This post will assume familiarity with the Card Talk strategy. If you haven’t heard of it or done it before, check out my post here about it and then come on back for some thoughts about how to bring it online!
As we move into a school year where many of us are fully online (and many are doing some sort of wonky not-normal something), I have been thinking about high-powered strategies and how to best bring them into the online environment. At the same time, I have talked to so many other teachers who are falling into the spiral of internet discovery that leaves them with too many ideas and not enough confident planning. It reminds me to be clear about what are the most important principles for my teaching – access to high-quality input, personalized discussions about relevant content, frequent chances to read on-level texts, and getting feedback on all of the above – and stick to making those things happen, over and over again.
I have always loved Card Talk for a couple big reasons. For one thing, it is a very flexible strategy. You can give a prompt for any sort of topic/theme, and boom! You have generated content for possibly weeks. For instance, this year level 1’s prompt is the typical beginning-of-level-one “Show a picture of an activity you like to do (bonus: put a picture of you doing that activity!)” Level 2, starting a unit about food? “Show a picture of a food that has meaning to you and/or your family, and another picture of a food you absolutely hate.” Level 3, beginning the year with a unit on art? “Show a picture of an artwork you listen to/view over and over again, and another picture of an artwork that really inspires you.”
The other big reason I love it is because it lends itself so nicely to community building. It does this by beginning conversations around individuals that enable us to draw connections between the members of our classes. This has been helpful to remind us all that behind the screens are real people who share some of the same interests as you – which we will be able to capitalize on once we’re back together in the beautiful future!
Adaptations for Virtual Learning
For synchronous learning: I shared a blank template (like this one you see here) with my entire class, and created an “assignment” on our Learning Management System (LMS) to fill in their slide, and then tell me which slide number they had claimed.
To prepare for class, I scrolled through and found two slides with similar-seeming interests (maybe both are related to sports, or music, or both students do gymnastics!). I copied these into my daily slideshow, and maybe noted some high-frequency or interesting vocabulary that I would need to have a conversation with my students about that interest. (I keep note paper in front of me while teaching asynchronously to keep my thoughts organized.) With some slides, I also had to edit them down a bit, because some students took the directive of “post a picture of AN activity you like” to fill the entire slide with every video game they had ever played ever. I wanted to keep the discussion focused, so I cut it down to about 2 or 3 pictures for each student (and explained that I had done so during class).
During class, I did a big drum roll, and then showed the students’ slides. While doing the activity, instead of sharing the slide fully presented, I instead showed the slide in the “edit” mode, as we would see it when we are working on it. That makes it easy to use the “presenter notes” at the bottom of the slide as a sort of whiteboard to introduce new vocabulary in big font.
With my level 1 students, because they had posted a picture of themselves on the slides, I used that as an opportunity to begin physical descriptions like, “Ah, Soandso has brown, wavy hair. Nice! I’m bald, I don’t have hair. (fake cries)”
Then, I moved into the discussion about that student’s interest(s). The power questions that tend to generate lots of good discussion are where a student does the given activity, as well as with whom. That usually provides enough fodder to stick on the slide for a couple minutes, learning more about the student’s preferences.
With any activity focused on just one kid, it is important to strike a balance between talking to just that kid and panning out to address the whole class. The questions directly to the kid tend to generate most of the content, whereas the questions to the class (“hey, translate what we just said quickly in the chat,” “Do you do this, too?” “Which of these two alternatives is better?”) keep the rest of the class engaged.
After discussing one slide for a while, I moved to the next, and drew connections between the two students. I rounded out the period with some Write and Discuss, Translation of the Class Text, and a Quick Quiz.
For asynchronous learning: I have not done this asynchronously, but I could imagine altering the template for the activity to generate the information I would need to do a presentation without the student there. In the “presenter notes” section, you could include “wh- questions” (who, what, when, where, why) that the student has to fill out in addition to posting their picture response to the prompt. This gives you as the teacher more information to work with as you perhaps create a video recording (I use Screencastify!) of you describing the student’s response with all the information you have, also comparing it to yourself! To check for understanding, you could have students write a short summary in their L1, or do a 4-question true/false quiz in the L2 after watching the video.
In the beautiful future…
I have kind of appreciated having the “cards” online. I didn’t have to spend money on card stock (HELLO) and didn’t feel bad about environmental waste. Perhaps I will make “creating the card” a digital assignment for the future to reduce waste and make it easier for me to see them all at once and plan. Hooray positives!
I also found myself getting frustrated that we were “only” getting through 1 or 2 cards in a long period, but that is also totally okay. Less is more with online learning! Better to feel very solid about even one card versus just hitting students with tons of new info and words about their classmates.
Have you done Card Talk online? How did it go? Leave your tips and tricks below!
This summer, I participated in an AP Summer Institute (virtually!) in preparation for my very first group of AP German students this coming fall. Gulp. I’m actually very excited for this first group. I will only have two students (last year’s level 3 was smaller with many seniors), but they are dedicated and so much fun. Plus, the AP Exam – intimidating and intense as it is! – is a great opportunity for them to show off what they CAN do with their Intercultural Communicative Competence.
One big question that came up in our group discussions during the APSI was how to incorporate the seeming mountains of cultural information and reflection that students need to navigate the Exam with ease. Culture shows up everywhere in the exam – no task on the exam is “purely language skill-based.” (Not to mention that language and culture are inextricably linked!)
I was wondering to myself throughout the training if it would be wise for students to compile a reflective cultural notebook of sorts that would document their growing cultural awareness, while also helping them gather useful vocabulary. This could potentially help me as the instructor to identify where I wasn’t providing cultural input to students, pushing me to flesh out my instruction to be even stronger. I also wondered about introducing the cultural notebook even as early as level 2 as a Pre-AP strategy to make visible students’ growing cultural awareness.
According to the ACTFL Intercultural Can-Do Statements, students grow from simply being able to recognize Products and Practices that help them understand Perspectives, to being able to compare them and interact at a functional level in the target culture(s). As students move closer to Advanced language proficiency and Advanced Intercultural Communicative Competence, they are more able to explain how and why there is diversity within a single “culture.” That (ambitious) goal requires a depth of cultural knowledge and skills that won’t be reached by only having Culture Fridays. How can we give students lenses through which to assess and grow in their Intercultural Communicative Competence, and visibly document that growth? How can we make sure that they are most at ease when confronting the AP Cultural Comparison?
Enter Bethanie Drew. Bethanie’s blog is a treasure trove of structures and strategies to simplify, clarify, and enrich the learning experience for both students and teachers. And just the other day, Bethanie shared an excellent digital notebook that does exactly what I was dreaming about!
The digital notebook looks like it will be immensely useful for AP students, and could even be used in Pre-AP courses. It is divided into 8 notebook “tabs.”
The first tabbed section reminds students of the three Ps of culture, as well as how students can draw on the different levels of culture that exist within their social environment (from just their own family, all the way up to their national identity).
Tabs 2-7 are divided up by the six themes of the AP course. Each section begins with a page for students to make general notes of vocabulary and cultural ideas that are related to the overall theme. Then, each of the unit Essential Questions are listed on a separate page, so students can consider their cultural knowledge through the lens of the Essential Questions. (E.g. “What constitutes a family in German-speaking societies?” “What are some important aspects of family values and family life in German-speaking societies?” etc.). Finally, sample questions from previous AP exams aligned with the theme are listed, and extra space is given for any additional notes.
The final tab is called “Resources” and includes a flow/structure for the comparison (with accompanying useful phrases) and a place to brain dump about individual cultural topics in a more general way (“Education system,” “Sports,” etc.).
I intend to use this digital notebook this year with my AP students as an early formative assessment of their cultural knowledge, as well as their control of vocabulary related to the different course themes. Over the course of the units, we can start with a brain dump into the organizers in the “Resources” tab, then move some of those vocabulary words and ideas into the tabs for each of the units, then refine our ideas through the use of the Essential Questions. In the end, students will have a resource that they created themselves to study with, as well as one that makes clear where they may have gaps they want to fill with further investigation! Score!
I am also contemplating using parts of this notebook with my level 3s this year to build their confidence with the AP themes and to reflect on their growth and learning throughout the German program. I will probably leave out the Essential Questions for my 3s, and stick more to the organizers in the “Resources” tab (and maybe organizing some of that topic knowledge under the related themes). I’m even thinking of doing an even more watered down reflection like this with my level 2s toward the end of the year…this resource is the gift that keeps on giving!
It is so important for us as teachers to incorporate culture into every lesson, and help students reflect on their growth and learning. This tool might help us do just that! Many thanks to Bethanie for her work, which you will find at her original blog post here.
Finally: here is the resource in German and Spanish! Feel free to make a copy and modify as you like. (And any corrections to the German are welcome!)
How do you feel you do at growing and assessing students’ Intercultural Competence? And how do you tackle the AP Cultural Comparison? Let me know in the comments below!
Hallo, meine lieben DeutschlehrerInnen! My perception is that there are so few resources for Teaching German with CI (especially compared to Spanish and French). I’m going to make it a goal of mine to share things I have created for my students that might be helpful to you.
Today, I am sharing a document that introduces students to the Muslim celebration of Ramadan. It is very basic: it describes how Muslims celebrate Ramadan, why, and when. While I am no expert, I think it is important to ignite students’ curiosity about different cultures. Also, Ramadan 2020 began yesterday, April 23rd, 2020!
There are two versions of the text in the document. The first is a bit simpler, with emojis to support comprehension and a glossary of lower-frequency vocabulary. The second is slightly more complex in sentence structure and vocabulary. On the third page of the document, you will find an infographic about the fact that how long a person fasts during Ramadan is dependent on where they are on the globe – the length of your day is determined by what latitude your home is on! Finally, I included some phrases for how to wish others a blessed Ramadan.
How am I using these texts with my students? Well, during this period of online learning, I am using these as “extra credit” texts, though I plan on assigning them to my Level 2s later when we do a bit of study on “Feste und Feiertage.” As extra credit assignments, I’m just instructing students to read version 1 until they are comfortable with it, and then move onto version 2 if they want a challenge. Then, they answer in a Google Form four things they learned. This could be new vocabulary in German, cultural information, or questions that they continue to have after reading the text. Simple!
Let me know if you end up using the text, and how students respond to it! What are some other German resources that you would like to see? They could be about cultural topics, short stories, etc.!
If you are in the CI Blogosphere or in any of the numerous fabulous Facebook groups dedicated to discussing Teaching with CI (TCI), you may have heard of an activity called a One Word Image, or OWI. (Another TLA for you!) (TLA = Three Letter Acronym) (Buh dum tss) You may have seen teachers raving about how fun they can be, or the wacky images their students create. But what even IS this activity, whose creation is attributed to Ben Slavic? Let’s explore!
Why should you do it? Because our students are wonderfully creative, and it sometimes seems extremely rare that they get to explore that creativity in the current pressurized school environment. Building a character together as a class can be a fun outlet for them (and you!), in addition to accomplishing your Secret Language Teacher Goals. Aka – they get a lot of language input out of it! Not to mention, this character could become a class icon who goes on many adventures, or at the very least lives on in your classroom as a symbol of cooperation and fun.
When do I use an OWI?
The Create phase is a session of Guided Oral Input.
An OWI belongs in the “Create” category of activities in the Star Sequence, or what we might also call the “Guided Oral Input” part of a lesson. This is an experience that generates language and common experience in the classroom, which become the basis for the literacy work of the other star “points.”
A One Word Image is an inanimate object or animal that your class customizes and anthropomorphizes through your questioning and the collective use of imagination. The image gets drawn up (more on that below) so that you can revisit it later and use it for more literacy!
As for when during the school year to create an OWI with your class – it can be whenever! Many teachers use this strategy early on as a bridge to whole class, co-constructed storytelling, but it can pop up whenever in the year if you want to inject some fun and energy into the proceedings. Plus, it is easy to angle an OWI towards whatever unit you’re in. School unit? The image has to be a school supply! Food unit? Food with a face on it is hilarious! House unit? One of my most successful OWIs was a Roomba! (By the way, the German word for “vacuum cleaner” is “Staubsauger” – literally, dust sucker. Ding!)
How do I do it? – Logistics
Before you get started with anything, you’ll need to set up a way to get the image drawn for you! Most teachers find it useful to hire two student artists to draw the image as you and the class build it. This allows you to use the image later as an anchor for further discussion and literacy activities. Elementary teachers sometimes draw the images themselves to make it easier to see and more accurate.
Tina Hargaden once recommended announcing that you need to hire someone who is very good at drawing, so everyone needs to point at someone who is very good at drawing on three! One, two, three! A lot of the time there are 1-3 artists in a class that just rock and everyone knows it. You can use positive peer pressure, or just asking the student to get them on board. They then will need an assistant to help them out, so I take volunteers for that part and let the primary artist choose someone with whom they are likely to work well.
I set my students up at an easel with a giant piece of butcher paper, some chart paper markers, and some colored pencils. (You’ll also want for them to have a pencil sharpener and maybe a ruler, just in case.) My instructions to the the artist duo are as follows: 1. Draw exactly what I say (not what the class says…it’s easy to get distracted), and the Assistant has to follow Artist 1’s direction and vision 2. Take up the whole piece of paper so that the image is easy to see 3. It should be more cartoony than realistic – like a logo! 4. Do the outline in marker, and then color in with the pencils 5. Do not talk at more than a whisper so you can hear me and we don’t get distracted 6. Work quickly! They will have essentially 20 minutes to make this happen, in most cases
Many teachers also choose to hire a Professor #2 in this moment. This student will make the final call on details if there is a huge disagreement in the class. It is best to choose a student who may be quiet or not quite fully integrated into a group in the class, as this gives them a moment to be an important part of the classroom community without being overshadowed by the more…uh…active participants in your room. When there is a knockdown, drag-out fight about whether the Roomba is blue or red, Professor #2 makes the call and it is final. Instruct the students to respect the decision and move on.
How do I do it? – Procedure
The first time I do it, I say in L1 that we are going to create a character as a class using the power of our imaginations. We are going to create something that doesn’t exist already – so no rehashing of a famous character or person. It could be any sort of object – a car, a food, a piece of clothing – just not a person, or a character that already exists!
Then I start taking suggestions. Don’t bother translating to the L2 at this point – you’re going to get lots of excited suggestions. I take raised hands, and if students say anything that causes The Teenage Giggles (something inappropriate or that could be construed as such), I just say, “No,” and give a lingering glance to the student who suggested it.
A lot of the time, there will be one suggestion that has a lot of resonance with your class – pick that one! If there are a couple warring factions, propose 2-3 ideas and then just make a decision for the class. Write the object in L2 with L1 below it on the board. (Be prepared to learn a lot of random words in your L2…like when your students want to create a muskrat and you have no idea how to say that in German…)
Switch into the L2 (I have a student yell “DEUTSCH” to make that happen), and repeat the word for the object in the L2. I then tell the class to look at the object (again, in L2), while gesturing to a space in the front of the classroom. Saying the word with wonder and admiration, even asking students if they see it too and exhorting them to really look, adds a bit of magic to this initial moment. (I usually try to find a good moment to pop over to the artists and quietly whisper that they should start drawing a basic outline of the object, but without a face or color yet.)
Then, ask students in the L2 if the object is big or small. Use your body to convey these terms to students if they are not quite fully acquired – for example, I usually draw out my arms really widely for “big,” and then say the word in L2 so that students’ brains are cued up to hear the L2 word for its meaning. Then, do the same for “small.” If there’s a split decision, send it to the Professor #2 to make the call. Then, repeat the size with wonder, looking at the imaginary object you’ve established. I also say things like, “Wow, this muskrat isn’t small, no…it’s big!” in the L2 to just give more input. After that base detail has been established, you can play with the degree. For example: is it big, or VERY big? Is it VERY big, or is it GIGANTIC??? (Gestures galore!) This can be a fun way to up the ante and introduce students to similar words in a natural context.
After size, I usually ask what color the object is. It is helpful to have some sort of colored poster, like this number poster from Teacher’s Discovery, to quickly establish meaning for the colors. After the class chooses the color (or you defer to Professor #2 to make the call), it can be fun to compare this to objects in the class. Is it red like a Coca Cola bottle, or is it red like Jackson’s sweater? All the while, gesture to the imaginary object in the space you established earlier. Tell students to look at it, and repeat what it is. “Wow class, look here. We have a gigantic, red vacuum cleaner in our classroom. Hello up there! My name is Herr Fisher! How are you?” HAVE FUN. HAVE FUN!
After size and color have been established, compared, and wondered over, ask if the object is happy, or sad, establishing meaning through gestures or writing on the board in L1 and L2. With both options, I usually go back to the object to play with that a bit… “Hey! How are you doing? Badly? Oh no!! Don’t cry…it’ll be okay!”
For the first attempt, having these three class-decided details may be enough. Make sure you ask some questions along the way as a memory refresher for you and your students (“Wait…is our vacuum red or blue? Oh yeah! Thanks, y’all. It’s red! Wow!”), and don’t be afraid of playing with the wonderment of creating something together. This also can buy your artists some time to finish up their drawing.
You can do this as part of a written exit ticket, or asking the class as a whole: ask why the object feels the way it does. It helps to contextualize the emotion with details that the class has established. For example: “Why is this gigantic, blue muskrat so sad??” This can help focus the problem that students generate. Have them create the problem in L1 so their creativity can run wild! If it is written, you can tactfully combine ideas for the next class (or see if there is a dominant theme you could follow), and if you decide as a class, you’ll have to be prepared to do this live, gently turning down ideas that are too insane/violent/whatever.
I like to wait on the reveal of the character until the next class meeting, but whenever you do it, make sure it is done with a drum roll and some celebration of the artists for their contribution to the class’ history!
What do I do with it now that we’ve finished?
So you’ve created a character, and somebody (maybe you, maybe some students) drew it up! What’s next you ask? The possibilities are endless!
The obvious first step is to reveal the artwork to students. Now, because you’re working so heavily in the imagination during the creation of the character, you’re going to have as many imaginings of the character as there are students in your class. I like to preempt any negativity by saying, “Now, we’re going to show our appreciation to our classmates for creating this artwork for us! How much positivity and love can we give them?” (You may still have to address students privately who think they “could have done it better,” or publicly if the class is being unkind. Just prepare a set statement like, “Soandso took a great risk by volunteering to create something for us, so we will only honor their bravery and artistic choices!”)
After revealing the artwork and having the class show appreciation for the artist(s), talk through the character again in the L2. Maybe some features are easier to see than imagine all together – the large image is a great visual scaffold for you to talk about many more aspects of the character’s life. Maybe it has especially expressive eyes, the artist gave it a shock of crazy hair, or it’s interacting with its environment in an interesting way! Talk about that in the L2, conveying wonderment with your voice to show appreciation to the artists.
It is easy to segue from describing the character to a Write and Discuss, where you write up a description of the character with the class. At this point, you’ve repeated the language of the character description a lot, so students may be able to contribute to the paragraph that you write up on the board with ease and enthusiasm! A nice Quick Quiz after writing the description and rereading it can make the whole thing feel like a very academic experience – even if it was insanely fun!
If you feel like you want to try your hand at storytelling, you can use the problem generated at the end of the OWI process to turn into a very simple story. For example, the aforementioned vacuum cleaner was sad because he didn’t know where his parents were. Easy peasy! Mike Peto suggests a sequence of story creation that goes along these lines: 1. Describe the character again, where they are, and who they are with (usually a friend of a similar character species) 2. Describe their problem and the character’s reaction to it 3. Attempt to solve the problem a first time, and fail 4. Resolve the story by either solving the problem, failing, or failing and rethinking the problem
This can generate a quick story that can then be used for more literacy! And the language will naturally repeat, so student will get lots of CI in many restated contexts.
Beyond the Basics
Usually after a first class character, you can extend the time you use to create the class character, as well as the breadth of the questions you ask about the character. I got many of these ideas from Ben Slavic and Mike Peto. Consider asking about the following traits:
Kind or Mean
Intelligent or Dumb
Rich or Poor (gets old quick… Gucci belt Gucci belt Gucci belt #seventhgraders)
Brave or Scared/Timid
Optimistic or Pessimistic
Hardworking or Lazy
Honest or Dishonest
If you find some of these not-so-inspiring, try different traits! This keeps it fresh and can also help start discussions about these values.
Also consider asking the following, which can be hilarious and so fun:
Character’s name
Likes and dislikes
Age
Job that they have
A superpower they have
Pro Tips!
You don’t need to have a certain personality to do this! I am a zany person, but you do not need to be loud and extroverted like me to make this (or any “TCI” strategy) work. I have seen teachers regarding their imaginative creations with calm, professorial wonder, where I’m hopping around, crawling on the ground, etc. Try this strategy again and again until you develop your own relationship to it – don’t feel the need to BE any one teacher until you’ve experimented and found what works best for you.
Don’t let it run wild, part one! Kids are extremely creative, but it’s easy for things to get out of hand if you allow students to interject constantly with “Does it have seven legs?” “Is it wearing a tophat?” “Does it speak with an Italian accent?” You, as the teacher, need to make clear that creating with large groups of people can be very difficult because everyone is creative in different ways, so YOU will be the one asking the questions and will only accept answers to those questions. And when you have to cut it off, you will for the sake of actually getting something done and created. This can feel creatively disappointing, but we sometimes have to accept our ideas not getting used, and maybe they will be used next time!
Don’t let it run wild, part two! Kids like inappropriate stuff. When you are creating something in a more open-ended way with students, they will attempt to push the boundaries and say things that will make their classmates laugh. If you get a sense that there is a secretive in-joke laugh going around because of a suggestion, just nip it in the bud by lightly turning down the suggestion and giving a meaningful glance to the students suggesting it.
Sometimes you just have to make the choices! Students will likely feel very strongly about this activity, as it is quite unlike the rest of their classes and assignments. Sometimes you just have to make the call for students (often with the help of Professor #2), and accept that not all students will be satisfied. (“No one even wanted that one!”) Understand that these are your loudest voices and don’t necessarily represent your whole class. Let them know that a decision just had to be made, and that we can all accept our feelings of disappointment and hope that our ideas get chosen next time. (Sometimes students will strike deals with each other about a detail, saying that they’ll save something for next time…hilarious. And quite cooperative!)
Offer choices! Sometimes, asking questions such as “What color is it?” can lead to seemingly hours-long discussions that never get anywhere. Especially early on as students are acquiring these terms, just offer 2-3 choices – one that is kind of logical, one that is a little more out there. “Is the apple red like normal, or BLUE??” Students will usually have some sort of response as long as you show them what each word means, and you can decide if it will be normal-seeming or…not. (Most of the time, asking the class, “Is this a normal ____?” leads to an emphatic “NO!”)
Make it quick! As I said above, lingering on an open-ended question can just feel like an endless L1 slog of pain and misery. Keep the conversation moving: offer choices, allow for a short moment of lively debate, and then make a decision (relying on your Professor #2, when necessary). This can be a very fun activity – don’t let it, uh, fester.
End it if you have to! Some groups are not used to their teachers offering them such fun choices, and can get overstimulated very quickly. We (people who teach with CI) have all had a class who just couldn’t even. In-fighting, debates that got personal, no consensus building, etc. If that is happening to your class and it is starting to feel a little out of control and not so fun for you, tell the class you have all you need for today, and shift gears to something like a Dictation or a Quick Quiz. It has to be something quiet to signify, “hey, this didn’t work so well this time.” Reuse whatever language you were able to come up with as a class, and maybe add a detail or two yourself as the teacher, clearly establishing meaning and making sure your artists are with you.
If it fails, try again! Sometimes, we try a new strategy, and the first go-around feels quite…train wreck-y. Students don’t get it, you feel unsure, you question your abilities to teach “this way,” it doesn’t seem like it did anything for your classes, etc. We can have any number of thoughts go through our heads as we try something new, and this is absolutely normal. You’re learning something new and those muscles aren’t conditioned yet for maximum performance! I encourage you to try the strategy again, and as SOON as possible. Get back on the horse! That way you can implement the lessons you learned the hard way RIGHT AWAY and leave class with a sense of accomplishment, not a sense of defeat, embarrassment, or bitterness. End on the best note possible – practice again and again!
What if I want to learn more?
Check out the Bite-Sized Book of One Word Images by Ben Slavic and Tina Hargaden – this is an excellent resource that I have drawn a lot of my inspiration from. Ben Slavic is credited with creating the OWI, and his work with Tina in this book is very illuminating when it comes to how using images inspires our students’ imaginations and gets them so focused on creation that they effortlessly acquire the language used along the way.
Sarah Breckley has this video that shows her trying an OWI for the first time, with real kids!! It is very brave of her to show a first attempt – and can give you some inspiration as you learn for yourself.
Here’s Brett Chonko seamlessly working from an OWI to a Write and Discuss – what a pro! This can show you how these two strategies interact and lock together seamlessly to provide some awesome CI to your students.
There are many more videos of teachers doing OWIs on YouTube – search “One Word Image” for a treasure trove of different teaching styles!
What do you think? Do you feel ready to create a One Word Image (OWI)? Comment below and send me any questions you might have!
Ah, November. The time of year when students’ general goodwill towards school has shrunk a bit, there have been sports events and field trips galore pulling your kids out of class, and you might just be feeling a lil tired. I know this is the case for me, so this post is about taking the time to develop a plan of attack further so we are prepared for days when things are starting to feel tough.
I’m writing these as reminders mostly to myself, but I hope they help you in whatever you may be struggling with to make this time of year (aka…DEVOLSON).
I can also tell you that some of these reflections come straight from the hearts of my students: though I was recently in a negative head space and worried that students would tear me up, I again asked for student feedback on my teaching (using this form) on the Friday after Halloween (gulp). I learned that 1. things were so much better than I catastrophically had thought to myself and 2. that young people will truly surprise you with their helpful insights…if you just ask!
So, here we go!
Develop Your Vision
Do you know exactly how you want your class to look, moment to moment? This is a bigger, long-term mental project, but when you run into moments in the classroom that are irritating to you, ask yourself, “Why?” How do those moments divert from your vision of how class “should” be? I find that I often haven’t expressed to students a specific expectation that I take for granted, so it would be almost miraculous for them to just meet it. We all know that students can be very…inventive…with their behavior, so we can be the ones to express a vision of fun productivity that truly works in everyone’s favor. I’ve been writing down specific items of behavior that I envision, and then explicitly teaching to those expectations.
Tell Them Why
Language is so different from typical school subject matters that it needs to be taught in a very different way. This can be disorienting from kids who have learned how to “play the school game,” and then get into a language class where we “just talk all the time,” so explicitly stating why we do any given practice can help students understand and meet with our visions. I’ve been repeating since the early weeks of school that “we learn languages by hearing and reading messages we understand in the language,” so when I explain that talking English isn’t helping our language acquisition, kids are like…oh yeah, that’s right. But then! I give them alternatives that allow us to stay in the language as much as possible. They’re more likely to use these new mental/communication tricks if they understand why they are necessary or desired in the first place.
Energy!
When things are going right…tell them. And telling them can look like different things. Strong choral response after pumping them up? “(in L2) Yes, class! Wow, y’all are so intelligent. You’re getting it.” Long stretch of whole class interaction uninterrupted by L1? “(in L2) Wow, this class speaks a lot of [L2]! And so well!” Or save it for the end of class: “(in L1) Y’all, in the middle of class, we had a stretch where it was only in [L2], and it was so glorious. I could tell so much [L2] was going into your brains, and you are going to be the super awesome, multilingual citizens of the future. BAM!” And also: never discount the power of a high five, eye contact with a smile, a covert thumbs up…
Go SLOW
If I keep in mind that my desired purpose in each class period is, at its core, communication with the people in the room, I get better at looking for evidence that communication is actually happening. Am I learning new facts about my students and verifying them with their classmates? Are students reacting to those learnings and sharing more about themselves? Am I sharing new information about the Target Culture and gathering students’ reactions to it?
I must look into their eyes, check their comprehension, and speak to them in ways such that they understand. (Check out this post by Martina Bex about ways to make that happen.) This often involves going much slower, using lots of gestures, pausing, and taking the time to savor silence. This is a long-term struggle: I have literally presented at conferences about the importance of SLOW, and more than one of my level 1 students asked me to slow down a bit. It is important, and difficult! So, I will be slowing down in the name of comprehension and real communication.
Self-Interrupt
If I’ve shared how languages are acquired – hearing comprehensible messages – then I can just interrupt my own speech if a student starts to talk out of bounds in L1 while we’re talking in L2. I try to scan my class broadly as I do this, so as not to come off too aggressive with the student or students who spoke out of turn, but I do try to go back to them and give them a wink or a nod as we carry on.
Just Walk On Over To the Rules
This is a trick I learned from Tina Hargaden: just stop, saunter (really, saunter) over to the class rules, and indicate which has been broken while scanning the class with a smile. Because it’s so calm and quiet, students tend to get uncomfortable and push each other to quiet down a bit.
Get Feedback
Ask students what activities are working best for them, as well as what is a change they might make to class that would help them learn the L2 better. Most of the time, students are reasonable and helpful in their suggestions, as long as I frame the feedback giving as something that will help us have a more successful, fun class.
After getting the feedback, positively acknowledge that you have considered their feedback, and then try to incorporate their suggestions as much as possible. It turns out my level 1s love stories – let’s do more of those! Level 3 asked for me to actually be more strict about not starting side conversations in English after every sentence, so I know that there will be students in class that will help me out when I am managing towards a more L2 environment. If I am able to incorporate things that students have suggested, then bam! Goodwill towards the class that will help us be more productive and successful, and I will hopefully grow my influence as a classroom manager of their time.
This post only begins to scratch the surface of all the many philosophical considerations and moment-to-moment techniques that go into “doing” classroom management…do you have any quick tips or thoughts that might help others? Comment with your gems below!
We’re ending week 3.5 here in Washington state (we started the Wednesday after Labor Day), and I figured it would a good time to plonk some reflection into my students’ laps to help them look back on what we’ve done so far, let me know what’s working and what’s not, and get an affective temperature check. My big goals for my students are for them to feel safe and cared for in my class, and for them to comprehend buckets of input in German or Spanish. (Sometimes both when my brain fails to shift gears during 7th period…oh mein Gott…)
I gave students this half-sheet form, and five minutes of quiet to fill it out before we transitioned to my personal favorite class game, Gimkit. (Edit: the fabulous Kate Smith on Facebook made it into a Google Form, which makes gathering the data EVEN EASIER! Go ahead and make a copy for yourself!) Feel free to modify as needed, as I forgot to do when I gave the version that said “German” to my Spanish class…d’oh. Anywho, I conveyed before we started that their honest and helpful feedback would make me a better teacher, and it would make class better for everyone. So it’s a win-win!
I’ve spent this morning reviewing the trends, and I’m feeling very, very thankful that I did this. I have solicited feedback from students before, and it can definitely be awkward and painful. But I’m going into next week feeling aware of what’s working for them, and overall how they’re feeling in class.
Here are the biggest trends I noticed, both across levels, as well as in individual classes:
Gestures
Classes at every level pointed to my use of hand gestures for verbs as something that really helped them. I lifted how I do them from Tina Hargaden, so it’s nice to see that it truly is a huge comprehension support, and that I’m not just doing the Macarena for myself up in front of the class. This has also really helped me use more natural language, as I can use the same gesture for a verb’s past, present, and future forms, and use context to otherwise make things clear for students. And I can stay in the Target Language so much easier! Which leads me to…
High Levels of Target Language Usage
All my classes told me they liked how much of the Target Language we used during class, for Small Talk, Stories, Calendar Talk, Card Talk…everything! One student told me while we were watching the Homecoming Football Game that their previous teacher usually would do “only the Target Language” like…every other day. Which meant that class was 50% English, 50% TL. They really need the input to grow their mental representation of the language, so I’m glad students are appreciating my efforts to keep things comprehensible and shift that percentage in the direction of the Target Language.
Write and Discuss into Choral Translation + Grammar
Write and Discuss by itself didn’t necessarily get the biggest shoutouts at each level, but many students pointed out that doing a Choral Translation of the class text into English, funky word order and all, helped them see how German and Spanish are constructed and made them appreciate how much they understood. This is the perfect time to slip in fun grammar noticings – German word order is always fun to see at any level, and Spanish can do some wild things, too. And it’s not TOO grammar-heavy for them – one student literally wrote under his positives: “He isn’t making us remember grammar. He’s just speaking to us.” #blessings
Classroom Management
A comment to the effect of “make my classmates shut it during our class conversations” appeared at least once at every level, but was especially prevalent in my level 3 German class. They have known each other for a good long time, and have so many in-jokes and crazy stories from their last German teacher (who was/is a wonderful angel), that we often all get distracted with the fun stories in English and forget to use the most German possible. I see this as a necessary growing pain – I would much prefer that they had positive experiences with each other in the past, but I’m also convincing them of the value of 90%+ TL, so this will be an area of growth for us all. (Being a slightly hyper and easily distracted sort of dude…I am sometimes a culprit. Oops!) I think I can leverage how much my students in each class enjoy hearing the Target Language (as evidenced by their comments) to turn this tide and get us going in a fantastic direction.
Double Checking the Forms I Give My Class
Because I gave out forms that said “German” instead of “Spanish” to my Spanish classes, I received many angry face emoji drawings on my surveys, and one “you could improve by loving Spanish more! (crying face emoji)” SORRY, Y’ALL! (They actually took it in stride, but I definitely don’t want them feeling like I only love my German students…I truly love them all because they’re so FUNNY.)
Sorry, chicos. 😛
Bonus Comments!
I have a couple of heritage Spanish speakers in my level 2 Spanish class, and I got some sweet comments from them, too. One wrote, “I already know the language, but it’s nice being in here.” I have another heritage speaker who sometimes speaks like a Novice – lots of errors, but comprehensible! – and he wrote, “I appreciate that Mr. Fisher tells us that being wrong is okay!” My heart!!!
I want to make sure I do this at intervals for the rest of the year. There are regular slumps in the natural cycle of the school year, and using reflective surveys like this can hopefully help me keep students engaged and contented in class. What’s more, I hope I am conveying to them how much I appreciate and care for them, and can build good will by not pretending to have all the answers all the time.
Go forth, and reflect! What have been your reflections from the beginning of this year? What have students told you? Let me know in the comments below!
Generally, in CI World, we know that students acquire vocabulary most efficiently from comprehensible messages in the Target Language. That means that Ye Olde Vocabulary Lists of yore are not quite as helpful as we used to think. Trying to memorize them engages the brain’s explicit/conscious learning faculties, versus the implicit/unconscious learning that is capable (and more durable, in the case of language) when focusing on getting students as much comprehensible input as possible. For this reason, many CI World teachers have ditched vocab lists and just focus on providing rich, repetitive, compelling comprehensible input in class. And that’s all!
…but what if I want a vocabulary list? What if my students want one? There’s something satisfying about the neatness of a list. It implies and provides structure, and is something to refer to when feeling lost. And maybe your department/school/district requires that you provide and teach students thematic/semantic sets of vocabulary. This is the situation I’m currently in with my school’s Spanish department (I’m a singleton with German – I have more freedom there), so this is something I’m thinking about this year as well.
We have to be mindful that students sometimes struggle with classes that don’t “look” entirely “like school.” Especially in the early levels, we’re mostly asking students to just listen, read, and show that they understand. That is VERY different from any other class they have taken, where they may have to take and summarize notes, respond frequently with their own thoughts, elaborate on those thoughts, work out individual written responses to prompts, etc. Just understanding what you hear and read sounds like a murky goal – even ifwe as teachers know that it is what they need. But maybe having a vocabulary list gives students the comfort they want in “learning” the language when we secretly know that we are creating class such that they acquire the language.
This question actually opens up to two different contexts with distinct solution sets, so let’s explore each context and see how we can best support our students on their quest toward language proficiency.
Context 1: I have a mandated vocabulary list
This context is affecting my Spanish teaching this year. This year, I’m teaching second-year Spanish. I’ve come in to a new school whose Spanish department adheres pretty closely to the scope and sequence provided by a textbook, which is not how I teach. But! I was told that as long as I cover the vocabulary and structures present in the chapters my department uses over the course of the year, I can teach however I want. My district seems big on teacher autonomy, which is truly a blessing.
So, what am I going to do? Here have been my plans for “covering” the vocabulary lists I’m expected to cover this year:
Calendar Talk: Calendar Talk is great for introducing all sorts of new vocab, because it necessarily includes compelling events from students’ lives. In addition to reviewing the Spanish 1 calendar basics (days, months, etc.), we’ll be able to review future plans, and start talking about what students did over the weekend. A seamless and natural introduction to the past tense forms!
Card Talk: Card Talk can be angled to introduce any subject – check the linked post for ideas how to use Card Talk prompts to push conversation towards thematic vocab. School unit? Have kids draw what goes on in their favorite class. Talking about places in town? Have kids draw their favorite spots, and go in on what is around them, where they are located, etc.
OWI: Specify that the One Word has to fit some sort of theme – it has to be an article of clothing, it has to be a toy of some sort, it has to be a food, etc. This will likely draw in other related vocab – pieces of clothing are often friends with other pieces of clothing, for instance. #BillylaBufanda
Storytelling: As with OWIs, unscripted stories can be angled towards problems that mirror the language introduced in a thematic chapter. An OWI that is a pencil can be at school and have some sort of problem with its history teacher. Or, you can go the route of purposefully building in vocab list vocabulary into stories. Or let someone else do it for you! I am a huge fan of Anne Matava’s Story Scripts, just because they’re so wacky and fun, and I’ll definitely be using “You, In the Corner!” and “An Important Test” early on during the school unit because those have always inspired much hilarity.
Picture Talk: Picture Talk can be used to kill 2 birds with 1 stone – I can pull up an image from the Target Culture, and discuss both what is going on in the picture, and if it is different from an analogous context here in the US!
Story Listening: Now, I don’t do Story Listening exactly as Dr. Mason describes, but I love using it to include cultural tales in my classes. I think it will be a fabulous way for students to hear lots of natural language, and because I’m teaching Level 2, it will be good for them to hear the different Spanish past tenses in natural contexts.
There are so many ways to weave in “required” vocab – we just have to be a little creative in sequencing our classes and providing specific communicative contexts so that the vocabulary just happens to come up. (Or, it just seems that way to our students! *wink*)
I think you can also get your kids in on it a bit, too. I explicitly told my students that we have to do similar stuff to what the other classes have to do, but that we’ll try to make it as fun as possible. If we ever run into a situation where interest is waning, we can remind ourselves that we’re doing our best to have fun and “cover” all the stuff. Kids usually like a conspiracy…er…challenge. *wink again*
Context 2: I do not have a mandated vocabulary list
This is my situation with German this year! I am the best only German teacher at my school, and my district (again) provides teachers lots of autonomy, so I have a lot of freedom to teach whatever vocab seems best. For me, I am aiming for natural language usage. So, I’m creating contexts for communication, and we’ll use whatever language comes up!
This does lead to things being a bit unpredictable, and honestly, I’ve found it difficult in the past to keep track of what I’ve said to whom. Sometimes I find myself “introducing” a gesture for a verb, and the class is like “omg Herr Fisher get it together, we got this!” Other times, I have discovered that a fairly high frequency / useful word hasn’t come up in a long time, or at all, and I end up doing mental gymnastics trying to introduce it to the class.
Then, I stumbled upon this article by Justin Slocum Bailey, who is an outstanding Latin teacher and teacher trainer. He had an idea that was so simple, I went YEAH: just ask kids at the end of class what words/phrases were most central to the day’s interactions, and what seemed most useful. Boom! The students help you build out a vocabulary list, so there’s a feeling of mutual responsibility. You can then just make a spreadsheet (I keep mine in a Google Spreadsheet) with all the language you’ve used, so you know what each class has heard and used. Boom!
I also check back on my Write and Discuss from each day to see what has come up in class. I write mine by hand on the board to keep them shorter, and then type them up into a Google Doc during my prep. I do this in conjunction with asking the class, because sometimes certain language stuck out to them more, and that language doesn’t always necessarily show up in the Write and Discuss. (See: a super random vocab word a kid asked for during class, a fun interjection, you accidentally taught a swear word when you walked backwards into a chair and fell over and politely remind your students to never ever use ever, etc.)
Now what do I do with this word list, once I have it? The first thing is feel relieved, because if anyone ever asserts “we (they?) don’t even do anything in there!” I can whip the list out and be like “well then, what is all this language we’ve used?! (dramatic music)“
I also have thought out some other, non-affective uses for such a list, which could include: – Building new readings that are recombinations of familiar vocab, either for days when I need to sit to refrain from dying, or for performance assessments (both throughout an instructional cycle, using AnneMarie Chase’s Quick Quizzes, or at the end). – Spiraling the vocab that appears in my Bell Ringers, which are usually reading (input!)-based. – Playing games! I could easily make these a Quizlet set for students to study, if they should so choose, which easily turns into either a Gimkit or a Quizlet Live. Same idea with a Kahoot! – Printing the list for a parent or child. Sometimes they just want some sort of proof, something to study. This could be it! – Reminding myself of other useful stuff that hasn’t come up yet – and then magically bringing it up!
Sometimes, you might want to target other useful vocab that could wow their next level teacher and make your classroom life more flowing. Slip a new word or phrase into the classroom convo when it makes sense, and boom! You have a more proficient user of the target language.
Overall:
If we communicate to our students via lists, they will produce…lists. I’m aiming to use class time to communicate in real questions, statements, stories, etc., so that hopefully one day, my students will be able to do the same. But for as long as we need to hold onto the idea of the vocab list for the world language classroom, then we can certainly provide – and make it useful to us, too!
What do you think? Do you have to follow a set list, or do you have more freedom? Do you have an argument for vocab lists that I’m not thinking about? Let me know your thoughts and ideas below!
I am at a new-to-me school this year, finally teaching German while also still getting to teach some Spanish. (And model how cool multilingualism is, boing!)
The prospect of teaching German was so exciting to me when I applied for and got the job – I know WAY more about German stuff, having lived in Germany for a year, and I just love the language dearly. But I didn’t realize how difficult last year was on me emotionally and mentally until I woke up feeling nervous and physically sick this morning, my heart beating wildly as I imagined facing my classes for the first time.
I kept swirling around in thoughts like: “What if this year is just as hard as last year?” “What if you lose control?” “What if you can’t keep it in German the whole time because there’s so much side chatter?” “What if this is just what teaching is like?”
I’m (finally) seeing a counselor for anxiety, and part of my initial stages of treatment has just been identifying when I’m having negative thoughts at all. Sometimes, just identifying that it is happening is enough to help me dispel the tension. So, I identified that I was feeling scared, and set about repeating to myself the mantras I know to be true and helpful: Go slow. Look them all in the eyes. Maximize comprehension. Give your students love.
Now, I saw all the freshmen yesterday as part of their orientation day, and my German 1 freshmen were very…lively. I worried that they would never settle down, and that it would be the failure I had imagined. But I stuck to my mantras and did my best with them today.
All we got was this short text:
Two kids got jobs. And we got one sentence! “Today is Thursday, not Friday.” It was a hard-earned sentence, but we got it out, because I decided to stay slow, maintain my calm, and make sure that that one sentence was good with everyone before we moved on.
And you know what? I had students come up to me after class and tell me that they appreciated how I teach. And my students exhibiting the most distracting behaviors knew 100% what was going on when I checked in with them. And even my girls (there are like 6 of them and 29 boys, help) were able to laugh with me about the energy of the class, aka I don’t think they hate me.
After school today, I called some parents as part of my mission to establish positive contact with all my families before we get too far into the year. (Currently at 12o-odd kids amongst four class sections, so pray for me.) ALL the parents I called today told me that their kid already liked my class. Even with all this energy, all this containment and calm I was managing! They liked it, and they liked me.
Our students want to understand. They want teachers to take it slow, check in with them, make sure everyone is okay before moving on. So maybe this group will need some training about how to respond and interact in a CI classroom – but if I can stick to what I know to work…we could have a wonderful, wonderful year. I will take the time I need to reflect and grow, and give these students what they want and need – someone they understand, who seeks to understand them.
I am here at my desk, wishing you the best for the new school year. How is it going for you??? Tell me in the comments below!
We are so lucky to live in an age where if we want to learn something new – about whatever topic! – we can just look up the topic online and find all sorts of help, tutorials, guides, etc. As interest in Teaching with CI grows, more and more high quality training materials are appearing online every day, from webinars, to blogs, to whole books that people are writing to support new to TCI teachers in finding their way through the thicket of innovations available to us now.
What’s more, many teachers are catching onto the fact that it is often easiest to learn teaching skills by watching them happen in real teaching contexts. Teachers have taken to YouTube and Vimeo to post videos of themselves teaching their real students, so other teachers can get a sense of how to bring all the skills of teaching with CI together with the ever-expanding repertoire of activities/contexts for delivering CI. Sarah Breckley recently made a plea to teachers to film their classes as much as possible, and post the videos on YouTube. If enough of us do this, then we all get to learn from each others’ expertise, and seeing the same activity or skill used in different ways may help us build our own individual conception of how to implement what we learn in a way that works for us. (I recently bought this tripod for the purpose of recording my classes! #NotAnAd)
(Now, maybe you can’t post your own videos because of student privacy concerns – always make sure you have a release before you post anything! BUT I think the process of filming yourself and then watching the film back can be INCREDIBLE for pushing yourself into exponential growth. At first, hearing your own voice is awful, but it gets easier with time. And being able to see what you’re doing well can be a great motivator to keep improving!)
I really enjoyed this book!
Now, I myself have spent many hours getting some “YouTube PD,” watching other master teachers do their thing with real students. But my recent reading of Ten Mindframes for Visible Learning by John Hattie and Klaus Zierer has given me a lot to think about when it comes to what I’m getting out of all that viewing. It can be easy to fall down a rabbit hole of watching video after video of a teacher that you’re obsessed with…I mean…enjoy watching. I am guilty of sometimes thinking, “Oh goodness, why am I even trying? This person is a super-teacher and I would never be able to get to that level of organization, participation, etc etc etc.!”
But after my reading of 10 Mindframes for Visible Learning, I am going to approach any video I watch with the mindset that Hattie and Zierer pose as the first (and maybe most important) mindframe: I am an evaluator of my impact on student learning. This mindframe has been helping me, well, frame my thinking for what I’ll be doing this year. I have sometimes been guilty of assessing a lesson’s “success” based on whether we get through all the activities I have planned, whether or not students “behaved themselves,” and whether or not I thought the activities were cool. But now, I want to look for evidence that my students comprehended everything that happened, that they felt comfortable interacting with whatever new vocabulary came up that day, and that they felt increasingly more comfortable contributing to class.
Video Watching Mindframe
I want to carry this mindframe into my viewings of YouTube videos of other teachers teaching. I don’t want to get blinded by other teachers’ brilliance – I want to learn from it! Here are some questions I want to keep in mind to guide my viewing and personal professional development:
What is the impact of what I see while watching this video? How do I know that this instruction is having an impact?
Is there a “din” of Target Language in my head by the end of the video? (The “din” is an idea that comes from Krashen – hearing the L2 bounce around in your head after the class is over, which Krashen posits indicates the activation of your brain’s Language Acquisition Device. If you’re experiencing that, it may mean that the teacher used a ton of Target Language and – even better – provided a lot of Comprehensible Input to the class! Sweet – it’s acquisition time! Now, how did they do that? Watch the video with that in mind!)
Do you feel like you can answer the teacher’s whole-class or individual questions when they are asked? (If this is in an L2 you don’t speak yet, this means the teacher made themselves comprehensible – again, how?)
How do students respond to teacher questions or classroom events? (This can mean “with what language resources?” as well as “with what affect?” Both of these are worth looking into!)
It is easy to be dazzled by other teachers, but always keep in mind that we’re usually seeing teachers on their best days. (Nobody is going to post a lesson that ABSOLUTELY bombed, unless it’s a “cautionary tale” sort of situation.) But make use of these questions as you watch teacher videos on YouTube, and it might accelerate your learning of new skills as you dive into the world of Teaching with CI. What did the teacher do, and what was the impact?
So, Ben, who are your favorite teachers to watch teach online?
Thanks for asking, myself! Here are some faves that have helped me learn and grow a lot in my journey:
Tina Hargaden was the first teacher I watched using non-targeted CI, and my mind was blown wide open. Here she was, on the first day of a class, speaking so close to 100% TL! Her channel has TONS of video, as she filmed herself every day for an entire year, but this video in particular got the wheels a-turnin’ for me.
Alina Filipescu is a TPRS master teacher. Her classes always look so engaged, so lively, and so fun. She has really driven home the power of expectations for me, as she teaches and reteaches her expectations constantly to keep the class on point. I could watch this video all day.
Brett Chonko teaches in Virginia, and his videos always start with a good-natured “Welcome to Spanish class!” Here he is on Day 1 of a Spanish class, explaining how the class will look in a fun, relaxed way, and getting to a Write and Discuss on Day 1! What a pro.
AnneMarie Chase is an awesome TCI teacher located in Nevada. Her blog is also incredible – she has so many ideas for organization, grading, games, you name it! See her ideas in action on her YouTube channel.
The aforementioned Sarah Breckley is a ball of sunshine energy! It is a lot of fun watching her teach, because she always looks like she’s having a blast. Her blog is awesome, too. Watch this video if you want a great overview of how to provide high quality, comprehendED input.
What about you – who are some of your go-tos for YouTube PD? Comment below and let us know!
Recently, I went to a workshop with Lynn Johnston, who is an absolute rock star and will be PNCFL’s representative for ACTFL Teacher of the Year this November in Washington, DC. I have seen her present multiple times at WAFLT and WAFLT-COFLT conferences, and so appreciate her creativity and energy. I feel like her students’ brains must be bursting with L2 at the end of class – she has fabulous systems in place to make sure kids are getting tons of input every single day. She is also a reading rock star, and really turned me on to doing WAY more reading with my students.
One thing I have been thinking about a lot is how Lynn uses sentence frames to give students opportunities to express themselves, while also modeling higher level language use. In CI World (disclaimer: not a real place slash no one owns “CI”), teachers are often discouraged from “forcing” output – that is, pushing students to output beyond whatever mental representation they have acquired. This makes sense: you can’t wring water out of a dry sponge. But we also know that outputting can be motivating to learners (especially secondary learners), and that it may provide opportunities for their interlocutor (here, usually the teacher) to provide even more input as they follow up on whatever the learner said.
So, maybe we can provide sentence frames with most of the language filled in, and students can use those to express themselves at higher levels than they would be ready to produce on their own. This can give the teacher a brief break from providing all the input, while also modeling correct language usage.
I saw someone say once that even if students are working on super complex/”advanced” grammar and topics, if they are filling in a blank, they are only functioning at a Novice level – just words! With this in mind, if I’m working with Novices, I can provide them the structure to use their Novice-level words and phrases skills to build simple sentences. We each provide about 50% to get them successfully functioning at 100% Novice High, and we can do this early! Then we can push them towards Intermediate-Low (strings of sentences with supporting details) by modeling how to do that, too.
Ultimately, you get out what you put in. If we consciously feed our students a healthy diet of comprehensible language steps above their level, they will eventually (truly eventually – we’re playing the long game) be able to work at that level independently – because they have had repeated opportunities to see what that level looks like. If we’re only speaking to them in short, choppy sentences, or just short phrases, or via vocabulary lists, then…that’s what we’re going to get back. (“Hey Jimmy, how’s it going?” “Pencil…teacher…desk…Sit down please…”)
So! I’m going to try to give my students comprehensible, useful sentence starters/frames that match our topics. I can use them for quick turn and talks, as support for whole-class interactions, or even as exit ticket assessments. Again – I will be providing the grammar/vocab that pushes them up the proficiency scale, and they are filling in with information personal to them. I will have to support that with helpful vocab and input, too, and it will lead to some satisfying student language use in class.
I’ve been doing a training recently to assign performance levels to L2 writing, and I’ve learned that one of the indicators that a student has moved from Novice-High (simple sentences) to Intermediate-Low (strings of sentences) is the inclusion of supporting details, usually in the form of prepositional or verbal phrases. So maybe if we’ve been talking about food, I can model for my students the addition of details that move it towards Intermediate-Low writing/speaking. Take the simple sentence “I like to eat pizza,” for example. If it were in a composition with other similar sentences like “I play videogames. I rarely shower.” it would be rated at Novice High. But with some prepositional phrases, it can look like this:
With this image, I enter the Great Internet “Pineapple on Pizza” Debate. (For the record, I think it is a nice sweet counterpoint to the saltiness of the pizza, so I like it.)
Again, not life-changing in terms of wild L2 complexity, but by adding on any of these details, you’re moving out of Novice and into the Intermediate range. If we, as teachers, can model a variety of ways to add detail like this to our sentences (either through using these sentence frames as conversation pieces during class, or during Write and Discuss), we will push our students to use them more, as well. And all we would have to do is put up a sentence frame like “I like to eat _____ with _____” or “I like to eat _____ at _______” and students can fill in to their heart’s content!
The jump from Intermediate-Low to Intermediate-Mid is marked by increased use of “Complex Components,” which are dependent or subordinated clauses. Think clauses like, “When I was younger…” or “I like people who are…” or “I shop in stores that…” Those conjunctions build complexity by linking together clauses, and this is what really makes a student’s writing/speaking flow. Upper-level students could definitely benefit from getting sentence frames like these, especially when applied to AP/IB themes or topics!
This year, I am going to try to use more sentence frames so that students can “get practice” speaking the language and feeling successful. (Even though I know that this does not necessarily contribute to their acquisition of the language in the most efficient way, as I’m taking a bit of time away from providing more compelling input, we serve many masters in school jobs. This might help students feel more like they’re “doing something” in class beyond just trying to understand, and might head off possible administrator comments about a class being too “teacher-centered” or that the students never “actually speak the language.”)
But I can start small! Early in level 1: My name is _______. Then: I like ______. Do you like _______? Then: I eat a lot of __________. I can leave these frames posted for a certain amount of time, so students can refer to them and secretly get a bit of input if they look at them. Maybe I can put them in a pocket chart, or dedicate a section of wall to them. I want to commit also to changing them out regularly, so we don’t get to April and I’m like…uhh…Why is “Me llamo…” still cheerfully posted? (Last year, I was super gung-ho for rejoinders, but sadly only managed to post like…5 different ones. Oops. Growth area!)
This use of sentence frames for structured student output will also (hopefully) remind me to create related Writing Checklists for our class Write and Discuss work that will help us incorporate more strong writing moves into our shared writing. I’ll start small with conjunctions like “and” and “but,” and work my way up to including storytelling elements like “First…then…finally…”, nice transition words like “Nevertheless,” and those subordinating conjunctions that help build “Complex Components”: that, who, which, when, if, etc.
Here are some example sentence frames, linked to their performance indicator and a theme you might find in AP or IB.
Can you think of sentence frames that you could incorporate into your units or daily lessons that will push your students towards the next proficiency level? (Oof, there were prepositional phrases and two subordinated clauses in that one sentence! You get Intermediate-Mid, Benjamin.) Comment below with your thoughts and wonderings!
