We are so lucky to live in an age where if we want to learn something new – about whatever topic! – we can just look up the topic online and find all sorts of help, tutorials, guides, etc. As interest in Teaching with CI grows, more and more high quality training materials are appearing online every day, from webinars, to blogs, to whole books that people are writing to support new to TCI teachers in finding their way through the thicket of innovations available to us now.
What’s more, many teachers are catching onto the fact that it is often easiest to learn teaching skills by watching them happen in real teaching contexts. Teachers have taken to YouTube and Vimeo to post videos of themselves teaching their real students, so other teachers can get a sense of how to bring all the skills of teaching with CI together with the ever-expanding repertoire of activities/contexts for delivering CI. Sarah Breckley recently made a plea to teachers to film their classes as much as possible, and post the videos on YouTube. If enough of us do this, then we all get to learn from each others’ expertise, and seeing the same activity or skill used in different ways may help us build our own individual conception of how to implement what we learn in a way that works for us. (I recently bought this tripod for the purpose of recording my classes! #NotAnAd)
(Now, maybe you can’t post your own videos because of student privacy concerns – always make sure you have a release before you post anything! BUT I think the process of filming yourself and then watching the film back can be INCREDIBLE for pushing yourself into exponential growth. At first, hearing your own voice is awful, but it gets easier with time. And being able to see what you’re doing well can be a great motivator to keep improving!)
I really enjoyed this book!
Now, I myself have spent many hours getting some “YouTube PD,” watching other master teachers do their thing with real students. But my recent reading of Ten Mindframes for Visible Learning by John Hattie and Klaus Zierer has given me a lot to think about when it comes to what I’m getting out of all that viewing. It can be easy to fall down a rabbit hole of watching video after video of a teacher that you’re obsessed with…I mean…enjoy watching. I am guilty of sometimes thinking, “Oh goodness, why am I even trying? This person is a super-teacher and I would never be able to get to that level of organization, participation, etc etc etc.!”
But after my reading of 10 Mindframes for Visible Learning, I am going to approach any video I watch with the mindset that Hattie and Zierer pose as the first (and maybe most important) mindframe: I am an evaluator of my impact on student learning. This mindframe has been helping me, well, frame my thinking for what I’ll be doing this year. I have sometimes been guilty of assessing a lesson’s “success” based on whether we get through all the activities I have planned, whether or not students “behaved themselves,” and whether or not I thought the activities were cool. But now, I want to look for evidence that my students comprehended everything that happened, that they felt comfortable interacting with whatever new vocabulary came up that day, and that they felt increasingly more comfortable contributing to class.
Video Watching Mindframe
I want to carry this mindframe into my viewings of YouTube videos of other teachers teaching. I don’t want to get blinded by other teachers’ brilliance – I want to learn from it! Here are some questions I want to keep in mind to guide my viewing and personal professional development:
What is the impact of what I see while watching this video? How do I know that this instruction is having an impact?
Is there a “din” of Target Language in my head by the end of the video? (The “din” is an idea that comes from Krashen – hearing the L2 bounce around in your head after the class is over, which Krashen posits indicates the activation of your brain’s Language Acquisition Device. If you’re experiencing that, it may mean that the teacher used a ton of Target Language and – even better – provided a lot of Comprehensible Input to the class! Sweet – it’s acquisition time! Now, how did they do that? Watch the video with that in mind!)
Do you feel like you can answer the teacher’s whole-class or individual questions when they are asked? (If this is in an L2 you don’t speak yet, this means the teacher made themselves comprehensible – again, how?)
How do students respond to teacher questions or classroom events? (This can mean “with what language resources?” as well as “with what affect?” Both of these are worth looking into!)
It is easy to be dazzled by other teachers, but always keep in mind that we’re usually seeing teachers on their best days. (Nobody is going to post a lesson that ABSOLUTELY bombed, unless it’s a “cautionary tale” sort of situation.) But make use of these questions as you watch teacher videos on YouTube, and it might accelerate your learning of new skills as you dive into the world of Teaching with CI. What did the teacher do, and what was the impact?
So, Ben, who are your favorite teachers to watch teach online?
Thanks for asking, myself! Here are some faves that have helped me learn and grow a lot in my journey:
Tina Hargaden was the first teacher I watched using non-targeted CI, and my mind was blown wide open. Here she was, on the first day of a class, speaking so close to 100% TL! Her channel has TONS of video, as she filmed herself every day for an entire year, but this video in particular got the wheels a-turnin’ for me.
Alina Filipescu is a TPRS master teacher. Her classes always look so engaged, so lively, and so fun. She has really driven home the power of expectations for me, as she teaches and reteaches her expectations constantly to keep the class on point. I could watch this video all day.
Brett Chonko teaches in Virginia, and his videos always start with a good-natured “Welcome to Spanish class!” Here he is on Day 1 of a Spanish class, explaining how the class will look in a fun, relaxed way, and getting to a Write and Discuss on Day 1! What a pro.
AnneMarie Chase is an awesome TCI teacher located in Nevada. Her blog is also incredible – she has so many ideas for organization, grading, games, you name it! See her ideas in action on her YouTube channel.
The aforementioned Sarah Breckley is a ball of sunshine energy! It is a lot of fun watching her teach, because she always looks like she’s having a blast. Her blog is awesome, too. Watch this video if you want a great overview of how to provide high quality, comprehendED input.
What about you – who are some of your go-tos for YouTube PD? Comment below and let us know!
Edit from 2020: Are you teaching online? Read the post below first, and then check out this one for ideas on how to adapt it to online teaching and learning! Good luck to you!!!
Card Talk is another essential activity for CI classrooms. It has had some different names throughout the years that you might be familiar with – Ben Slavic’s“Circling With Balls” is definitely the progenitor to what many now just call Card Talk. (Because…#thatnametho) (My understanding is that he named it that way because so many students drew sports balls on their cards when he was teaching. #sportsballs) Many teachers start off the year with Card Talk to build classroom community and learn about their students, but this is an activity whose flexibility really lends itself to being used at any point throughout the school year.
Why should you do it? Not only to learn about the opinions, aspirations, and experiences of your students, but also to connect students to each other through your discoveries! It can be exciting hearing about someone who shares some part of your life when you’re new to a class, to a school, to an area, etc. Plus, Card Talk can be a great way to front load some high-frequency vocabulary about a subject if you’re either required to follow some sort of mandated curriculum, or are diving into a focused unit of study about a (perhaps AP- or IB-aligned) theme.
When do I use Card Talk?
The Create phase is a session of Guided Oral Input. Talk about them there cards!
Card Talk belongs in the “Create” category of activities, or what we might also call the “Guided Oral Input” part of a lesson. This is an experience that generates language and common experience in the classroom, which become the basis for further literacy work. (Most activities, like stories, characters, Movie Talk, etc etc. that people think of when they think of CI fall into this “Create” category, as they generate a lot of novel oral language, but don’t forget to also have strategies from the Write, Read, and Extend/Assess categories to provide the most complete L2 literacy experience for your students!)
As for when to use this activity during the school year…it can really be whenever! Many teachers do this early in the school year (read: first or second day, first or second week) as a way to break the proverbial ice and build classroom community (and also reinforce classroom expectations and procedures). But you could just as easily bust out Card Talk in the middle of the year to align with whatever topic or theme comes next for you. District requires you to do a daily routine unit? Card Talk it! Looking to talk alllll about your culture’s delicious food? Card Talk it! Getting into 3rd- and 4th-year discussions about stereotypes and regional identity? Card Talk it! We’ll see how below…
How do I do it? – Logistics
I have done Card Talk effectively two different ways: on paper, and digitally.
On paper: Each student needs a piece of paper to write and draw on, as well as a marker. I would shoot for 8.5×11″ printer paper, or card stock if you can get it – these “cards” can function as name tents if you want them to. Marker helps the images and names be visible throughout the classroom. If you are feeling NEXT LEVEL, use differently-colored paper for each class, to keep them separate. If you are Recycling Royalty, there’s no shame in using the back of a scrap piece of paper! (I am of German descent, so my Recycling senses are strong…)
Once students have the necessary materials, they should fold their paper in half hamburger-style and write their name in large print on one of the sides. (Is there a more professional way to write hamburger-style folding? Is it “lengthwise?” Whatever we’re all teachers here and it’s my blog darn it) On the same side as their name, students should draw a large image – without words as much as possible – that is a response to the Prompt. You may want to have students divide that side up so that there is space for both their large written name and the image, and we ask for name on the same side as the image to link the two together in our conversation. If you’re doing Card Talk early in Level 1 or 2, your Prompt can be “Draw something that you like – an activity, a sport you play, something you do in your free time, whatever!” (Some students may need some loving reminders of what is context-appropriate to draw on a card for a “school assignment,” *teacher wink*) For more prompt ideas for levels 1 and 2, as well as ideas for upper level courses, see the “Pro Tips” section below.
Sam likes hot Cheetos, and Willa likes turtles. These cards were the source of so much joy and community, and they were scrap paper!
Students only need about 4 minutes max to write their name and draw their picture. (We’re talking a quick sketch in one color, not an artistic masterwork.) After they have finished, you have some choices. I have typically used Card Talk in the beginning of the year, so I have students prop up their cards so I can use them simultaneously for the activity, and to learn names. OR: Scott Benedict turned me on to collecting all the cards, quickly sorting them by category (sports, video games, food, etc.) before choosing a first card for discussion.
Digitally: I link a slide show to our Learning Management System that has a template for students to fill out. There are enough copies of the slides for each student to claim one, and the instructions are right on the slide for students to edit and create their “cards.”
Slide template for digital Card TalkMy example because I LOVE READING AND READING IS COOL
Use your Precision Teacher Judgment to pick a student’s card that you would like to engage the students and class in discussing. You’ll be holding on to it to use as a visual scaffold for much of the activity, or displaying it for the class to see.
To start, signal for students to bring their attention to the whole class, and if you have a signal that indicates a transition from the L1 to the L2, give that signal now!
How do I do it? – Procedure
After you have picked which card you are going to discuss first and gathered your class’ attention, show the card to the whole class. You can say something in the L2 like, “OooOOoo, look at Soandso’s card! How interesting!” Alternately, if you’ve collected your whole class’ cards, you can ask, “Hmm…where is Soandso?” while looking around the classroom. You will likely already know where they are, but it will give you a chance to repeat the student’s name early on in class in a positive light. This also give you a chance to use those question words early and in context, boom.
After you have identified the student and had the rest of the class observe their card, you can repeat simple comprehensible language like “Hmm, look at Soandso’s card! Wow, so interesting!” Again, shower the love early on. THEN: take a stab at describing what is going on on the card, in slow, comprehensible language. Think breaking it up into chunks of meaning, a la: “Soandso…plays…the guitar!” Point to the card as you repeat that line again, and then you might also go to the board to write the word for “plays” in L1 and L2 on the board, and “guitar” if that is not as cognate-y as it is in German and Spanish. Remember: the card is the visual scaffold for your conversation!
All you’ve said so far is that Soandso likes to do something. Easy. You’ve been looking into every students’ eyes to confirm that they’re with you. Maybe do a quick “What did I just say?” in L1. Now is a good time to confirm with the student in question – “Hey Soandso, you play the guitar, right?” This gives them a chance to answer affirmatively, and may sometimes be necessary if a student’s artwork requires a bit more…um…interpretation.
You’ve stated what the student likes to do, confirmed it, and are now ready to expand with some details. Using our example of playing guitar, you can ask things like, “Do you play guitar super well? Like Jimi Hendrix?” (obviously assuming that yes, they are a world-class guitar player) “What songs do you like to play? Are you in a band? How long have you played guitar? What style of music do you prefer to play? Have you ever played a big concert?” Here’s the thing: you only have to pick one or two of these detail options to make an interesting conversation. If this is early, your students might not be able to handle too much more new information/language anyways. Pick a detail and park on it for a while, savoring the new information as it comes.
And here’s a natural segue: I like to alternate between questioning the individual student and panning out to the rest of the class. I can either ask them similar questions to ones we’ve already covered with the student (“Who else in the class plays guitar? Who plays in a band?”) and then compare them to the individual student, or just confirm details and comprehension with the class using some artful questioning. (“Does Soandso play the guitar or do they play the piano?” “Yes or no, does Soandso play in a band?”) Both serve to slow you down from adding too much information, and get some natural repetition on whatever has already come up. Surveying the class and tallying the results on the board can also be a helpful visual scaffold.
If you’re ever stuck, two power questions are “Where?” and “With whom?” (“Do you play guitar in the [Nearby Concert Stadium]?” “Do you play in Justin Bieber’s band?”) Students can answer however they like. We’re not going to call their parents later to confirm that their child plays in Justin Bieber’s traveling rock band…teachers have no time for investigative journalism, per my survey of the field. But kids can be whoever they want in class, and maybe there’s a bit of fanciful invention allowed. Or they can answer honestly! Either way, whatever they say is cool (as long as it’s school appropriate/kind) and can be fodder for further conversation.
Ride the waves of energy that come with talking to the student and the class. HEY THERE remember we are always striving to talk TO the students, not at them. It’s all about the class communicating so that we can all learn more information about each other. That serves both content and affective goals, especially early on. Find out more information about the student, always checking comprehension, involving the class, and reviewing.
When you’ve discussed a student’s card, learned some interesting supporting details, and you feel the energy starts to wane a little bit…move on! You can pick another card and repeat the process. (“Oh wow, that was so interesting that Soandso plays the lead guitar in an emo band. I used to do that, too. Thanks, Soandso. Hey, class, look at Whatserface’s card! She does competitive horseback archery!”) It can be helpful to set time limits for yourself so the Create phase doesn’t feel too mushy and ethereal, so maybe stick to 10-15 minutes of Card Talk at a time before transitioning to another mode. Abandon ship at any time if the “feel” just isn’t there, and be ready to move to the other parts of your lesson early with literacy activities and brain breaks.
What do I do with it now that we’ve finished?
During the process of Card Talk, I find myself writing details on the board that we discover through the conversation. These might be words like “tournament” or “team” or “whaling harpoon” for your sports conversations, or “song” or “genre” for music conversations. You might have supported these by drawing little pictures to go with the L2 words in lieu of L1 translations – or not! Either way, all of this scaffolding that you’ve built up during the oral conversation can be excellent support for the Review portion of the lesson (which might just be a quick series of questions about things you learned together), and then for the shared writing during Write and Discuss. Your writing can flow easily because you can just follow the information that you’ve left as hints for yourself on the board.
Keep all the cards at the end of the lesson, and hold onto them. You can always pull out a card and Card Talk it on a day when you’re feeling less prepared, or if you just want to fill some time with some pleasant conversation. I usually do Card Talk a few days in a row at the beginning of the year to teach how to chorally respond, stay in one conversation, and how to signal when comprehension is lost. Plus, the class gets to know each other better as you help draw connections between students (and yourself!).
It’s also nice to whip out the cards later in the year, and talk about them as fond memories. Students might start producing phrases or sentences as you review them and they bask in the glow of their lovely memories. (One girl last year drew a cat on her card, so naturally we talked about cats, but she was also lightly teasing her own drawing, so we called her “the most artistic artist” for the rest of the year. And it came from Card Talk!)
During Comprehensible Cascadia, someone mentioned that it might be fun to give the cards back to the students and have them use them as talking pieces for little Presentational assessments. Maybe you set up a Flipgrid or Seesaw assignment where they talk about themselves. Using the card as a scaffold/support can help them feel more confident, because they’ve already heard the class talk about their card. I might try this during this coming year!
One last use of the cards and Card Talk is to personalize stories you tell with your class, or any other activity where everyone is interacting. Once you learn things about your students, you can put those things into their conversations and stories. Or maybe you don’t get to a card during Card Talk, but you can pull out the information and put that into a story – the kid who drew it may have forgotten that they drew whatever on their card, and imagine that you’re a Psychic Teacher with Magic Powers. Maybe a kid drew a horse, and in a story you’re telling, suddenly a horse appears! That might lead to an aside with that student, talking about their interest in horses and maybe personalizing the details so that everyone’s heart siiiiings.
Pro Tips!
Go slow! You may be tempted to explore EVERY ASPECT of EVERY CARD of EVERY STUDENT as SOON AS POSSIBLE to BUILD COMMUNITY and HAVE SO MUCH FUN. Slow down there, Turbo. (message cc: myself) We do not want to overwhelm students early in their language acquisition journeys, and each card may cause us to introduce a good bit of new language. Stick to fewer details / less language at first to build student confidence in comprehending and responding, and students will thank you for going slowly in their new language. Plus, this can also help us savor the moments more and remind us that the kids are the curriculum – we got nowhere to be, y’all. Just with our students. Take time also to review “old” cards to refresh that language and that knowledge.
Ask the next natural question! This activity is a lot like making small talk at a cocktail party. Ask yourself, “what do I want to know about this image and this student that will help us know them better and appreciate their lives more?” If you have to script out your questions ahead of time, there’s no shame in that! Take a peak at the cards during your planning period, and make a list of questions, if that helps you feel more confident. Then you can flow more naturally: “You like to swim! Where do you swim? Are you a good swimmer? Do you swim competitively?” There’s no shame in being very prepared, and then magically pulling out that specific card that you’ve prepared well when you’re with your class. You’ll find that preparing for one card actually helps you prepare for the rest of them, as the questions tend to be similar across time and topics.
Compare and contrast with the class! As I hinted at above, it can sometimes just feel like you’re talking to one student while everyone else awkwardly listens in. Involve the class by surveying them, comparing them, contrasting them, checking their memories. You might create a tally of people who do the student’s activity well, okay, and awfully, and then name a couple “experts.” (I have had at least 4 Fortnite “experts” in each class whom I asked all varieties of questions about the game.) Connect students who share similar interests: “Oh! Both Soandso and Whatserface play soccer! But they play on different teams!” This activity is all about building community and common knowledge about the many wonderful people in your classes.
Move on! One time, I pulled out yet another card that indicated that Soandso liked video games, and, surprise, this kid loved Fortnite specifically. I looked around and saw like 8 of my other non-gamer students astral project out of their bodies, because we had already touched on the topic before. So I moved on! If a topic isn’t bringing energy to the class, or the student you pick isn’t providing tons of details that move the conversation along, there’s no shame in confirming what you have learned with the class, and then moving on. Give each card a good faith attempt, and be okay with switching to something else. You can either pick another card, or move into a Review of everything that came up in Card Talk that day.
Provide choices! Especially early on in a course, students might feel uncomfortable responding to more open-ended questions because they might not know if they can say some words in L1, or because they’re worried whether or not they’ll say the L2 “correctly.” You can circumvent this by offering some choices to the student – “Do you play the guitar in a band or by yourself? Do you create your own songs or play songs by famous people?” Include some choice options in your preparation so you can assuage the nerves of your poor L2 babies when you’re like HEY TALK L2 WITH ME and they break out in a panic sweat.
Prompt ideas! – This one gets its own section below…
Prompt Ideas (roughly by level)
You can use Card Talk in any level to learn about what students generally like, but you can also use it to adapt to any thematic unit or topic you might be teaching. Just have students respond to the prompts with a simple drawing! Useful vocabulary for a topic or theme usually comes up in response to prompts like these. Here are some ideas based on what is typically “asked for” by traditional scopes and sequences at each level – if you have more ideas, comment below and I’m happy to quote you and add them to this list! You don’t have to do Card Talk to start any unit if you don’t want to – these are just suggestions!
Level 1: What do you like? What is your favorite place in our school? What is your favorite class? What is your favorite food? What is your favorite food from the Target Culture? What do your typical meals each day look like? How do you stay healthy? What is your favorite room in your home? What do you buy when you go shopping? What is your favorite place in our town? Who is your best friend, and what are they like?
Level 2: any of the above, plus: What are you afraid of? What are your favorite activities in your favorite class? How do you spend your time after school? What is your least favorite/grossest chore to do at home? What is your favorite mode of transportation? What does your ideal weekend look like? What is one of your favorite childhood memories? What holiday means the most to you? What is your favorite scene from your favorite book/movie/TV show?
Level 3: any of the above, plus: What sorts of art do you appreciate most? What do you think symbolizes our local community? What technologies have had the greatest impact on our society (either historically or recently)? What job do you want to have when you are older? How will the future be different from now? (Economically, environmentally, politically, etc.) What is something typically [Home Culture]? On the other side of the paper, what is something that is typically [Target Culture]?
Level 4+/AP/IB: any of the above, plus: What do you think is the greatest challenge the world [/Home Culture/Target Culture] is currently facing? What is a new technology you can think of that would positively change the world of the future? What one stereotype about [Home Culture] do you think is absolutely false? On the other side of the paper, what is one stereotype that you think is true about [Home Culture]? What is one aspect of [Target Culture] that you find very different from [Home Culture] and would love to incorporate into [Home Culture]?
What if I want to learn more?
Again, Card Talk has evolved over the years, so see the posts above from Ben Slavic to check out “Circling With Balls.” Here’s a video of him talking about it from his TPRS training series.
Cameron Taylor created this document that gives a rundown of how to do Card Talk. It looks like Cameron also gives the instructions for the activity in the L2 – NEAT! And I just found this video of him delivering those instructions!
Brett Chonko has this awesome video here that shows him in the first day of the school year doing Card Talk with students. He also peppers in a lot of talk about what students can expect from a “CI” class, and even does Write and Discuss on the first day! #pro
Here’s Tina Hargaden doing Calendar Talk, moving into Card Talk, and then doing a Write and Discuss. So…much…clapping…! And here’s another video where she sets Card Talk up with her class.
Here’s AnneMarie Chase doing Card Talk with her class. She is an expert at going sloooow, and she uses lots of artful questioning to include the class in the conversation.
What do you think? Do you feel ready to use Card Talk? Comment below and send me any questions you might have!
I set a goal of reading 24 books in 2019 (about 2 a month), and it’s going very well so far! I have read 18 so far this year, so I’m a little bit ahead of “schedule.” (Granted, I have read 5 since school let out on June 19th, but whatever. I will take that as a success, as it means I adequately re-appropriated time I would have spent playing video games or drooling on myself or whatever. Mindset!)
Carol Dweck’s Mindset is a book I think many educators have heard of, and no doubt we’ve all been to at least one conference presentation or PD where someone was like “we want to do [this and this strategy/activity] to help students build a growth mindset!” (And then of course, we all nod sagely because mmm yes mindset.)
As evidenced by that last bit of snark, I had developed a bit of an eye-rolling reaction when growth mindset was brought up in those settings. Growth mindset sounds like a DUH sort of teaching thing, like DUH we should set high standards and believe that all students can reach them, and DUH our own potential as teachers can also grow despite challenges. It also has that flavor-of-the-month feel, sounding like a nebulous platitude that doesn’t necessarily change your day-to-day or give you ideas of what to do when things actually go sideways (kid cusses you out, a lesson is just bombing, your admin is laying the pressure on during an eval and you’re not sure what to do, etc.) “Have a growth mindset!” Ok!!! I did it!!! …now what?
I discovered something that maybe I had learned before, but apparently not well enough: it is so much more powerful to go directly to the source material, rather than hear (often diluted) secondary interpretations. And I am glad for having done this, because I think my processing of this book will help me become a better educator and a better person.
The gist of the book (my German irony senses are tingling) is that people face the many challenges and contexts of life with one of two mindsets: the Fixed Mindset, which says that peoples’ abilities and intelligence are innate and, well, fixed, and the Growth Mindset, which says that intelligence and ability can be developed through a commitment to teaching, learning, and appropriate challenge. Dweck illustrates how these mindsets play out in the realms of business, teaching, parenting, coaching, and even relationships to illustrate how they permeate every aspect of our lives, though mostly unevenly. For instance, a person in business may know they are lacking certain skills and recognize their need to gain experience from hard work and mentorship by others as they learn their trade. They then grow, and can be fabulously successful! That same person can be fixed in their romantic relationship, deciding that their partner and the relationship will always go the way it is currently going, and if it’s going badly, then the relationship was ALWAYS bad and should be allowed to self-destruct. (Two things: if a relationship has ALWAYS been bad after reviewing all the moments together, you should probably get out. But sometimes, all it takes is just telling your partner what you’re thinking and feeling. Mind-reading is not a thing, y’all.)
This all sounds great! Be growth-minded in every arena of life! Believe in change! Try hard! WOO!
But reading this text was actually a little painful for me, and I imagine it could be that way for others. Because in reading about people who typified the Fixed Mindset in their professional and personal lives, I sometimes saw myself. Not in an “oh god I have had a fixed mindset this entire time!” unmasked Scooby Doo villain sort of way, but in recognizing that there are situations and contexts in my professional and personal lives where I am triggered to a Fixed Mindset, and it holds me back from seeing and realizing my true self and true potential.
I’m realizing as I write this how wishy-washy I’m sounding in trying to let you know that I actually had an intense experience with a book/concept that I had perceived to be fairly wishy-washy. Ah! But I want to continue reflecting on how these mindsets have played out for me: now, and as the school year progresses. Here are three quick reflections I had while reading:
“That Class.” This past year I had two classes that regularly drove me up the wall. There were certain characters in these classes that I had subconsciously given up on – in my mind, they were never going to participate in the way that I wanted, and their challenges that existed outside of the school building were going to persist in making school hard for them no matter what I did. We, as educators, don’t want to admit that we think that about any kid, but it’s easy to write off a class with something like “oh, that’s my High Blood Pressure Class.” I know we’ve all had those classes, and that I have to be patient and forgiving of myself. But I want to engage in active, constant reflection this coming school year to avoid falling into the thinking traps that caught me last year. What skills are my students lacking, and how can I bring them to practice and master those skills? Have I made clear to them why these skills are worth mastering? How can I engage my class in problem solving when things aren’t going to plan, so that they get a say in how they learn and I don’t have to generate every solution? This also plays into an idea I grappled with in Radical Candor by Kim Scott – how can I open the doors for honest feedback on my performance so that we all get better, every day? If I catch myself having a “That Class” next year, I want to do a thorough, honest assessment with myself of what is happening, so I can teach.
Classroom Management Leader / Nervous Wreck. I took on a role this year that allowed me and a colleague to give a classroom management workshop over the summer, with the expectation that there would be follow up one-hour meetings during the school year to check in and practice skills. I take on leadership roles because I like being helpful and sharing – and things were going well management-wise in my classes the previous year. But I think having the role almost made me stop learning more about classroom management. I found myself saying “I’ve got this, I’ve got the skills to work with my classes,” but also running into moments where I, uh, didn’t “have” it. I felt like a fraud, because I had been given a neat title, but if anyone had come into my room, I may or may not have been compelled to lay blame wherever to overcome my feeling that things weren’t going as well as I wanted them to, and I wasn’t adapting. I’m a little bit more wary of taking on leadership roles as I transition to a new district and new school, because I end up letting them be a time suck, and if I do end up taking on any roles in the years to come, I want to enter with a boatload more humility. I want to maintain that learner’s stance, always.
Singing and Writing – In my personal life, two of my greatest self-care outlets are singing and writing. I sang in choirs for 6 years, and have been writing poetry since I was 11 years old. (I’m also published, it’s fine.) But asked to present these “talents,” I freeze. I am so afraid of being judged – finding that my voice is unpleasant to listen to, that I don’t sound good singing songs that I like, that my writing is trite garbage. But at the end of the day, truly, truly, they are for me. Only me. I sing and write because it feels good. Now, if I decide that I want to be a pro at either, or even just perform either in public for fun, I will have to accept that people will offer their opinions on my performance whether I want them to or not. And I can either take those as value judgments, or search for nuggets of wisdom and constructive criticism, and grow.
I recommend reading this book for yourself, and pausing whenever you find yourself reflected in a description of a fixed mindset. It is hard to be honest with ourselves about these things sometimes, but I think that this specific hard pain can help us grow. And maybe at the end of the day, you’re very content with your life and will find it to be self-help-y junk. But the other possibility is that you grow.
Have you read Carol Dweck’s Mindset? Let me know what you thought!
List of potential novel topics generated by the Comprehensible Cascadia 2019 Pre-Conference Reading Workshop
Reading is an essential component of any TCI classroom. Written input provides different data for the brain than oral input (think literary language, more passive constructions, sight cognates may be easier than when heard), and Stephen Krashen has compiled numerous studies that show that reading improves learners’ vocabulary, spelling, grammatical accuracy, fluency…you know, ALL THE STUFF. Students need to be reading in the L2 every day, because the benefits are too good to pass up.
Many programs have implemented Free Choice Reading (FCR), empowering students to choose whatever book from the classroom library they like, and read for a predetermined amount of minutes to get some great written input. Of course, the “C” in “CI” stands for “comprehensible,” so we need for reading materials to be leveled so that students’ brains don’t implode when we set them to reading. They need to understand their texts for the input to do its job!
We are lucky to live in a time where there has been a surge in “CI Readers” – compelling stories written in simplified language to help students both enjoy a story and get great input. Companies like Fluency Matters produce beautiful books that are meticulously edited and often have stories that students get hooked on. There are also other authors that sell through vendors like Amazon or Teacher’s Discovery. If you teach Spanish, you are especially blessed, as there are soooo many Spanish CI Readers when compared with other languages.
But what makes a student into a reader is the book that just “fits” them, the “Home Run” book, the transformative reading experience that makes kids unable to put books down. If you are a reader as an adult, chances are you can remember a book or two that was this experience for you. When the Harry Potter books were still being published, my parents took me to a couple of the “midnight premiere” events where you could get the book as soon as it was out, and kids my age were rushing to be the first to finish the newest book and know all the dramatic plot points. I remember powering through The Goblet of Fire at all hours (well past bedtime, with a tiny reading lamp) because it was a wonderful, gripping story. I was a reader!
We want these same experiences for our own students, to make them literate people who can use their reading to build empathy, as well as skill in the L2. And the texts need to both compelling stories, AND written in language students can understand with only a year or two (or maybe even a semester!) of language class behind them. But since comprehension-based readers are a relatively recent discovery for many language teachers, there aren’t a TON of authors or titles available. (Again, more for Spanish than any other language.) Additionally, “authentic” children’s books in the L2 may be more simplified when compared with the literary canon of the culture, but they often contain low-frequency vocabulary, and might not exactly be compelling for a reading-avoidant secondary school student.
This is where you come in. Yes, you! See those topics above? They were generated through observation of student reading habits and by directly asking what students would be interested in reading. Students want to read these books in the L2, but they don’t quite exist yet in large variety.
You – yes, you! – could write a simple, 10-chapter reader that could spark that love of reading in a child, a love that will push them to higher levels of L2 proficiency. A chapter could be like two pages, with lots of illustrations to support comprehension! Not feeling extra creative? Pick one of the Seven Basic Plots and map one of the above themes onto it. JUST WRITE THE BOOK!! WRITE A BOOK! WRITE ANY BOOK!
Your students want to read in the L2, and the benefits are undeniable. So lets put the magic into their hands with some new, exciting readers.
Want to learn more?
If you’re feeling like this might be something you could do (because duh you can) then reach out to Mike Peto. This post was inspired by him, and he is an excellent resource when it comes to all things reading in a TCI classroom. WRITE THE BOOK. WRITE IT!!
My last post here was in December of last year, and the last post was a month before that. In the meantime, I was still teaching, still giving conference presentations, still going to PD, still trying to be a fierce advocate for communicative language teaching.
But I was also experiencing a darkness in my professional life that I hadn’t anticipated, a life-consuming shadow. My start in teaching had been great! I was making lots of teacher friends, kids seemed to like my class, and my teacher evaluations didn’t make me feel like a total failure. Why, then, did I feel like I was drowning? Why, then, did I silence myself when the rush of learning in my early career was still there, and my growth felt day by day, week by week? Why, then, was I thinking about quitting?
I was finding myself in the middle of the age-old problem: the more I learned, the more I realized I didn’t know. The more I found myself doing, the more I realized there was to do. The more I tried, the more I thought that it would never be enough. And this mode, this mindset was doing damage to my mental, emotional, and physical health.
Around semester (the end of January), I saw the need for change in the way I was living my teaching, but I was stuck in bad habits. Then suddenly, we had five snow days in February, and I had nothing to do. The scared part of me thought I should be creating or perfecting or learning something for school, but for the first time…I just didn’t. I rested and relaxed, and came back ready to go once school got mostly back to normal. (I played a ton of video games and ate a lot of vegetarian chicken nuggets, for transparency’s sake.)
I deleted the Twitter and Facebook apps off my phone during that time. This, paired with committing to spending less time on my phone in general, changed the things I was actually doing with my time. I was enjoying my relationship and my friendships more, and I suddenly had time to read for pleasure. I had justified my insane use of both apps for a long time by insisting that the professional development I got through both was helping me grow as a teacher and be better at it. That was true to an extent, but the drive to compare myself with other teachers on the internet was also causing me to reduce myself in my own eyes, minimize my own accomplishments, and constantly be on the search for something new. There was no joy and gratitude for what I had inside me and around me.
I left any books related to teaching at school. I was in a weird place of having teaching both as my job and as my hobby – I was always reading something about teaching, always trying to find new ideas and research, always trying to be “in the know” about everything in CI world. But no one can do everything, and you certainly can’t learn to do things well if you’re not focused. So school was for school, home was for home.
And I started leaving school earlier. I’d have days where I’d be getting home close to 6pm, having arrived around 7am, and scrambling to get dinner ready and try to have some time for myself before Brent got home. When I looked back, the time at school was spent socializing to avoid work, searching the internet for resources I wouldn’t end up using, and getting lost clicking around my computer. I started thinking: What did we do today, and how can it grow into more proficiency tomorrow? A lot of times, the answer was simpler than I had imagined.
I went back to basics. I found that everything I knew I wanted to do with my teaching was inside of me already. Realizing this helped me slow down, see my students where they were, and actually teach them something. Classes and students I had started feeling despondent about suddenly turned around and created interesting stories and moments for everyone (instead of just for the overachieving do-gooders and the overachieving distractors). And then suddenly, I was able to go to work on time every day, do my work with smiles in most periods, and go home and enjoy my life. MY life.
Sometimes, you need a period of radio silence, the silence going both directions. When you go silent, you often find that you can see and hear things so much more clearly. This was true for me, and I know I am a better teacher to my students for that.
There are lots of blogs, websites, videos, trainings, ideas out there. Forgive yourself for not being able to do them all. My plea is for teachers – thoughtful, hard-working, innovative, passionate, self-sacrificing beings that you are – to just focus on being with and loving your students. Silence the voices (from without, from within) that drive you to scuttle parts of yourself in the never-ending pursuit of more. It’s enough. You are enough.
Brain breaks as an idea has been showing up a lot in the Facebook groups that I follow, as well as the conferences I have been attending lately. People are starting to catch on to how much our students sit every day! TOO MUCH
I’m finding that it’s helpful for me to build them into the lessons at natural in-between points. These are the gear-shifting moments of a lesson – when you’re moving from input to a Write and Discuss, or between segments of input on different subjects. This guarantees that we do them, and I can experiment with specific brain breaks to see if the kids like particular ones.
Here’s one that’s been a hit recently in class! Kids love competing with friends, and I get to review body parts with them. I heard about this one while I was at the WAFLT-COFLT Bi-State Conference in Portland this October.
Peluche
I bought 10 stuffed animals the other day (at the dollar store, hollaaaaa) and have a little basket I keep them in. Children LOVE stuffed animals, no matter the age.
In this game, pairs of students get a stuffed animal and place it between them. The teacher then says some body parts, rapid-fire. The kids are listening and touching the body parts the teacher names with both hands. (“Head! Nose! Arms! Knees! Shoulders!”)
When the teacher says “Peluche!” (or “stuffed animal” in your language!), the students try to be the first to grab the stuffed animal between them. Having students use both hands prevents them from hovering over the stuffed animal…you know how we all get when competition is involved. After there are winners…you keep going with the body parts! I imagine you could keep score or something, but my kids were content to just compete and play multiple rounds without too much extra.
Easy, quick, and the kids have fun! A winner in my book – I hope you and your students enjoy it.
What brain breaks have really worked for you? Let me know below!
I graduated my teacher training program at the end of 2016, and started looking for my first job as a world language teacher in the spring and summer of 2017. I was so excited – I thought I had done very well in my student teaching and was on my way to having an exhausting, but productive first year!
I got a call from a middle school in a Seattle suburb, and one awesome Skype interview later, I was a real teacher! Finally – all my years of experience in working with children were going to put me in a position to inspire and educate our youth! Bam!
Well, the nerves crept in. The position was a Spanish teaching position and I had majored in…German. And done a summer travel-study program in Germany. And been the president of the German Club. And lived in Germany for a year as an English Teaching Assistant.
I had been to a Spanish-speaking country for a total of…six days. And though I had minored in Spanish in college…I was the German guy. Ok – I can do this! I am a creative, hard-working individual. There are MANY resources out there for Spanish teachers, more than for German, for sure! If I flop, it’ll really be my own fault! (What a dangerous sentiment for someone plunging into the great unknown of teaching…this, I must unpack in a future post.)
Mister Señor Fisher having a low-grade heart attack before leaving home for his first day as a Real Adult Human™ (September 2017)
The first day is a blur now, but I remember my first class coming and wondering, “will I be able to speak to them in Spanish the whole time slash at all?” (I did it, phew. What did I even talk about? I can’t recall.) The students went home and there I was, alone in a little room that was now dubbed “mine,” with little idea of what to do next. Okay…I’ll just follow what comes next in the textbook! And try to throw in some of those fun, interactive activities I learned about in my program! And browse Pinterest for MORE new ideas!
There are so many ideas out there. Blogs, Pinterest boards, well-meaning colleagues, negative colleagues, district coordinators, other teachers who don’t even teach language who took a language class one time twenty years ago, Facebook, Twitter, Instagram, books, instructional video series, YouTube…there are just a million ways to do any one thing. Teach a language? Goodness gracious. Not to mention, if you shop on Teachers Pay Teachers, everyone else’s materials are BEAUTIFUL and look like they were hand-crafted in a giant marble library by angels and the ghost of Socrates.
Before I started teaching, I thought to myself, “I’ll never show a movie in class as a stalling technique! I want to be up there, teaching, every day! No cop outs!” But the heads going down onto desks, the figuring out differentiation for six classes a day, the four preps, the days where I spent 12+ hours at the school looking for materials online, the wondering if it was fair or right for me to be a Spanish teacher when I felt I knew so relatively little….it all began to wear on me. The beginning of November seemed like the perfect time to drag out The Book of Life over a couple days…in all my classes. I thought to myself…is this it? Is this all there is?
A conference presenter turned me on to the CI Liftoff Facebook page, and through it, I started learning a lot about how teachers were delivering comprehensible input in their classrooms, every day! What? My level 1 students only know some weather phrases (sometimes…well, some of them), some greetings, the numbers (sometimes), me gusta phrases…how do these language magic witch people just make these kids understand day in, day out, without planning every single word? Devilry, I say!
So I read some more, watched YouTube videos of teachers working their classes like Vegas MCs, took tons of notes, thought aloud with wild enthusiasm (usually to myself), until one day I said, okay! This is it! LET’S DO THIS! [Imaginary enthusiastic table flipping]
Again, I don’t know what exactly I even talked about the day I “decided to go CI,” but I knew there was a hunger there. I could not, would not stop. And, magically, I started learning things about my students that made me feel like I was connected to them, and actually knew their lives.
And it reminded me: though I had not lived in a Spanish-dominant country, I had learned my Spanish and practiced it in a country with a huge population of Spanish speakers. To me, learning Spanish represented building closer relationships with my Spanish-speaking neighbors, colleagues, strangers I ran into when they needed help, when I needed help. It was about speaking to the hearts of people in my community. And that connection was sparked again when I started to speak slowly and comprehensibly to my students, making their lives and interests into our curriculum. It felt like a loving tribute to all the times I or my conversation partner had made the attempt to connect in a tongue not our own, and we both smiled and understood, even if we didn’t say all the words right.
So I kept learning, I keep learning. And the more that I learn, the more that I see that it is not about building a huge repertoire of “activities” that expands every time I log onto Pinterest. It is really only about speaking slowly and using my body and voice so that students understand and can be understood. I look into my students’ eyes, and I feel connected, joyful.
I sense now that my career will not be an endless drudgery of activities and exercises, but an endless expansion of my ability to communicate and connect with other people. I will get better at literacy activities, I will get better at speaking comprehensibly, I will get better at classroom management specific to this discipline. But – how wonderful – doing this will mean meeting tons of really cool young people and learning about their unique, beautiful lives.
I’m rolling into an October very much unlike the October I witnessed my first year. There is so much space before me, space to get to know my students and myself so deeply. And so, so many stories to tell.
