the screens are real people who share some of the same interests as you – which we will be able to capitalize on once we’re back together in the beautiful future!
Adaptations for Virtual Learning
For synchronous learning: I shared a blank template (like this one you see here) with my entire class, and created an “assignment” on our Learning Management System (LMS) to fill in their slide, and then tell me which slide number they had claimed.
To prepare for class, I scrolled through and found two slides with similar-seeming interests (maybe both are related to sports, or music, or both students do gymnastics!). I copied these into my daily slideshow, and maybe noted some high-frequency or interesting vocabulary that I would need to have a conversation with my students about that interest. (I keep note paper in front of me while teaching asynchronously to keep my thoughts organized.) With some slides, I also had to edit them down a bit, because some students took the directive of “post a picture of AN activity you like” to fill the entire slide with every video game they had ever played ever. I wanted to keep the discussion focused, so I cut it down to about 2 or 3 pictures for each student (and explained that I had done so during class).
During class, I did a big drum roll, and then showed the students’ slides. While doing the activity, instead of sharing the slide fully presented, I instead showed the slide in the “edit” mode, as we would see it when we are working on it. That makes it easy to use the “presenter notes” at the bottom of the slide as a sort of whiteboard to introduce new vocabulary in big font.
With my level 1 students, because they had posted a picture of themselves on the slides, I used that as an opportunity to begin physical descriptions like, “Ah, Soandso has brown, wavy hair. Nice! I’m bald, I don’t have hair. (fake cries)”
Then, I moved into the discussion about that student’s interest(s). The power questions that tend to generate lots of good discussion are where a student does the given activity, as well as with whom. That usually provides enough fodder to stick on the slide for a couple minutes, learning more about the student’s preferences.
With any activity focused on just one kid, it is important to strike a balance between talking to just that kid and panning out to address the whole class. The questions directly to the kid tend to generate most of the content, whereas the questions to the class (“hey, translate what we just said quickly in the chat,” “Do you do this, too?” “Which of these two alternatives is better?”) keep the rest of the class engaged.
After discussing one slide for a while, I moved to the next, and drew connections between the two students. I rounded out the period with some Write and Discuss, Translation of the Class Text, and a Quick Quiz.
For asynchronous learning: I have not done this asynchronously, but I could imagine altering the template for the activity to generate the information I would need to do a presentation without the student there. In the “presenter notes” section, you could include “wh- questions” (who, what, when, where, why) that the student has to fill out in addition to posting their picture response to the prompt. This gives you as the teacher more information to work with as you perhaps create a video recording (I use Screencastify!) of you describing the student’s response with all the information you have, also comparing it to yourself! To check for understanding, you could have students write a short summary in their L1, or do a 4-question true/false quiz in the L2 after watching the video.
In the beautiful future…
I have kind of appreciated having the “cards” online. I didn’t have to spend money on card stock (HELLO) and didn’t feel bad about environmental waste. Perhaps I will make “creating the card” a digital assignment for the future to reduce waste and make it easier for me to see them all at once and plan. Hooray positives!
I also found myself getting frustrated that we were “only” getting through 1 or 2 cards in a long period, but that is also totally okay. Less is more with online learning! Better to feel very solid about even one card versus just hitting students with tons of new info and words about their classmates.
Have you done Card Talk online? How did it go? Leave your tips and tricks below!
This summer, I participated in an AP Summer Institute (virtually!) in preparation for my very first group of AP German students this coming fall. Gulp. I’m actually very excited for this first group. I will only have two students (last year’s level 3 was smaller with many seniors), but they are dedicated and so much fun. Plus, the AP Exam – intimidating and intense as it is! – is a great opportunity for them to show off what they CAN do with their Intercultural Communicative Competence.
One big question that came up in our group discussions during the APSI was how to incorporate the seeming mountains of cultural information and reflection that students need to navigate the Exam with ease. Culture shows up everywhere in the exam – no task on the exam is “purely language skill-based.” (Not to mention that language and culture are inextricably linked!)
I was wondering to myself throughout the training if it would be wise for students to compile a reflective cultural notebook of sorts that would document their growing cultural awareness, while also helping them gather useful vocabulary. This could potentially help me as the instructor to identify where I wasn’t providing cultural input to students, pushing me to flesh out my instruction to be even stronger. I also wondered about introducing the cultural notebook even as early as level 2 as a Pre-AP strategy to make visible students’ growing cultural awareness.
According to the ACTFL Intercultural Can-Do Statements, students grow from simply being able to recognize Products and Practices that help them understand Perspectives, to being able to compare them and interact at a functional level in the target culture(s). As students move closer to Advanced language proficiency and Advanced Intercultural Communicative Competence, they are more able to explain how and why there is diversity within a single “culture.” That (ambitious) goal requires a depth of cultural knowledge and skills that won’t be reached by only having Culture Fridays. How can we give students lenses through which to assess and grow in their Intercultural Communicative Competence, and visibly document that growth? How can we make sure that they are most at ease when confronting the AP Cultural Comparison?
Enter Bethanie Drew. Bethanie’s blog is a treasure trove of structures and strategies to simplify, clarify, and enrich the learning experience for both students and teachers. And just the other day, Bethanie shared an excellent digital notebook that does exactly what I was dreaming about!
The digital notebook looks like it will be immensely useful for AP students, and could even be used in Pre-AP courses. It is divided into 8 notebook “tabs.”
The first tabbed section reminds students of the three Ps of culture, as well as how students can draw on the different levels of culture that exist within their social environment (from just their own family, all the way up to their national identity).
Tabs 2-7 are divided up by the six themes of the AP course. Each section begins with a page for students to make general notes of vocabulary and cultural ideas that are related to the overall theme. Then, each of the unit Essential Questions are listed on a separate page, so students can consider their cultural knowledge through the lens of the Essential Questions. (E.g. “What constitutes a family in German-speaking societies?” “What are some important aspects of family values and family life in German-speaking societies?” etc.). Finally, sample questions from previous AP exams aligned with the theme are listed, and extra space is given for any additional notes.
The final tab is called “Resources” and includes a flow/structure for the comparison (with accompanying useful phrases) and a place to brain dump about individual cultural topics in a more general way (“Education system,” “Sports,” etc.).
I intend to use this digital notebook this year with my AP students as an early formative assessment of their cultural knowledge, as well as their control of vocabulary related to the different course themes. Over the course of the units, we can start with a brain dump into the organizers in the “Resources” tab, then move some of those vocabulary words and ideas into the tabs for each of the units, then refine our ideas through the use of the Essential Questions. In the end, students will have a resource that they created themselves to study with, as well as one that makes clear where they may have gaps they want to fill with further investigation! Score!
I am also contemplating using parts of this notebook with my level 3s this year to build their confidence with the AP themes and to reflect on their growth and learning throughout the German program. I will probably leave out the Essential Questions for my 3s, and stick more to the organizers in the “Resources” tab (and maybe organizing some of that topic knowledge under the related themes). I’m even thinking of doing an even more watered down reflection like this with my level 2s toward the end of the year…this resource is the gift that keeps on giving!
It is so important for us as teachers to incorporate culture into every lesson, and help students reflect on their growth and learning. This tool might help us do just that! Many thanks to Bethanie for her work, which you will find at her original blog post here.
Finally: here is the resource in German and Spanish! Feel free to make a copy and modify as you like. (And any corrections to the German are welcome!)
How do you feel you do at growing and assessing students’ Intercultural Competence? And how do you tackle the AP Cultural Comparison? Let me know in the comments below!
Hallo, meine lieben DeutschlehrerInnen! My perception is that there are so few resources for Teaching German with CI (especially compared to Spanish and French). I’m going to make it a goal of mine to share things I have created for my students that might be helpful to you.
Today, I am sharing a document that introduces students to the Muslim celebration of Ramadan. It is very basic: it describes how Muslims celebrate Ramadan, why, and when. While I am no expert, I think it is important to ignite students’ curiosity about different cultures. Also, Ramadan 2020 began yesterday, April 23rd, 2020!
There are two versions of the text in the document. The first is a bit simpler, with emojis to support comprehension and a glossary of lower-frequency vocabulary. The second is slightly more complex in sentence structure and vocabulary. On the third page of the document, you will find an infographic about the fact that how long a person fasts during Ramadan is dependent on where they are on the globe – the length of your day is determined by what latitude your home is on! Finally, I included some phrases for how to wish others a blessed Ramadan.
How am I using these texts with my students? Well, during this period of online learning, I am using these as “extra credit” texts, though I plan on assigning them to my Level 2s later when we do a bit of study on “Feste und Feiertage.” As extra credit assignments, I’m just instructing students to read version 1 until they are comfortable with it, and then move onto version 2 if they want a challenge. Then, they answer in a Google Form four things they learned. This could be new vocabulary in German, cultural information, or questions that they continue to have after reading the text. Simple!
Let me know if you end up using the text, and how students respond to it! What are some other German resources that you would like to see? They could be about cultural topics, short stories, etc.!
If you are in the CI Blogosphere or in any of the numerous fabulous Facebook groups dedicated to discussing Teaching with CI (TCI), you may have heard of an activity called a One Word Image, or OWI. (Another TLA for you!) (TLA = Three Letter Acronym) (Buh dum tss) You may have seen teachers raving about how fun they can be, or the wacky images their students create. But what even IS this activity, whose creation is attributed to Ben Slavic? Let’s explore!
Why should you do it? Because our students are wonderfully creative, and it sometimes seems extremely rare that they get to explore that creativity in the current pressurized school environment. Building a character together as a class can be a fun outlet for them (and you!), in addition to accomplishing your Secret Language Teacher Goals. Aka – they get a lot of language input out of it! Not to mention, this character could become a class icon who goes on many adventures, or at the very least lives on in your classroom as a symbol of cooperation and fun.
When do I use an OWI?
The Create phase is a session of Guided Oral Input.
An OWI belongs in the “Create” category of activities in the Star Sequence, or what we might also call the “Guided Oral Input” part of a lesson. This is an experience that generates language and common experience in the classroom, which become the basis for the literacy work of the other star “points.”
A One Word Image is an inanimate object or animal that your class customizes and anthropomorphizes through your questioning and the collective use of imagination. The image gets drawn up (more on that below) so that you can revisit it later and use it for more literacy!
As for when during the school year to create an OWI with your class – it can be whenever! Many teachers use this strategy early on as a bridge to whole class, co-constructed storytelling, but it can pop up whenever in the year if you want to inject some fun and energy into the proceedings. Plus, it is easy to angle an OWI towards whatever unit you’re in. School unit? The image has to be a school supply! Food unit? Food with a face on it is hilarious! House unit? One of my most successful OWIs was a Roomba! (By the way, the German word for “vacuum cleaner” is “Staubsauger” – literally, dust sucker. Ding!)
How do I do it? – Logistics
Before you get started with anything, you’ll need to set up a way to get the image drawn for you! Most teachers find it useful to hire two student artists to draw the image as you and the class build it. This allows you to use the image later as an anchor for further discussion and literacy activities. Elementary teachers sometimes draw the images themselves to make it easier to see and more accurate.
Tina Hargaden once recommended announcing that you need to hire someone who is very good at drawing, so everyone needs to point at someone who is very good at drawing on three! One, two, three! A lot of the time there are 1-3 artists in a class that just rock and everyone knows it. You can use positive peer pressure, or just asking the student to get them on board. They then will need an assistant to help them out, so I take volunteers for that part and let the primary artist choose someone with whom they are likely to work well.
I set my students up at an easel with a giant piece of butcher paper, some chart paper markers, and some colored pencils. (You’ll also want for them to have a pencil sharpener and maybe a ruler, just in case.) My instructions to the the artist duo are as follows: 1. Draw exactly what I say (not what the class says…it’s easy to get distracted), and the Assistant has to follow Artist 1’s direction and vision 2. Take up the whole piece of paper so that the image is easy to see 3. It should be more cartoony than realistic – like a logo! 4. Do the outline in marker, and then color in with the pencils 5. Do not talk at more than a whisper so you can hear me and we don’t get distracted 6. Work quickly! They will have essentially 20 minutes to make this happen, in most cases
Many teachers also choose to hire a Professor #2 in this moment. This student will make the final call on details if there is a huge disagreement in the class. It is best to choose a student who may be quiet or not quite fully integrated into a group in the class, as this gives them a moment to be an important part of the classroom community without being overshadowed by the more…uh…active participants in your room. When there is a knockdown, drag-out fight about whether the Roomba is blue or red, Professor #2 makes the call and it is final. Instruct the students to respect the decision and move on.
How do I do it? – Procedure
The first time I do it, I say in L1 that we are going to create a character as a class using the power of our imaginations. We are going to create something that doesn’t exist already – so no rehashing of a famous character or person. It could be any sort of object – a car, a food, a piece of clothing – just not a person, or a character that already exists!
Then I start taking suggestions. Don’t bother translating to the L2 at this point – you’re going to get lots of excited suggestions. I take raised hands, and if students say anything that causes The Teenage Giggles (something inappropriate or that could be construed as such), I just say, “No,” and give a lingering glance to the student who suggested it.
A lot of the time, there will be one suggestion that has a lot of resonance with your class – pick that one! If there are a couple warring factions, propose 2-3 ideas and then just make a decision for the class. Write the object in L2 with L1 below it on the board. (Be prepared to learn a lot of random words in your L2…like when your students want to create a muskrat and you have no idea how to say that in German…)
Switch into the L2 (I have a student yell “DEUTSCH” to make that happen), and repeat the word for the object in the L2. I then tell the class to look at the object (again, in L2), while gesturing to a space in the front of the classroom. Saying the word with wonder and admiration, even asking students if they see it too and exhorting them to really look, adds a bit of magic to this initial moment. (I usually try to find a good moment to pop over to the artists and quietly whisper that they should start drawing a basic outline of the object, but without a face or color yet.)
Then, ask students in the L2 if the object is big or small. Use your body to convey these terms to students if they are not quite fully acquired – for example, I usually draw out my arms really widely for “big,” and then say the word in L2 so that students’ brains are cued up to hear the L2 word for its meaning. Then, do the same for “small.” If there’s a split decision, send it to the Professor #2 to make the call. Then, repeat the size with wonder, looking at the imaginary object you’ve established. I also say things like, “Wow, this muskrat isn’t small, no…it’s big!” in the L2 to just give more input. After that base detail has been established, you can play with the degree. For example: is it big, or VERY big? Is it VERY big, or is it GIGANTIC??? (Gestures galore!) This can be a fun way to up the ante and introduce students to similar words in a natural context.
After size, I usually ask what color the object is. It is helpful to have some sort of colored poster, like this number poster from Teacher’s Discovery, to quickly establish meaning for the colors. After the class chooses the color (or you defer to Professor #2 to make the call), it can be fun to compare this to objects in the class. Is it red like a Coca Cola bottle, or is it red like Jackson’s sweater? All the while, gesture to the imaginary object in the space you established earlier. Tell students to look at it, and repeat what it is. “Wow class, look here. We have a gigantic, red vacuum cleaner in our classroom. Hello up there! My name is Herr Fisher! How are you?” HAVE FUN. HAVE FUN!
After size and color have been established, compared, and wondered over, ask if the object is happy, or sad, establishing meaning through gestures or writing on the board in L1 and L2. With both options, I usually go back to the object to play with that a bit… “Hey! How are you doing? Badly? Oh no!! Don’t cry…it’ll be okay!”
For the first attempt, having these three class-decided details may be enough. Make sure you ask some questions along the way as a memory refresher for you and your students (“Wait…is our vacuum red or blue? Oh yeah! Thanks, y’all. It’s red! Wow!”), and don’t be afraid of playing with the wonderment of creating something together. This also can buy your artists some time to finish up their drawing.
You can do this as part of a written exit ticket, or asking the class as a whole: ask why the object feels the way it does. It helps to contextualize the emotion with details that the class has established. For example: “Why is this gigantic, blue muskrat so sad??” This can help focus the problem that students generate. Have them create the problem in L1 so their creativity can run wild! If it is written, you can tactfully combine ideas for the next class (or see if there is a dominant theme you could follow), and if you decide as a class, you’ll have to be prepared to do this live, gently turning down ideas that are too insane/violent/whatever.
I like to wait on the reveal of the character until the next class meeting, but whenever you do it, make sure it is done with a drum roll and some celebration of the artists for their contribution to the class’ history!
What do I do with it now that we’ve finished?
So you’ve created a character, and somebody (maybe you, maybe some students) drew it up! What’s next you ask? The possibilities are endless!
The obvious first step is to reveal the artwork to students. Now, because you’re working so heavily in the imagination during the creation of the character, you’re going to have as many imaginings of the character as there are students in your class. I like to preempt any negativity by saying, “Now, we’re going to show our appreciation to our classmates for creating this artwork for us! How much positivity and love can we give them?” (You may still have to address students privately who think they “could have done it better,” or publicly if the class is being unkind. Just prepare a set statement like, “Soandso took a great risk by volunteering to create something for us, so we will only honor their bravery and artistic choices!”)
After revealing the artwork and having the class show appreciation for the artist(s), talk through the character again in the L2. Maybe some features are easier to see than imagine all together – the large image is a great visual scaffold for you to talk about many more aspects of the character’s life. Maybe it has especially expressive eyes, the artist gave it a shock of crazy hair, or it’s interacting with its environment in an interesting way! Talk about that in the L2, conveying wonderment with your voice to show appreciation to the artists.
It is easy to segue from describing the character to a Write and Discuss, where you write up a description of the character with the class. At this point, you’ve repeated the language of the character description a lot, so students may be able to contribute to the paragraph that you write up on the board with ease and enthusiasm! A nice Quick Quiz after writing the description and rereading it can make the whole thing feel like a very academic experience – even if it was insanely fun!
If you feel like you want to try your hand at storytelling, you can use the problem generated at the end of the OWI process to turn into a very simple story. For example, the aforementioned vacuum cleaner was sad because he didn’t know where his parents were. Easy peasy! Mike Peto suggests a sequence of story creation that goes along these lines: 1. Describe the character again, where they are, and who they are with (usually a friend of a similar character species) 2. Describe their problem and the character’s reaction to it 3. Attempt to solve the problem a first time, and fail 4. Resolve the story by either solving the problem, failing, or failing and rethinking the problem
This can generate a quick story that can then be used for more literacy! And the language will naturally repeat, so student will get lots of CI in many restated contexts.
Beyond the Basics
Usually after a first class character, you can extend the time you use to create the class character, as well as the breadth of the questions you ask about the character. I got many of these ideas from Ben Slavic and Mike Peto. Consider asking about the following traits:
Kind or Mean
Intelligent or Dumb
Rich or Poor (gets old quick… Gucci belt Gucci belt Gucci belt #seventhgraders)
Brave or Scared/Timid
Optimistic or Pessimistic
Hardworking or Lazy
Honest or Dishonest
If you find some of these not-so-inspiring, try different traits! This keeps it fresh and can also help start discussions about these values.
Also consider asking the following, which can be hilarious and so fun:
Character’s name
Likes and dislikes
Age
Job that they have
A superpower they have
Pro Tips!
You don’t need to have a certain personality to do this! I am a zany person, but you do not need to be loud and extroverted like me to make this (or any “TCI” strategy) work. I have seen teachers regarding their imaginative creations with calm, professorial wonder, where I’m hopping around, crawling on the ground, etc. Try this strategy again and again until you develop your own relationship to it – don’t feel the need to BE any one teacher until you’ve experimented and found what works best for you.
Don’t let it run wild, part one! Kids are extremely creative, but it’s easy for things to get out of hand if you allow students to interject constantly with “Does it have seven legs?” “Is it wearing a tophat?” “Does it speak with an Italian accent?” You, as the teacher, need to make clear that creating with large groups of people can be very difficult because everyone is creative in different ways, so YOU will be the one asking the questions and will only accept answers to those questions. And when you have to cut it off, you will for the sake of actually getting something done and created. This can feel creatively disappointing, but we sometimes have to accept our ideas not getting used, and maybe they will be used next time!
Don’t let it run wild, part two! Kids like inappropriate stuff. When you are creating something in a more open-ended way with students, they will attempt to push the boundaries and say things that will make their classmates laugh. If you get a sense that there is a secretive in-joke laugh going around because of a suggestion, just nip it in the bud by lightly turning down the suggestion and giving a meaningful glance to the students suggesting it.
Sometimes you just have to make the choices! Students will likely feel very strongly about this activity, as it is quite unlike the rest of their classes and assignments. Sometimes you just have to make the call for students (often with the help of Professor #2), and accept that not all students will be satisfied. (“No one even wanted that one!”) Understand that these are your loudest voices and don’t necessarily represent your whole class. Let them know that a decision just had to be made, and that we can all accept our feelings of disappointment and hope that our ideas get chosen next time. (Sometimes students will strike deals with each other about a detail, saying that they’ll save something for next time…hilarious. And quite cooperative!)
Offer choices! Sometimes, asking questions such as “What color is it?” can lead to seemingly hours-long discussions that never get anywhere. Especially early on as students are acquiring these terms, just offer 2-3 choices – one that is kind of logical, one that is a little more out there. “Is the apple red like normal, or BLUE??” Students will usually have some sort of response as long as you show them what each word means, and you can decide if it will be normal-seeming or…not. (Most of the time, asking the class, “Is this a normal ____?” leads to an emphatic “NO!”)
Make it quick! As I said above, lingering on an open-ended question can just feel like an endless L1 slog of pain and misery. Keep the conversation moving: offer choices, allow for a short moment of lively debate, and then make a decision (relying on your Professor #2, when necessary). This can be a very fun activity – don’t let it, uh, fester.
End it if you have to! Some groups are not used to their teachers offering them such fun choices, and can get overstimulated very quickly. We (people who teach with CI) have all had a class who just couldn’t even. In-fighting, debates that got personal, no consensus building, etc. If that is happening to your class and it is starting to feel a little out of control and not so fun for you, tell the class you have all you need for today, and shift gears to something like a Dictation or a Quick Quiz. It has to be something quiet to signify, “hey, this didn’t work so well this time.” Reuse whatever language you were able to come up with as a class, and maybe add a detail or two yourself as the teacher, clearly establishing meaning and making sure your artists are with you.
If it fails, try again! Sometimes, we try a new strategy, and the first go-around feels quite…train wreck-y. Students don’t get it, you feel unsure, you question your abilities to teach “this way,” it doesn’t seem like it did anything for your classes, etc. We can have any number of thoughts go through our heads as we try something new, and this is absolutely normal. You’re learning something new and those muscles aren’t conditioned yet for maximum performance! I encourage you to try the strategy again, and as SOON as possible. Get back on the horse! That way you can implement the lessons you learned the hard way RIGHT AWAY and leave class with a sense of accomplishment, not a sense of defeat, embarrassment, or bitterness. End on the best note possible – practice again and again!
What if I want to learn more?
Check out the Bite-Sized Book of One Word Images by Ben Slavic and Tina Hargaden – this is an excellent resource that I have drawn a lot of my inspiration from. Ben Slavic is credited with creating the OWI, and his work with Tina in this book is very illuminating when it comes to how using images inspires our students’ imaginations and gets them so focused on creation that they effortlessly acquire the language used along the way.
Sarah Breckley has this video that shows her trying an OWI for the first time, with real kids!! It is very brave of her to show a first attempt – and can give you some inspiration as you learn for yourself.
Here’s Brett Chonko seamlessly working from an OWI to a Write and Discuss – what a pro! This can show you how these two strategies interact and lock together seamlessly to provide some awesome CI to your students.
There are many more videos of teachers doing OWIs on YouTube – search “One Word Image” for a treasure trove of different teaching styles!
What do you think? Do you feel ready to create a One Word Image (OWI)? Comment below and send me any questions you might have!
