Category: Input Activities

Calendar Talk – Keeping Your Fingers on the Pulse of Classroom Cultural Life

Calendar Talk often comes up in conversations about “essential” techniques, and for good reason: it can be a fantastic way to participate in the lives of your students, and provide windows into other cultures! The class is able to share about important events and moments in their lives, and the teacher keeps their finger on the pulse of what is current and important to the students in their class. (The older I get, the more I find myself thinking, “The what? Why is that cool? What are they doing? My lower back hurts. This is just a rehash of the 90s. What is happening.“)

Why should you use Calendar Talk in your classroom? Calendar Talk allows everyone to talk about the things that matter in their lives lately, while also providing an opportunity to learn about and connect to important dates in other cultures, and can thus build deep, powerful connections between classmates and the instructor for maximum joy and acquisition.

When do I use Calendar Talk?

Calendar Talk is a very flexible technique: it can be incorporated into instruction as just part of an opening (or even closing) routine, or it can be a standalone activity itself. In any case, Calendar Talk generates a lot of language that is personalized to the class.

As for when in the school year to use this technique: literally whenever! I find myself starting the year with it because it can be a very safe activity, but I find my use of it ebbs and flows based on student (and instructor, hello) interest. But then, it can be a great palate-cleanser between lots of new activity types, units, or at points in the year when everyone just needs a win (and some connection to go with it). It can be the comforting home base to return to when the class has taken the midnight train to Crazy Town. (This never happens to me, what are you talking about…)

How do I do it? – Logistics

First, get ye a calendar! You want to find a format that works for you.

I typically draw a calendar grid onto a large piece of butcher paper or a giant Post-It. You want it to be big enough to be visible to students and also usable for an entire month. I have joined the legions of Mr. Sketch-addicted teachers to draw and mark the calendars. I find that you can use one calendar for all classes, though sometimes classes get a lot of information out onto the calendar OR feel a strong sense of ownership that might require you to get separate calendars for certain classes. Take into account cost and materials and do what makes sense for you.

Much more economically friendly is just printing a blank calendar template from online onto printer paper, and writing on it using a doc cam. I typically search “[month] calendar” in the Target Language to see if I can get relevant cultural celebrations already built into the calendar, and because the format is often different from US-American calendars. (German calendars, for instance, start on Mondays, not Sundays. Culture!)

If you want to go a digital route, get a template that is easy to use and reuse. During distance learning, I used this free calendar I found online (in German and in Spanish) with easy to copy/paste graphics to move around the calendar pages. It is also easy to make copies of pages so that each class can have its own calendar, and you could even link the calendar slide in view-only mode to a course website.

An alternative for both of these is to just use Small Talk Slides that can help cover the same sorts of information, but without the same calendar visual. A disadvantage is that the actual calendar page serves as a visual scaffold and memory bank – I would venture a guess that most students have seen a calendar and would have its format as a starting point for understanding – but an advantage is that having a closed set of choices can help students be more expressive and not be intimidated by trying to come up with what’s going on in their lives lately, in the L2, when they might not feel quite comfortable doing that. (But also: accepting relevant L1 as part of Calendar Talk can help lower the affective filter, and if you can just rephrase into comprehensible L2, students can acquire personalized, highly relevant vocabulary.)

Pick a format that feels easy and workable for you and your classroom context! And if you have found any sweet templates in your internet browsing, please share them in the comments.

How do I do it? – Procedure

  1. Display the calendar of your choosing so that all students can clearly see it. Or, if you want, you might just draw out the calendar live in front of your students, narrating what you are doing in the L2. “I am going to draw a calendar. I am drawing a line, a line, etc. Hmm…let’s think. Monday…Tuesday…Wednesday… What month is it? Oh, it’s September!” etc.
  2. Introduce the calendar in language at your students’ level. This can range from: “This…is… a calendar! Look…at the calendar! Wow! Let’s talk…about the calendar!” to “Today, we’re going to talk about what is going on in your lives lately, and what’s going on at our school. Let’s also learn about what’s going on in [Target Culture community]!”
  3. To ease into the activity, it can be nice to start with just the date, and the weather. For upper level students, or level 1s who are familiar, just asking “What day is today? What is today’s date?” gets the job done, where beginner students will need more scaffolded questions. You might point at the relevant spots on the calendar and ask this-or-that questions, like “Is today Tuesday…or Wednesday? Is tomorrow Wednesday…or Thursday? Is today or tomorrow Tuesday? Ah yes, today is Tuesday, and tomorrow is Wednesday.” Writing new-to-your-students vocabulary on the board in L1 and L2 can help support making this early-in-the-year activity 100% comprehensible. Writing words like “today” directly onto the calendar can help with this, too.
  4. Then, you can move on to the weather! Beginning with “How is the weather?” you might offer choices again (“Is it sunny…or cloudy?”) with visual supports (drawings or writing in L1 and L2), show the class a list of options, or with students who are ready, just let them answer however they can. You can draw that onto the calendar to record it and scaffold understanding.
  5. If students are familiar with Calendar Talk, everything before this was just the warm up…here’s where it gets interesting! Now, ask the class if there is anything important or interesting happening today, or this week/month. Anything! This can be birthdays of students or their family members, sports matches, performances, school events, holidays – anything! It is likely that students will offer these ideas in L1 – that’s totally okay. You can just let them share, or set a limit for how much L1 you accept, and then rephrase their sharing into comprehensible L2. Aim to use high-frequency vocabulary in doing so – leaning on the Sweet 16 verbs and writing new vocabulary on your board – so that your students can use and reuse that language when talking about their own lives. “Oh! Soandso…has a football game…on Friday! Does Soandso have a football game or a football practice on Friday? etc etc”
  6. Ask lots of natural follow up questions to what students share. “Where?” and “With whom?” are great questions to get more information out of a student’s sharing, and these added details allow you to see a fuller picture of your students’ lives. “Where will you play the football game?” can lead into discussions about how students get to and from their sports practices, how much time they invest in their extracurriculars, and so much more. “With whom do you play video games?” can easily lend itself to a discussion about favorite games and genres, the trials and tribulations of online gaming lobbies, what gaming systems they had when they were younger, and if students have favorite streamers they like to watch play. Generally relying on question words (which I always have posted in my classroom) gives you a lot of ways to go with whatever students share, but also – follow your own curiosity! Especially if you don’t know much about a student’s hobby, this gives them a chance to teach you something. All the while, check frequently for class comprehension, and ask processing/circling questions about what is learned.
  7. See if you can connect events and happenings to as many students as possible. If you’re discussing a birthday, poll the class on who has birthdays in what month, if it’s better to have a birthday during the summer or during the school year, how old everyone in class is, who’s the oldest and youngest, etc. (We had a student in one class last year that we affectionately dubbed “Grandpa” because he was an older junior in a class of freshmen, and the next oldest student was “Uncle Soandso.” I, of course, was “Great Grandpa FishRod.”) Sharing about video games or sports can lead to questions about who also enjoys playing, or who just watches, or who has a sibling who plays. The discussion is never just about any one kid – it always can involve the whole class. Any new words are going up on the board, and getting repeated in processing/circling questions frequently throughout.
  8. Discuss upcoming events for as long as students maintain interest and attention! This is something you will just have to feel out. Sometimes, students are quiet, but engaged, and you can continue discussing for a while. Sometimes, the rambunctious sharing energy is too much, and you just have to move on. Sometimes…you just want to get to the next activity. Move on when you’re ready to move on!

What do I do with it now that we’ve finished?

At the end of a session of Calendar Talk, I try to review the new information we just learned about our classmates. This can be as simple as oral questioning, or could be playing The Mysterious Person game. This can help students acquire more of any new language through more comprehensible repetitions, and give you a chance to shine the spotlight one more time on the students in your class.

I also like to make sure I have saved what is learned on the calendar in some visual way. Whether it’s writing key words in L2 (“Football game” “New video game” “No school” “Tech week”) onto the calendar, or just drawing little icons to jog everyone’s memory, recording what was learned onto the calendar visual stamps the lives of your students into an important classroom document. This can serve to remind you later to check in with students about things they mentioned: “Hey, how was the track meet? Where did you end up going to eat on your birthday?” Nothing makes someone feel more special than getting checked up on.

The visuals on the calendar can also serve as great scaffolds to start a Write and Discuss text. This gives students a chance to see more complete written sentences, and notice anything interesting about how the L2 is written. This can also serve to reinforce any new vocabulary that came up spontaneously during the sharing from your students’ lives, which ends up creating a sort of personalized vocabulary list for your class.

To round out the experience, you might also administer a Quick Quiz as a formative assessment. This can give students even more repetitions of new, relevant vocabulary, and can be a real confidence booster.

Pro Tips!

  1. It is not about teaching calendar stuff! Sure, we can use the calendar to learn the words for “today, yesterday, tomorrow,” the weather and numbers, etc., but the calendar is really a springboard for asking students what else they are doing in their lives besides just being your students, and how they are doing in their lives. If we focus on the “calendar vocab” instead of on the lives of our students, we are missing out on opportunities to learn more about their lives, connect with them, and connect them to each other. Calendar Talk is about building community, and discovering the cultures of your class.
  2. Share from your own life! Don’t be afraid to put events from your own life on the calendar, because you are also a member of your classroom community. As much as you feel comfortable sharing, this can help build even more connections between you and your students.
  3. Favorite day of the week! I have learned some fascinating things by asking the class what their favorite days of the week were. Many students pick weekend days, with specific reasons why one day is better than another, but sometimes students will pick a weekday for an interesting reason. One student picked Thursday and told me that it was because it was the day her favorite webcomic dropped new panels. Glad I asked instead of just saying “we all love Saturday, right?”
  4. Find the style that suits you! Some teachers feel comfortable with sprawling discussions that can take from 10 minutes to the entire period, and feel comfortable managing the flow of new language into the activity. I try to ride the energy of my class, which is variable every day, and feel comfortable improvising a bit as students share their various life events. Some teachers want to keep an activity like this more controlled. In that case, offer choices that students must choose from, as opposed to leaving things more open. “Who has a game this weekend? Do you have a football game or a lacrosse game? etc.” And if you are ever feeling so overwhelmed that it isn’t feeling worth it: move on! It’s okay! You can always try again.
  5. Day of the Day! There are tons of declared holidays around the world, some interesting and historical, some just wacky. Writing them into your class calendar and discussing them with your students as a way to personalize the calendar can be really rewarding and fun. You can use this excellent website for ideas, or look at calendars in your Target Language to see if anything comes up.
  6. Make cultural connections! Keeping an eye on current events and holidays in your Target Culture(s) can make Calendar Talk a natural opportunity to introduce more of the Target Culture(s) into your classes! Write them onto the calendar ahead of time to remind yourself, and open discussions that allow students to make cultural connections and comparisons. My students have always been interested in holidays that offer time off of school in the Target Culture (haha!), elections, regional festivals…
  7. Make connections with people from the Target Culture(s)! It can also be fun to introduce celebrities from a Target Culture, perhaps on a day when they did something significant, or on their birth or death days.
  8. Hire a meteorologist! Once discussing the date and weather loses its luster for the whole class, you can hire for the class job of “Meteorologist.” This person can stand up at the beginning of Calendar Talk, sometimes to the applause of their peers, and briefly report on the date and weather. One of my students used to run out the door to get the absolute best read on the current weather and return in a dramatic burst, and another used to give some sort of encouraging message to the class to start the day. Great fun!
  9. Look up the weather in Target Culture locations! While you’re on the topic of weather, it can be fun to look up the weather in other cities around the world. This naturally allows you to make comparisons between your city and the other city or cities, and might also teach your students about Fahrenheit and Celsius! You might find a link to a weather website in the Target Language – I always use wetter.de and show students the capital cities of the German-speaking world, as well as the city where I used to live.
  10. Do it however you like! This blog post is informed by years of practice and learning from other teachers, and I’m hoping it offers you lots of options for how you might go about doing Calendar Talk. But! Don’t feel like you have to do it all. Again, Calendar Talk is only kind of about the calendar. Mostly, it’s about learning more about your students’ lives and cultures, and connecting them to each other and you. If you focus on that, you can’t go wrong.

What if I want to learn more?

Here is Claudia Elliott’s post about why she uses Calendar Talk, including a video of her doing it with a Spanish 3 class. She also has a whole episode of her fabulous podcast on the topic!!

This is Maris Hawkin’s post about Calendar Talk, which comes with some very helpful linked resources!

I also loved this post from Spanish with Stephanie that includes lots of great resources and examples.

What do you think? Do you feel ready to use Calendar Talk? Comment below and send me any questions you might have!

The ABC-Quiz: Cultural Learning Through Movement

In the summer of 2022, I was lucky to attend a seminar put on by the Goethe Institut titled “Sprache, Landeskunde, und kulturelles Lernen” that explored the concept of integrative Landeskunde in language instruction. That is, exploring how to teach our students not only facts about our Target Cultures, but also skills of intercultural communicative competence and discourse about cultural phenomena – all through the Target Language. It was an absolute blast to take the course entirely in German with German teachers from four continents, and the ABC-Quiz stuck out to me as a fun way to get students thinking, moving, and engaging with cultural concepts.

Why should you do it? Because our dear kids need a bit more movement in their school day, even if it is just a little bit of standing up and walking around! Plus, they tend to get competitive about finding the “right” answers, which ups the engagement factor as they think about cultural Products, Practices, and Perspectives.

When do I use the ABC-Quiz?

The ABC-Quiz is primarily an input-oriented activity as students read and process questions about cultural phenomena in the Target Cultures, voting with their feet as to what they believe to be the correct answer, and it can be inserted into a unit just about anywhere – either to introduce a topic and relevant vocabulary, or to extend learning about a given topic.

If you use an ABC-Quiz early in a unit, you will definitely want to preview new vocab in some meaningful context, or build in that contextualization into the Quiz itself.

In this example slideshow that I can use very early in my German 1 course, new academic vocabulary is bolded, and contextualized given students’ knowledge about the world. Even if they maybe think that “Hauptstadt” means “largest city” at first, they quickly learn that it means “capital,” and can then use that knowledge immediately for the next prompt to guess / state Germany’s capital. The number ranges in the population and number of states questions also give clues as to what is being talked about before students are asked to guess facts about Germany, based first on their learning the new vocabulary in German as relates to the home country (in my case, the USA).

Otherwise, the vocabulary in this example is very limited to basically “is,” “has,” and then names of countries! With more language proficiency, students will obviously be able to read and contextualize more information and new vocabulary.

How do I do it? – Logistics

The main principle of this activity is that students are given a multiple choice question, and move to a designated part of the classroom to indicate what they believe to be the correct answer. You can simply use scrap paper, writing “A” “B” and “C” in large print on three separate sheets, and then lay those sheets across the front of your classroom to designate three areas. Perhaps you already have a “Four Corners” procedure with country names, cardinal directions, or some other indicators in your classroom that you can use in the same way.

You will also need to prepare either some slides, or, much more challengingly, an oral text with multiple choice questions about your Target Cultures. This can range from geographical facts, like in the example above, to questions about the Products and Practices of your Target Cultures. See below for more inspiration in this regard!

How do I do it? – Procedure

  1. Explain to your students that you will be asking them questions to see what they already know about the Target Cultures (and maybe also their Home Cultures!).
  2. Tell learners that they will answer the questions you ask by moving to what they believe to be the correct answer, and indicate the areas for A, B, and C (or whatever other system you use in your room).
  3. Start with a question that could be fairly easy to answer, and model wondering aloud about any new vocabulary that might show up. Referring to the example above, maybe you say, with special emphasis on the italicized words, “[In the L2] The capital…of the United States is…Los Angeles…New York…or Washington DC.? Hmm…the capital. What does capital mean? I wonder…What do you think? Go to A, B, or C, and we’ll learn together!”
  4. Reveal the answer to the question, and celebrate all students’ answers. Reread the complete sentence with the correct answer in it, and do a comprehension check on any new vocabulary (or maybe even the meaning of the whole sentence) by asking, for example, “[In L2] What does capital mean in English?” Celebrate the answers you get for that!
  5. You can easily reinforce new vocabulary by asking follow up questions using the newly-learned word, indicating with a gesture when students can give a choral response (or if maybe they should just shout it out). “[In L2] Ah, so Washington, DC is the capital of the United States! Is [our city] the capital of [our state]? What is the capital of [our state]? What is the capital of France?” All along the way, restate the correct answers, using the new vocabulary, in complete sentences.
  6. Continue on asking content questions, having students move, showing the correct answer, and extending the input with further questioning. If you want to make sure any new academic vocabulary really sticks, you might limit yourself to 3-5 new terms that you use in a variety of contexts throughout the activity.

What do I do with it now that we’ve finished?

Because you may be introducing new information to students through this activity, it is recommended that you follow up with some sort of review activity. Maybe you do a Write and Discuss with your students about what they learned, or just engage in some oral questioning.

In the example slideshow above, I provide students a gap-fill reading that reviews all the information students learned in a short paragraph that uses connecting words like “and” and “but.” It is simple enough for a Novice learner to understand, and all they have to provide in that example is place names and numbers! You could confirm correct answers as a class by reading the completed paragraph aloud, and then have students complete a Volleyball Translation in pairs. Gap fill paragraphs like this could easily have larger gaps or more complex clauses for students with higher proficiency, like “When entering a restaurant in Germany, it is polite to…” or “Something that is similar to my culture is that…”

This activity is a great way to discuss cultural Products and Practices, so written reflection or discussion about the underlying Perspectives is also a natural place to go after an activity like this. I like ACTFL’s reflection question that is included in the Intercultural Can Do reflections: “What new insights about yourself and others have you gained from thinking about this?”

Pro Tips!

  1. Extend the learning! To drive up the amount of input and thinking in the activity, make a discussion out of every answer. Use new target vocabulary to ask personalized and knowledge questions, and share experiences with any cultural phenomena come up.
  2. Follow up! A gap-fill text, multiple choice questions, whatever – just make sure that students have to recall the information they learned. It can get exciting to move around and try to “win” during activities like this, so it helps to have a paper-to-pencil component that confirms what was learned and what might need reinforcement.
  3. Go beyond facts and products! For illustrative purposes, my examples above use geographic facts about Germany, but we could train our students’ Intercultural Communicative Competence even further by discussing social situations and phenomena that students may discover in the Target Cultures. (This would be the Practices P of the 3 Ps!) Let the image below provide some inspiration for possible topics for an ABC-Quiz:

What do you think? Do you have ideas for an ABC-Quiz you could do with your students? Comment below and send me any questions you might have!

Special Person Interviews – Making Students The Stars of Your Curriculum!

I tend to forget about Special Person Interviews for a while, and then when I start doing them again and kids are CLAMORING to be interviewed in front of the class in German, I’m like…what have I even been doing? They are easily adapted to align with curricular goals, interesting, and FUN.

Why should you do Special Person Interviews? There is no easier way to make your students the stars of your curriculum than by literally making them the “Estrella del día” / “Stern des Tages” / “Class Superstar” for an entire lesson! Students also get natural modeling of so much beautiful language, and, as Mike Peto says, we can effectively model the Interpersonal skills of thoughtful, engaged conversation for our learners. We need these skills perhaps now more than ever.

When do I use Special Person Interviews?

The Special Person Interview occupies the “Input” portion of your lesson, creating a common experience for your students as they engage in the interview of one of their classmates. It is highly recommended to follow up with some oral or written review of the information learned in the interview during the same period the interview is completed, and to do a Write and Discuss to summarize and review the information you learn about your Special Person!

As for when in the school year to do Special Person Interviews: I recommend doing them early in the school year, and regularly throughout the year thereafter. The Special Person Interview process establishes students’ lives as the focus of the curriculum, build community and connections between students, and build student skill in listening and responding during whole-class interactions.

How do I do it? – Logistics

The first step to conducting a Special Person Interview is…finding a Special Person! This could be any student, and maybe after a while, anyone from your school community. You definitely want to pick someone who shows some interest in being interviewed / being a star. An unwilling interviewee will likely give you very short, deflective answers that won’t be compelling to your class and won’t give you much language to work with as the instructor. I generally sweeten the deal by rolling out my Very Cool Swiveling Teacher Chair from behind my desk for the Special Person to sit on during the interview, and you might offer a cool prop or costume item if that’s your style. (And if all else fails…stickers…)

Ahead of the interview, you will also want to prepare about 5 interview questions. That doesn’t sound like very many, but between the follow-up questions that you end up asking to get more details, the reactions from the class, and your comprehension checks / review questions, you will likely end up with an entire period’s worth of conversation that you have to cut off for lack of time. If you have questions that you know that can be simpler to answer (“How old are you?” “Where do you live?” etc.), you can fill those in as makes sense, too, but 5 juicy questions are a safe bet.

You will likely get the most compelling answers if you allow your students to answer with a short response in the L1 (designate ahead of time “a phrase or single sentence” “2-3 words”) so that you can reframe the response in the L2 to control the flow of new language. Remind the class that though the class is interviewing the Special Person, the instructor is the one framing the interview and keeping it in the L2 so we can meet our two goals of 1) learning more about our classmates and 2) learning lots of L2. (Obviously, if the class has the proficiency and confidence to ask questions and follow ups…GO FOR IT! That is when it gets really fun for you and them.)

I display the questions on slides like the one shown below, with an option for the student to answer in a sentence in the language. This models different language forms very naturally for the class and gives high flyers a chance to try out some L2 for themselves. You can always prompt the interviewee to respond with the 1st person form once you have introduced any needed new language, which also helps recycle the information for the class as listeners.

This year’s most compelling answer: “moldy spinach.” Our Star had seen some really terrifying moldy spinach, but chosen not to eat it. (Phew.)

How do I do it? – Procedure

  1. Introduce the Special Person Interview to the class. I always try to frame it as the class interviewing a local celebrity who is really cool…someone in our class! You can accept volunteers, skillfully select an outgoing student who is game for most things, ask a student ahead of time and then announce them, or pick randomly (with the option to decline). To avoid the awkwardness of uneven clapping volumes for more or less popular kids in the class, I always prompt the class for a “dignified golf clap” as they take their seat in the SPECIAL CHAIR or don the SPECIAL WIG.
  2. Introduce the “Star of the Day” “Special Person” “German Class Superstar” or whatever you end up calling your interviewee. It usually goes something like this for me:
    “(in L2) This is Billybob! The class says, ‘Hello, Billybob!'” “HELLO, BILLYBOB!”
    “The class says, ‘Good day, Billybob!'” “GOOD DAY, BILLYBOB!”
    (something silly or ridiculous) (the class repeats that)
    AND THEN: I spell the interviewee’s name out loud and on the board in the L2, confirming with them once I am done.
  3. Quietly instruct the interviewee in L1 to answer however they feel comfortable, but try to keep it to [your limit of L1] for the answer. Tell them you’ll have sentence starters on the screen if they want to try to respond in L2, and of course, you as the instructor will help!
  4. Instruct the class that their job today is to learn information about their classmate’s life, react to what they learn in the L2, and answer any review questions you have for them!
  5. Pose your first question with linguistic support. Repeat the question in L2 as the Special Person thinks, pointing at the supports you have on the board (translations, images, etc.), and maybe slip in a reminder to keep their response either in the TL or within [your limit of L1].
  6. Depending on how the interviewee responds, either reframe their response in the TL, adding anything to the board that may help (the new terms plus translation/images/etc.), or just repeat what they said back to them (in the 2nd person). Then, report out to the class in the 3rd person, prompting for reactions if the info is especially interesting, or perhaps a “Me too!” if the class has commonalities with the interviewee. (Credit to Annemarie Chase for this!)
  7. Ask natural follow up questions. Shelter the language in the follow up questions to known language or that which you can easily support, such as with Sweet 16 postings or question word posters. It is easy to introduce tons of new vocabulary words in a lesson with open-ended questions, but we have to be careful to not overload our students with mountains of new language. I try to set a limit for myself of how much new language I allow into an interview, such as just down one side of my whiteboard.
  8. Bounce between interviewing the Special Person, and comparing / reviewing with the class. This helps with class engagement. I typically try to ask the class a similar question with a “yes/no” answer, or something that can be answered with a hand raise so as to not get lost in a side conversation. (“Class, are you also afraid of spinach?” “Billybob said he has a cat. Who has a cat? Who has a dog? Who has a hamster?” etc.) Once I’ve moved on beyond a question, I always try to go back and review what we’ve learned by asking review questions. (“What did Billybob say he was afraid of, again? Oh yeah, he’s afraid of moldy spinach. Did he eat the moldy spinach that he saw? No way!”)
  9. Linger on each question for as long as there is interest and material. Again, it’s prudent to limit the amount of brand new language that is generated from an interview, so keep that in mind as you follow up with the student. The length of the interview and follow up questions will likely correlate to the proficiency of your students – teach to their eyes, and keep track of how confidently they are following along and responding.
  10. Celebrate the Special Person at the end of the interview, perhaps bestowing upon them a sticker (kids love stickers at any age), or Knighthood in the Micronation of Fisherlandia. (Wait that might only work out in my specific classroom…)

What do I do with it now that we’ve finished?

Review review review! You likely just learned some cool new info about one of your students through the interview. Oral questioning (of the whole class or maybe individuals) can be a simple, but effective, follow up.

If you’ve done a couple interviews, you can play The Mysterious Person by describing someone from the class with info that the class has learned, and having students guess who is being described. This is a fun way to recycle language and also make sure that you are regularly making students’ lives the center of the curriculum: it’s hard to play Mysterious Person if you don’t keep learning new information about your students!

Always following up with a Write and Discuss helps turn the interview, which was mostly sound, into written language. In addition to modeling strong writing in the L2 and helping connect sound to form, this can become material for a class yearbook, a comic about the student’s life, or a display about the students in your class!

Rounding off the period with a Quick Quiz gives students one more recycling of the new language from the interview, gives you as the instructor formative assessment data on student comprehension, and gives the whole experience a “school-y” sheen.

Pro Tips!

  1. Ask natural follow up questions! Through this process, we are modeling conversation skills in the L2, so if a follow up question comes to mind based on the student’s response, ask it! You’re doing this on behalf of your class, who may not yet have the L2 to ask the question but want to learn more!
  2. “With whom?” and “Where?” are often great follow up questions! If you draw a blank when trying to pose follow up questions, these two power questions are often very interesting to pursue. Generally, leaning on question word posters will give you the inspiration you need for a follow up question.
  3. Go slow! If we want to model being a thoughtful conversation partner, it is natural to react, repeat, and rephrase the things we hear about. If you need to stall to think of a good next question, just repeat what you just learned. That is much better than rushing through to fill the silence and feeling frantic.
  4. Switch up the questions! Mike Peto recommends coming up with a new set of 5 questions after using them for about a week, and Annemarie Chase builds up from having her first interviewee answer just about 5 questions, to a slideshow of almost 20 questions. Maybe not all 20 questions get asked, but the idea is to add variety and build on students’ growing proficiency.
  5. Switch up who gets interviewed! Why not bring in a person (whether or not they speak the L2) from the community to be a Special Person? This could include L2 speakers from your community, your administrators, or L2-speaking friends and colleagues from across the world!
  6. Switch up who does the interviewing! I sometimes ask for volunteers to read the questions off the board, and then I (the instructor) reframe and ask the follow up questions. Students with more language might be able to do some follow up questioning of their own!
  7. Orient your questions towards the unit you’re teaching! If you have a pacing calendar to keep up with, or certain themes/vocab that you need to hit every year, use the Special Person interviews to introduce, deepen, or reinforce those themes. Here were some questions from a “Food Unit” that were super engaging for one of my German classes and helped reinforce tons of relevant vocabulary:
    – What did you eat this morning for breakfast?
    – What can you cook?
    – What is the name of your favorite restaurant and what do you order there?
    – What food do you personally find gross?
    – What is a food that you could eat every day?
  8. …or don’t! Maybe your goal is not “hitting this specific vocab,” but rather, “learning more information about my class.” That is a very worthy goal – pick questions that you think would be fun and interesting for your students!
  9. Teach rejoinders to help the class stay engaged! If students have a way to react to the new information that they’re learning, they will more likely stay engaged in the TL. Easy ones to start with are “Me too!” and “How cool/interesting!” (Credit again to Annemarie for this idea!)

What if I want to learn more?

I am so lucky to have learned about Special Person Interviews from Bryce Hedstrom, whose post here is a response to someone who had been trying Special Person Interviews and was experiencing some frustration. His response is clear, helpful, and illustrative! Here is a video where he discusses Special Person Interviews with La Libre Language Learning.

I refined my approach to Special Person Interviews after learning more from Mike Peto, who has a great primer on them in his CI Master Class (paid subscription necessary). This free blog post discusses how to make the most of the “untargeted” approach to these interviews and provide students with lots of repetition, interest, and joy.

This post by Annemarie Chase is a treasure trove of Special Person/Star of the Day ideas. Her ideas for keeping the class involved are (mind explosion noises) and I am immediately stealing.

Cécile Lainé created this post as an FAQ document for Special Person interviews, and has potential questions aligned to ACTFL proficiency levels, graphic organizers if the instructor wants, and a helpful list of ways one might follow up on the interview process.

Here is a video of Brett Chonko conducting a Special Person interview in one of his classes. Lots of great stuff happening in this video – and it’s great to see the process happen live with real students!

What do you think? Do you feel ready to use Special Person Interviews? Comment below and send me any questions you might have!

Question of the Week – An Easy Ritual for Building Memorized Language and Community

Online learning, for me, has been about simplifying and streamlining my planning processes to yield maximum results without sending me into internet search spirals that last hours and generate maybe one slight adjustment to what I was already going to do in the first place. (It has not, however, cured me of my tendency to write giant compound sentences like the previous one. #BAinGerman)

I have been feeling pretty successful in providing high-quality, personalized CI, given the circumstances. But I had been missing those little bits of memorized language that I was using as “Passwords” (a la Bryce Hedstrom) to get into my classroom – how can I get students those helpful phrases in this online way? Enter The Question of the Week!

Why should you use it? Because often times, students enter language courses with expectations of what they should be learning, and how that learning should look. We can definitely through them a bone with these phrases, which are very useful and help us ensure that they have natural, powerful language for use right away!

When do I use the Question of the Week?

I use the Question of the Week outside of my normal lesson cycle, usually during the “Warm Up” or “Do Now” portion of the lesson, before we really get going where we’re headed that day. It has been a nice ritual for my first lesson of the week with each class because it is expected, and it makes it easy for me to remember to plan it ahead of time!

How do I do it? – Logistics

When thinking of potential Questions of the Week, I have been thinking about phrases that might be expected by the student, given the class or unit content, or are just difficult to weave into stories or discussions. For example, it’s helpful for students to know how to say “My name is…” but awkward to ask it of them if…Zoom just tells me their name on the screen at all times. (These are called “Display Questions” in pedagogical literature – questions to which we either already know the answer or for which the answer is apparent to all and thus for which there is no communicative purpose – they are only for “language practice.” “What color is my shirt?” is not communicative if all students can see it.)

Here are some examples from the first units of my current courses to help clarify even more:

Level 1:
What is your name?
Where are you from?
Where do you live?
How old are you?
What languages do you speak?

Level 2:
What is your favorite food?
What is your favorite drink?
What do you think about that? (or, “What’s your opinion?” after I make some statement)
What do you like to cook?

Level 3:
How do you feel? (reflexive in both Spanish and German)
What are you interested in? (also reflexive in German!)
What does that remind you of?
What is important to you?

How do I do it? – Procedure

I introduce each Question of the Week during the first class meeting of the week. I have students note down both the question, and the sentence frame that they can use to respond to it! For example, they would note:
“What is your name?” –> “My name is…” in L2, as well as what it means in L1.

Then, I have my class answer in the chat all at once (which I have turned so that they can only chat with me), and I repeat and comment on their answers. “Oh, Soandso is from California? I am also from California! Where are you from specifically, Soandso?” etc etc.

After I get all these initial answers, I move on with my lesson. BUT ALSO: throughout my lesson, I randomly ask the question to my class to make sure they are there and engaged! This helps both reinforce that memorized language, as well as help me make sure that cameras aren’t just off because students are off secretly recording Tik Tok dance videos or something during class.

After we have built a repertoire of these questions, I sometimes cycle through a couple and have students respond to all of them in the chat. Great spaced practice – especially if you ask “Level 1” questions in level 2 or 3!

What do I do with it now that we’ve finished learning it?

Use these questions all the time! I have built the Questions of the Week into stories I’ve told with class, just to build out what we know about characters and setting. Variations on the questions and statements have also appeared in readings I have given my students to reinforce the different forms (person, tense, etc.)

My level 1s have talked a lot this year about “wanting practice speaking,” which we know can be very pleasurable even if it doesn’t necessarily lead directly to language acquisition itself. So I am creating an assignment where students introduce themselves by answering all the Questions of the Week. Because they have practiced and heard these questions and their responses over and over again over the weeks of class we have had together, this will be a slam dunk-easy assignment for students to just speak their memorized answer and get comfortable with the new language in their own voices.

Truly though, if you pick a meaty question (“What is your favorite movie?” “What do you do in your free time?”), you could make the question your entire lesson. Once you start a discussion, you can just focus on a couple answers, write up a summary of the discussion with Write and Discuss, and have spent a good long while getting to know your students and the way their minds work.

Pro Tips!

  1. Pick useful questions and sentence frames! What are some basic sentence frames that allow students to describe, express an opinion, show their emotions? With an eye to useful functions, we can give our students a strong and flexible set of conversational moves that they can apply across their language learning experience. I tend to forget to build some of these phrases into my class stories and experiences, so planning like this ensures that I get the students the useful stuff they need.
  2. Recycle them! Use them over and over as attention getters, in new contexts, make them really stick.

What if I want to learn more?

Bryce Hedstrom’s post about his passwords (which students have to say before entering the classroom) can be a great source of inspiration for ideas of what sorts of things you can build in to your Question of the Week repertoire. Check out his posts about his higher levels, too, to see how the idea scales.

What do you think? Do you feel ready to use the Question of the Week? Comment below and send me any questions you might have!

Card Talk – Online!

This post will assume familiarity with the Card Talk strategy. If you haven’t heard of it or done it before, check out my post here about it and then come on back for some thoughts about how to bring it online!

As we move into a school year where many of us are fully online (and many are doing some sort of wonky not-normal something), I have been thinking about high-powered strategies and how to best bring them into the online environment. At the same time, I have talked to so many other teachers who are falling into the spiral of internet discovery that leaves them with too many ideas and not enough confident planning. It reminds me to be clear about what are the most important principles for my teaching – access to high-quality input, personalized discussions about relevant content, frequent chances to read on-level texts, and getting feedback on all of the above – and stick to making those things happen, over and over again.

I have always loved Card Talk for a couple big reasons. For one thing, it is a very flexible strategy. You can give a prompt for any sort of topic/theme, and boom! You have generated content for possibly weeks. For instance, this year level 1’s prompt is the typical beginning-of-level-one “Show a picture of an activity you like to do (bonus: put a picture of you doing that activity!)” Level 2, starting a unit about food? “Show a picture of a food that has meaning to you and/or your family, and another picture of a food you absolutely hate.” Level 3, beginning the year with a unit on art? “Show a picture of an artwork you listen to/view over and over again, and another picture of an artwork that really inspires you.”

The other big reason I love it is because it lends itself so nicely to community building. It does this by beginning conversations around individuals that enable us to draw connections between the members of our classes. This has been helpful to remind us all that behind the screens are real people who share some of the same interests as you – which we will be able to capitalize on once we’re back together in the beautiful future!

Adaptations for Virtual Learning

For synchronous learning: I shared a blank template (like this one you see here) with my entire class, and created an “assignment” on our Learning Management System (LMS) to fill in their slide, and then tell me which slide number they had claimed.

To prepare for class, I scrolled through and found two slides with similar-seeming interests (maybe both are related to sports, or music, or both students do gymnastics!). I copied these into my daily slideshow, and maybe noted some high-frequency or interesting vocabulary that I would need to have a conversation with my students about that interest. (I keep note paper in front of me while teaching asynchronously to keep my thoughts organized.) With some slides, I also had to edit them down a bit, because some students took the directive of “post a picture of AN activity you like” to fill the entire slide with every video game they had ever played ever. I wanted to keep the discussion focused, so I cut it down to about 2 or 3 pictures for each student (and explained that I had done so during class).

During class, I did a big drum roll, and then showed the students’ slides. While doing the activity, instead of sharing the slide fully presented, I instead showed the slide in the “edit” mode, as we would see it when we are working on it. That makes it easy to use the “presenter notes” at the bottom of the slide as a sort of whiteboard to introduce new vocabulary in big font.

With my level 1 students, because they had posted a picture of themselves on the slides, I used that as an opportunity to begin physical descriptions like, “Ah, Soandso has brown, wavy hair. Nice! I’m bald, I don’t have hair. (fake cries)”

Then, I moved into the discussion about that student’s interest(s). The power questions that tend to generate lots of good discussion are where a student does the given activity, as well as with whom. That usually provides enough fodder to stick on the slide for a couple minutes, learning more about the student’s preferences.

With any activity focused on just one kid, it is important to strike a balance between talking to just that kid and panning out to address the whole class. The questions directly to the kid tend to generate most of the content, whereas the questions to the class (“hey, translate what we just said quickly in the chat,” “Do you do this, too?” “Which of these two alternatives is better?”) keep the rest of the class engaged.

After discussing one slide for a while, I moved to the next, and drew connections between the two students. I rounded out the period with some Write and Discuss, Translation of the Class Text, and a Quick Quiz.

For asynchronous learning: I have not done this asynchronously, but I could imagine altering the template for the activity to generate the information I would need to do a presentation without the student there. In the “presenter notes” section, you could include “wh- questions” (who, what, when, where, why) that the student has to fill out in addition to posting their picture response to the prompt. This gives you as the teacher more information to work with as you perhaps create a video recording (I use Screencastify!) of you describing the student’s response with all the information you have, also comparing it to yourself! To check for understanding, you could have students write a short summary in their L1, or do a 4-question true/false quiz in the L2 after watching the video.

In the beautiful future…

I have kind of appreciated having the “cards” online. I didn’t have to spend money on card stock (HELLO) and didn’t feel bad about environmental waste. Perhaps I will make “creating the card” a digital assignment for the future to reduce waste and make it easier for me to see them all at once and plan. Hooray positives!

I also found myself getting frustrated that we were “only” getting through 1 or 2 cards in a long period, but that is also totally okay. Less is more with online learning! Better to feel very solid about even one card versus just hitting students with tons of new info and words about their classmates.

Have you done Card Talk online? How did it go? Leave your tips and tricks below!

OWI – Building a Character, and Community, Too!

If you are in the CI Blogosphere or in any of the numerous fabulous Facebook groups dedicated to discussing Teaching with CI (TCI), you may have heard of an activity called a One Word Image, or OWI. (Another TLA for you!) (TLA = Three Letter Acronym) (Buh dum tss) You may have seen teachers raving about how fun they can be, or the wacky images their students create. But what even IS this activity, whose creation is attributed to Ben Slavic? Let’s explore!

Why should you do it? Because our students are wonderfully creative, and it sometimes seems extremely rare that they get to explore that creativity in the current pressurized school environment. Building a character together as a class can be a fun outlet for them (and you!), in addition to accomplishing your Secret Language Teacher Goals. Aka – they get a lot of language input out of it! Not to mention, this character could become a class icon who goes on many adventures, or at the very least lives on in your classroom as a symbol of cooperation and fun.

When do I use an OWI?

The Create phase is a session of Guided Oral Input.

An OWI belongs in the “Create” category of activities in the Star Sequence, or what we might also call the “Guided Oral Input” part of a lesson. This is an experience that generates language and common experience in the classroom, which become the basis for the literacy work of the other star “points.”

A One Word Image is an inanimate object or animal that your class customizes and anthropomorphizes through your questioning and the collective use of imagination. The image gets drawn up (more on that below) so that you can revisit it later and use it for more literacy!

As for when during the school year to create an OWI with your class – it can be whenever! Many teachers use this strategy early on as a bridge to whole class, co-constructed storytelling, but it can pop up whenever in the year if you want to inject some fun and energy into the proceedings. Plus, it is easy to angle an OWI towards whatever unit you’re in. School unit? The image has to be a school supply! Food unit? Food with a face on it is hilarious! House unit? One of my most successful OWIs was a Roomba! (By the way, the German word for “vacuum cleaner” is “Staubsauger” – literally, dust sucker. Ding!)

How do I do it? – Logistics

Before you get started with anything, you’ll need to set up a way to get the image drawn for you! Most teachers find it useful to hire two student artists to draw the image as you and the class build it. This allows you to use the image later as an anchor for further discussion and literacy activities. Elementary teachers sometimes draw the images themselves to make it easier to see and more accurate.

Tina Hargaden once recommended announcing that you need to hire someone who is very good at drawing, so everyone needs to point at someone who is very good at drawing on three! One, two, three! A lot of the time there are 1-3 artists in a class that just rock and everyone knows it. You can use positive peer pressure, or just asking the student to get them on board. They then will need an assistant to help them out, so I take volunteers for that part and let the primary artist choose someone with whom they are likely to work well.

I set my students up at an easel with a giant piece of butcher paper, some chart paper markers, and some colored pencils. (You’ll also want for them to have a pencil sharpener and maybe a ruler, just in case.) My instructions to the the artist duo are as follows:
1. Draw exactly what I say (not what the class says…it’s easy to get distracted), and the Assistant has to follow Artist 1’s direction and vision
2. Take up the whole piece of paper so that the image is easy to see
3. It should be more cartoony than realistic – like a logo!
4. Do the outline in marker, and then color in with the pencils
5. Do not talk at more than a whisper so you can hear me and we don’t get distracted
6. Work quickly! They will have essentially 20 minutes to make this happen, in most cases

Many teachers also choose to hire a Professor #2 in this moment. This student will make the final call on details if there is a huge disagreement in the class. It is best to choose a student who may be quiet or not quite fully integrated into a group in the class, as this gives them a moment to be an important part of the classroom community without being overshadowed by the more…uh…active participants in your room. When there is a knockdown, drag-out fight about whether the Roomba is blue or red, Professor #2 makes the call and it is final. Instruct the students to respect the decision and move on.

How do I do it? – Procedure

  1. The first time I do it, I say in L1 that we are going to create a character as a class using the power of our imaginations. We are going to create something that doesn’t exist already – so no rehashing of a famous character or person. It could be any sort of object – a car, a food, a piece of clothing – just not a person, or a character that already exists!
  2. Then I start taking suggestions. Don’t bother translating to the L2 at this point – you’re going to get lots of excited suggestions. I take raised hands, and if students say anything that causes The Teenage Giggles (something inappropriate or that could be construed as such), I just say, “No,” and give a lingering glance to the student who suggested it.
  3. A lot of the time, there will be one suggestion that has a lot of resonance with your class – pick that one! If there are a couple warring factions, propose 2-3 ideas and then just make a decision for the class. Write the object in L2 with L1 below it on the board. (Be prepared to learn a lot of random words in your L2…like when your students want to create a muskrat and you have no idea how to say that in German…)
  4. Switch into the L2 (I have a student yell “DEUTSCH” to make that happen), and repeat the word for the object in the L2. I then tell the class to look at the object (again, in L2), while gesturing to a space in the front of the classroom. Saying the word with wonder and admiration, even asking students if they see it too and exhorting them to really look, adds a bit of magic to this initial moment. (I usually try to find a good moment to pop over to the artists and quietly whisper that they should start drawing a basic outline of the object, but without a face or color yet.)
  5. Then, ask students in the L2 if the object is big or small. Use your body to convey these terms to students if they are not quite fully acquired – for example, I usually draw out my arms really widely for “big,” and then say the word in L2 so that students’ brains are cued up to hear the L2 word for its meaning. Then, do the same for “small.” If there’s a split decision, send it to the Professor #2 to make the call. Then, repeat the size with wonder, looking at the imaginary object you’ve established. I also say things like, “Wow, this muskrat isn’t small, no…it’s big!” in the L2 to just give more input. After that base detail has been established, you can play with the degree. For example: is it big, or VERY big? Is it VERY big, or is it GIGANTIC??? (Gestures galore!) This can be a fun way to up the ante and introduce students to similar words in a natural context.
  6. After size, I usually ask what color the object is. It is helpful to have some sort of colored poster, like this number poster from Teacher’s Discovery, to quickly establish meaning for the colors. After the class chooses the color (or you defer to Professor #2 to make the call), it can be fun to compare this to objects in the class. Is it red like a Coca Cola bottle, or is it red like Jackson’s sweater? All the while, gesture to the imaginary object in the space you established earlier. Tell students to look at it, and repeat what it is. “Wow class, look here. We have a gigantic, red vacuum cleaner in our classroom. Hello up there! My name is Herr Fisher! How are you?” HAVE FUN. HAVE FUN!
  7. After size and color have been established, compared, and wondered over, ask if the object is happy, or sad, establishing meaning through gestures or writing on the board in L1 and L2. With both options, I usually go back to the object to play with that a bit… “Hey! How are you doing? Badly? Oh no!! Don’t cry…it’ll be okay!”
  8. For the first attempt, having these three class-decided details may be enough. Make sure you ask some questions along the way as a memory refresher for you and your students (“Wait…is our vacuum red or blue? Oh yeah! Thanks, y’all. It’s red! Wow!”), and don’t be afraid of playing with the wonderment of creating something together. This also can buy your artists some time to finish up their drawing.
  9. You can do this as part of a written exit ticket, or asking the class as a whole: ask why the object feels the way it does. It helps to contextualize the emotion with details that the class has established. For example: “Why is this gigantic, blue muskrat so sad??” This can help focus the problem that students generate. Have them create the problem in L1 so their creativity can run wild! If it is written, you can tactfully combine ideas for the next class (or see if there is a dominant theme you could follow), and if you decide as a class, you’ll have to be prepared to do this live, gently turning down ideas that are too insane/violent/whatever.
  10. I like to wait on the reveal of the character until the next class meeting, but whenever you do it, make sure it is done with a drum roll and some celebration of the artists for their contribution to the class’ history!

What do I do with it now that we’ve finished?

So you’ve created a character, and somebody (maybe you, maybe some students) drew it up! What’s next you ask? The possibilities are endless!

The obvious first step is to reveal the artwork to students. Now, because you’re working so heavily in the imagination during the creation of the character, you’re going to have as many imaginings of the character as there are students in your class. I like to preempt any negativity by saying, “Now, we’re going to show our appreciation to our classmates for creating this artwork for us! How much positivity and love can we give them?” (You may still have to address students privately who think they “could have done it better,” or publicly if the class is being unkind. Just prepare a set statement like, “Soandso took a great risk by volunteering to create something for us, so we will only honor their bravery and artistic choices!”)

After revealing the artwork and having the class show appreciation for the artist(s), talk through the character again in the L2. Maybe some features are easier to see than imagine all together – the large image is a great visual scaffold for you to talk about many more aspects of the character’s life. Maybe it has especially expressive eyes, the artist gave it a shock of crazy hair, or it’s interacting with its environment in an interesting way! Talk about that in the L2, conveying wonderment with your voice to show appreciation to the artists.

It is easy to segue from describing the character to a Write and Discuss, where you write up a description of the character with the class. At this point, you’ve repeated the language of the character description a lot, so students may be able to contribute to the paragraph that you write up on the board with ease and enthusiasm! A nice Quick Quiz after writing the description and rereading it can make the whole thing feel like a very academic experience – even if it was insanely fun!

If you feel like you want to try your hand at storytelling, you can use the problem generated at the end of the OWI process to turn into a very simple story. For example, the aforementioned vacuum cleaner was sad because he didn’t know where his parents were. Easy peasy! Mike Peto suggests a sequence of story creation that goes along these lines:
1. Describe the character again, where they are, and who they are with (usually a friend of a similar character species)
2. Describe their problem and the character’s reaction to it
3. Attempt to solve the problem a first time, and fail
4. Resolve the story by either solving the problem, failing, or failing and rethinking the problem

This can generate a quick story that can then be used for more literacy! And the language will naturally repeat, so student will get lots of CI in many restated contexts.

Beyond the Basics

Usually after a first class character, you can extend the time you use to create the class character, as well as the breadth of the questions you ask about the character. I got many of these ideas from Ben Slavic and Mike Peto. Consider asking about the following traits:

  • Kind or Mean
  • Intelligent or Dumb
  • Rich or Poor (gets old quick… Gucci belt Gucci belt Gucci belt #seventhgraders)
  • Brave or Scared/Timid
  • Optimistic or Pessimistic
  • Hardworking or Lazy
  • Honest or Dishonest

If you find some of these not-so-inspiring, try different traits! This keeps it fresh and can also help start discussions about these values.

Also consider asking the following, which can be hilarious and so fun:

  • Character’s name
  • Likes and dislikes
  • Age
  • Job that they have
  • A superpower they have

Pro Tips!

  1. You don’t need to have a certain personality to do this! I am a zany person, but you do not need to be loud and extroverted like me to make this (or any “TCI” strategy) work. I have seen teachers regarding their imaginative creations with calm, professorial wonder, where I’m hopping around, crawling on the ground, etc. Try this strategy again and again until you develop your own relationship to it – don’t feel the need to BE any one teacher until you’ve experimented and found what works best for you.
  2. Don’t let it run wild, part one! Kids are extremely creative, but it’s easy for things to get out of hand if you allow students to interject constantly with “Does it have seven legs?” “Is it wearing a tophat?” “Does it speak with an Italian accent?” You, as the teacher, need to make clear that creating with large groups of people can be very difficult because everyone is creative in different ways, so YOU will be the one asking the questions and will only accept answers to those questions. And when you have to cut it off, you will for the sake of actually getting something done and created. This can feel creatively disappointing, but we sometimes have to accept our ideas not getting used, and maybe they will be used next time!
  3. Don’t let it run wild, part two! Kids like inappropriate stuff. When you are creating something in a more open-ended way with students, they will attempt to push the boundaries and say things that will make their classmates laugh. If you get a sense that there is a secretive in-joke laugh going around because of a suggestion, just nip it in the bud by lightly turning down the suggestion and giving a meaningful glance to the students suggesting it.
  4. Sometimes you just have to make the choices! Students will likely feel very strongly about this activity, as it is quite unlike the rest of their classes and assignments. Sometimes you just have to make the call for students (often with the help of Professor #2), and accept that not all students will be satisfied. (“No one even wanted that one!”) Understand that these are your loudest voices and don’t necessarily represent your whole class. Let them know that a decision just had to be made, and that we can all accept our feelings of disappointment and hope that our ideas get chosen next time. (Sometimes students will strike deals with each other about a detail, saying that they’ll save something for next time…hilarious. And quite cooperative!)
  5. Offer choices! Sometimes, asking questions such as “What color is it?” can lead to seemingly hours-long discussions that never get anywhere. Especially early on as students are acquiring these terms, just offer 2-3 choices – one that is kind of logical, one that is a little more out there. “Is the apple red like normal, or BLUE??” Students will usually have some sort of response as long as you show them what each word means, and you can decide if it will be normal-seeming or…not. (Most of the time, asking the class, “Is this a normal ____?” leads to an emphatic “NO!”)
  6. Make it quick! As I said above, lingering on an open-ended question can just feel like an endless L1 slog of pain and misery. Keep the conversation moving: offer choices, allow for a short moment of lively debate, and then make a decision (relying on your Professor #2, when necessary). This can be a very fun activity – don’t let it, uh, fester.
  7. End it if you have to! Some groups are not used to their teachers offering them such fun choices, and can get overstimulated very quickly. We (people who teach with CI) have all had a class who just couldn’t even. In-fighting, debates that got personal, no consensus building, etc. If that is happening to your class and it is starting to feel a little out of control and not so fun for you, tell the class you have all you need for today, and shift gears to something like a Dictation or a Quick Quiz. It has to be something quiet to signify, “hey, this didn’t work so well this time.” Reuse whatever language you were able to come up with as a class, and maybe add a detail or two yourself as the teacher, clearly establishing meaning and making sure your artists are with you.
  8. If it fails, try again! Sometimes, we try a new strategy, and the first go-around feels quite…train wreck-y. Students don’t get it, you feel unsure, you question your abilities to teach “this way,” it doesn’t seem like it did anything for your classes, etc. We can have any number of thoughts go through our heads as we try something new, and this is absolutely normal. You’re learning something new and those muscles aren’t conditioned yet for maximum performance! I encourage you to try the strategy again, and as SOON as possible. Get back on the horse! That way you can implement the lessons you learned the hard way RIGHT AWAY and leave class with a sense of accomplishment, not a sense of defeat, embarrassment, or bitterness. End on the best note possible – practice again and again!

What if I want to learn more?

Check out the Bite-Sized Book of One Word Images by Ben Slavic and Tina Hargaden – this is an excellent resource that I have drawn a lot of my inspiration from. Ben Slavic is credited with creating the OWI, and his work with Tina in this book is very illuminating when it comes to how using images inspires our students’ imaginations and gets them so focused on creation that they effortlessly acquire the language used along the way.

Sarah Breckley has this video that shows her trying an OWI for the first time, with real kids!! It is very brave of her to show a first attempt – and can give you some inspiration as you learn for yourself.

Here is Tina Hargaden creating an OWI during a workshop. She has serious teacher swag, and it’s fun to watch her play with relatively little language in so many different ways. Here’s another one of her from a real class of middle schoolers! Context is important – adults are seriously easier to teach than kids. (Most of the time 😉 )

Here is Ben Slavic doing an OWI with his students. He offers lots of helpful notes on his videos that explain his rationale and actions – invaluable for the learning teacher!

Here’s Brett Chonko seamlessly working from an OWI to a Write and Discuss – what a pro! This can show you how these two strategies interact and lock together seamlessly to provide some awesome CI to your students.

There are many more videos of teachers doing OWIs on YouTube – search “One Word Image” for a treasure trove of different teaching styles!

What do you think? Do you feel ready to create a One Word Image (OWI)? Comment below and send me any questions you might have!

Card Talk – Building Classroom Community and Learning About Your Students

Edit from 2020: Are you teaching online? Read the post below first, and then check out this one for ideas on how to adapt it to online teaching and learning! Good luck to you!!!

Card Talk is another essential activity for CI classrooms. It has had some different names throughout the years that you might be familiar with – Ben Slavic’s “Circling With Balls” is definitely the progenitor to what many now just call Card Talk. (Because…#thatnametho) (My understanding is that he named it that way because so many students drew sports balls on their cards when he was teaching. #sportsballs) Many teachers start off the year with Card Talk to build classroom community and learn about their students, but this is an activity whose flexibility really lends itself to being used at any point throughout the school year.

Why should you do it? Not only to learn about the opinions, aspirations, and experiences of your students, but also to connect students to each other through your discoveries! It can be exciting hearing about someone who shares some part of your life when you’re new to a class, to a school, to an area, etc. Plus, Card Talk can be a great way to front load some high-frequency vocabulary about a subject if you’re either required to follow some sort of mandated curriculum, or are diving into a focused unit of study about a (perhaps AP- or IB-aligned) theme.

When do I use Card Talk?

The Create phase is a session of Guided Oral Input. Talk about them there cards!

Card Talk belongs in the “Create” category of activities, or what we might also call the “Guided Oral Input” part of a lesson. This is an experience that generates language and common experience in the classroom, which become the basis for further literacy work. (Most activities, like stories, characters, Movie Talk, etc etc. that people think of when they think of CI fall into this “Create” category, as they generate a lot of novel oral language, but don’t forget to also have strategies from the Write, Read, and Extend/Assess categories to provide the most complete L2 literacy experience for your students!)

As for when to use this activity during the school year…it can really be whenever! Many teachers do this early in the school year (read: first or second day, first or second week) as a way to break the proverbial ice and build classroom community (and also reinforce classroom expectations and procedures). But you could just as easily bust out Card Talk in the middle of the year to align with whatever topic or theme comes next for you. District requires you to do a daily routine unit? Card Talk it! Looking to talk alllll about your culture’s delicious food? Card Talk it! Getting into 3rd- and 4th-year discussions about stereotypes and regional identity? Card Talk it! We’ll see how below…

How do I do it? – Logistics

I have done Card Talk effectively two different ways: on paper, and digitally.

On paper: Each student needs a piece of paper to write and draw on, as well as a marker. I would shoot for 8.5×11″ printer paper, or card stock if you can get it – these “cards” can function as name tents if you want them to. Marker helps the images and names be visible throughout the classroom. If you are feeling NEXT LEVEL, use differently-colored paper for each class, to keep them separate. If you are Recycling Royalty, there’s no shame in using the back of a scrap piece of paper! (I am of German descent, so my Recycling senses are strong…)

Once students have the necessary materials, they should fold their paper in half hamburger-style and write their name in large print on one of the sides. (Is there a more professional way to write hamburger-style folding? Is it “lengthwise?” Whatever we’re all teachers here and it’s my blog darn it) On the same side as their name, students should draw a large image – without words as much as possible – that is a response to the Prompt. You may want to have students divide that side up so that there is space for both their large written name and the image, and we ask for name on the same side as the image to link the two together in our conversation. If you’re doing Card Talk early in Level 1 or 2, your Prompt can be “Draw something that you like – an activity, a sport you play, something you do in your free time, whatever!” (Some students may need some loving reminders of what is context-appropriate to draw on a card for a “school assignment,” *teacher wink*) For more prompt ideas for levels 1 and 2, as well as ideas for upper level courses, see the “Pro Tips” section below.

Sam likes hot Cheetos, and Willa likes turtles. These cards were the source of so much joy and community, and they were scrap paper!

Students only need about 4 minutes max to write their name and draw their picture. (We’re talking a quick sketch in one color, not an artistic masterwork.) After they have finished, you have some choices. I have typically used Card Talk in the beginning of the year, so I have students prop up their cards so I can use them simultaneously for the activity, and to learn names. OR: Scott Benedict turned me on to collecting all the cards, quickly sorting them by category (sports, video games, food, etc.) before choosing a first card for discussion.

Digitally: I link a slide show to our Learning Management System that has a template for students to fill out. There are enough copies of the slides for each student to claim one, and the instructions are right on the slide for students to edit and create their “cards.”

Slide template for digital Card Talk
My example because I LOVE READING AND READING IS COOL

Use your Precision Teacher Judgment to pick a student’s card that you would like to engage the students and class in discussing. You’ll be holding on to it to use as a visual scaffold for much of the activity, or displaying it for the class to see.

To start, signal for students to bring their attention to the whole class, and if you have a signal that indicates a transition from the L1 to the L2, give that signal now!

How do I do it? – Procedure

  1. After you have picked which card you are going to discuss first and gathered your class’ attention, show the card to the whole class. You can say something in the L2 like, “OooOOoo, look at Soandso’s card! How interesting!” Alternately, if you’ve collected your whole class’ cards, you can ask, “Hmm…where is Soandso?” while looking around the classroom. You will likely already know where they are, but it will give you a chance to repeat the student’s name early on in class in a positive light. This also give you a chance to use those question words early and in context, boom.
  2. After you have identified the student and had the rest of the class observe their card, you can repeat simple comprehensible language like “Hmm, look at Soandso’s card! Wow, so interesting!” Again, shower the love early on. THEN: take a stab at describing what is going on on the card, in slow, comprehensible language. Think breaking it up into chunks of meaning, a la: “Soandso…plays…the guitar!” Point to the card as you repeat that line again, and then you might also go to the board to write the word for “plays” in L1 and L2 on the board, and “guitar” if that is not as cognate-y as it is in German and Spanish. Remember: the card is the visual scaffold for your conversation!
  3. All you’ve said so far is that Soandso likes to do something. Easy. You’ve been looking into every students’ eyes to confirm that they’re with you. Maybe do a quick “What did I just say?” in L1. Now is a good time to confirm with the student in question – “Hey Soandso, you play the guitar, right?” This gives them a chance to answer affirmatively, and may sometimes be necessary if a student’s artwork requires a bit more…um…interpretation.
  4. You’ve stated what the student likes to do, confirmed it, and are now ready to expand with some details. Using our example of playing guitar, you can ask things like, “Do you play guitar super well? Like Jimi Hendrix?” (obviously assuming that yes, they are a world-class guitar player) “What songs do you like to play? Are you in a band? How long have you played guitar? What style of music do you prefer to play? Have you ever played a big concert?” Here’s the thing: you only have to pick one or two of these detail options to make an interesting conversation. If this is early, your students might not be able to handle too much more new information/language anyways. Pick a detail and park on it for a while, savoring the new information as it comes.
  5. And here’s a natural segue: I like to alternate between questioning the individual student and panning out to the rest of the class. I can either ask them similar questions to ones we’ve already covered with the student (“Who else in the class plays guitar? Who plays in a band?”) and then compare them to the individual student, or just confirm details and comprehension with the class using some artful questioning. (“Does Soandso play the guitar or do they play the piano?” “Yes or no, does Soandso play in a band?”) Both serve to slow you down from adding too much information, and get some natural repetition on whatever has already come up. Surveying the class and tallying the results on the board can also be a helpful visual scaffold.
  6. If you’re ever stuck, two power questions are “Where?” and “With whom?” (“Do you play guitar in the [Nearby Concert Stadium]?” “Do you play in Justin Bieber’s band?”) Students can answer however they like. We’re not going to call their parents later to confirm that their child plays in Justin Bieber’s traveling rock band…teachers have no time for investigative journalism, per my survey of the field. But kids can be whoever they want in class, and maybe there’s a bit of fanciful invention allowed. Or they can answer honestly! Either way, whatever they say is cool (as long as it’s school appropriate/kind) and can be fodder for further conversation.
  7. Ride the waves of energy that come with talking to the student and the class. HEY THERE remember we are always striving to talk TO the students, not at them. It’s all about the class communicating so that we can all learn more information about each other. That serves both content and affective goals, especially early on. Find out more information about the student, always checking comprehension, involving the class, and reviewing.
  8. When you’ve discussed a student’s card, learned some interesting supporting details, and you feel the energy starts to wane a little bit…move on! You can pick another card and repeat the process. (“Oh wow, that was so interesting that Soandso plays the lead guitar in an emo band. I used to do that, too. Thanks, Soandso. Hey, class, look at Whatserface’s card! She does competitive horseback archery!”) It can be helpful to set time limits for yourself so the Create phase doesn’t feel too mushy and ethereal, so maybe stick to 10-15 minutes of Card Talk at a time before transitioning to another mode. Abandon ship at any time if the “feel” just isn’t there, and be ready to move to the other parts of your lesson early with literacy activities and brain breaks.

What do I do with it now that we’ve finished?

During the process of Card Talk, I find myself writing details on the board that we discover through the conversation. These might be words like “tournament” or “team” or “whaling harpoon” for your sports conversations, or “song” or “genre” for music conversations. You might have supported these by drawing little pictures to go with the L2 words in lieu of L1 translations – or not! Either way, all of this scaffolding that you’ve built up during the oral conversation can be excellent support for the Review portion of the lesson (which might just be a quick series of questions about things you learned together), and then for the shared writing during Write and Discuss. Your writing can flow easily because you can just follow the information that you’ve left as hints for yourself on the board.

Keep all the cards at the end of the lesson, and hold onto them. You can always pull out a card and Card Talk it on a day when you’re feeling less prepared, or if you just want to fill some time with some pleasant conversation. I usually do Card Talk a few days in a row at the beginning of the year to teach how to chorally respond, stay in one conversation, and how to signal when comprehension is lost. Plus, the class gets to know each other better as you help draw connections between students (and yourself!).

It’s also nice to whip out the cards later in the year, and talk about them as fond memories. Students might start producing phrases or sentences as you review them and they bask in the glow of their lovely memories. (One girl last year drew a cat on her card, so naturally we talked about cats, but she was also lightly teasing her own drawing, so we called her “the most artistic artist” for the rest of the year. And it came from Card Talk!)

During Comprehensible Cascadia, someone mentioned that it might be fun to give the cards back to the students and have them use them as talking pieces for little Presentational assessments. Maybe you set up a Flipgrid or Seesaw assignment where they talk about themselves. Using the card as a scaffold/support can help them feel more confident, because they’ve already heard the class talk about their card. I might try this during this coming year!

One last use of the cards and Card Talk is to personalize stories you tell with your class, or any other activity where everyone is interacting. Once you learn things about your students, you can put those things into their conversations and stories. Or maybe you don’t get to a card during Card Talk, but you can pull out the information and put that into a story – the kid who drew it may have forgotten that they drew whatever on their card, and imagine that you’re a Psychic Teacher with Magic Powers. Maybe a kid drew a horse, and in a story you’re telling, suddenly a horse appears! That might lead to an aside with that student, talking about their interest in horses and maybe personalizing the details so that everyone’s heart siiiiings.

Pro Tips!

  1. Go slow! You may be tempted to explore EVERY ASPECT of EVERY CARD of EVERY STUDENT as SOON AS POSSIBLE to BUILD COMMUNITY and HAVE SO MUCH FUN. Slow down there, Turbo. (message cc: myself) We do not want to overwhelm students early in their language acquisition journeys, and each card may cause us to introduce a good bit of new language. Stick to fewer details / less language at first to build student confidence in comprehending and responding, and students will thank you for going slowly in their new language. Plus, this can also help us savor the moments more and remind us that the kids are the curriculum – we got nowhere to be, y’all. Just with our students. Take time also to review “old” cards to refresh that language and that knowledge.
  2. Ask the next natural question! This activity is a lot like making small talk at a cocktail party. Ask yourself, “what do I want to know about this image and this student that will help us know them better and appreciate their lives more?” If you have to script out your questions ahead of time, there’s no shame in that! Take a peak at the cards during your planning period, and make a list of questions, if that helps you feel more confident. Then you can flow more naturally: “You like to swim! Where do you swim? Are you a good swimmer? Do you swim competitively?” There’s no shame in being very prepared, and then magically pulling out that specific card that you’ve prepared well when you’re with your class. You’ll find that preparing for one card actually helps you prepare for the rest of them, as the questions tend to be similar across time and topics.
  3. Compare and contrast with the class! As I hinted at above, it can sometimes just feel like you’re talking to one student while everyone else awkwardly listens in. Involve the class by surveying them, comparing them, contrasting them, checking their memories. You might create a tally of people who do the student’s activity well, okay, and awfully, and then name a couple “experts.” (I have had at least 4 Fortnite “experts” in each class whom I asked all varieties of questions about the game.) Connect students who share similar interests: “Oh! Both Soandso and Whatserface play soccer! But they play on different teams!” This activity is all about building community and common knowledge about the many wonderful people in your classes.
  4. Move on! One time, I pulled out yet another card that indicated that Soandso liked video games, and, surprise, this kid loved Fortnite specifically. I looked around and saw like 8 of my other non-gamer students astral project out of their bodies, because we had already touched on the topic before. So I moved on! If a topic isn’t bringing energy to the class, or the student you pick isn’t providing tons of details that move the conversation along, there’s no shame in confirming what you have learned with the class, and then moving on. Give each card a good faith attempt, and be okay with switching to something else. You can either pick another card, or move into a Review of everything that came up in Card Talk that day.
  5. Provide choices! Especially early on in a course, students might feel uncomfortable responding to more open-ended questions because they might not know if they can say some words in L1, or because they’re worried whether or not they’ll say the L2 “correctly.” You can circumvent this by offering some choices to the student – “Do you play the guitar in a band or by yourself? Do you create your own songs or play songs by famous people?” Include some choice options in your preparation so you can assuage the nerves of your poor L2 babies when you’re like HEY TALK L2 WITH ME and they break out in a panic sweat.
  6. Prompt ideas! – This one gets its own section below…

Prompt Ideas (roughly by level)

You can use Card Talk in any level to learn about what students generally like, but you can also use it to adapt to any thematic unit or topic you might be teaching. Just have students respond to the prompts with a simple drawing! Useful vocabulary for a topic or theme usually comes up in response to prompts like these. Here are some ideas based on what is typically “asked for” by traditional scopes and sequences at each level – if you have more ideas, comment below and I’m happy to quote you and add them to this list! You don’t have to do Card Talk to start any unit if you don’t want to – these are just suggestions!

Level 1:
What do you like?
What is your favorite place in our school?
What is your favorite class?
What is your favorite food? What is your favorite food from the Target Culture?
What do your typical meals each day look like?
How do you stay healthy?
What is your favorite room in your home?
What do you buy when you go shopping?
What is your favorite place in our town?
Who is your best friend, and what are they like?

Level 2: any of the above, plus:
What are you afraid of?
What are your favorite activities in your favorite class?
How do you spend your time after school?
What is your least favorite/grossest chore to do at home?
What is your favorite mode of transportation?
What does your ideal weekend look like?
What is one of your favorite childhood memories?
What holiday means the most to you?
What is your favorite scene from your favorite book/movie/TV show?

Level 3: any of the above, plus:
What sorts of art do you appreciate most?
What do you think symbolizes our local community?
What technologies have had the greatest impact on our society (either historically or recently)?
What job do you want to have when you are older?
How will the future be different from now? (Economically, environmentally, politically, etc.)
What is something typically [Home Culture]? On the other side of the paper, what is something that is typically [Target Culture]?

Level 4+/AP/IB: any of the above, plus:
What do you think is the greatest challenge the world [/Home Culture/Target Culture] is currently facing?
What is a new technology you can think of that would positively change the world of the future?
What one stereotype about [Home Culture] do you think is absolutely false? On the other side of the paper, what is one stereotype that you think is true about [Home Culture]?
What is one aspect of [Target Culture] that you find very different from [Home Culture] and would love to incorporate into [Home Culture]?

What if I want to learn more?

Again, Card Talk has evolved over the years, so see the posts above from Ben Slavic to check out “Circling With Balls.” Here’s a video of him talking about it from his TPRS training series.

Cameron Taylor created this document that gives a rundown of how to do Card Talk. It looks like Cameron also gives the instructions for the activity in the L2 – NEAT! And I just found this video of him delivering those instructions!

Brett Chonko has this awesome video here that shows him in the first day of the school year doing Card Talk with students. He also peppers in a lot of talk about what students can expect from a “CI” class, and even does Write and Discuss on the first day! #pro

Here’s Tina Hargaden doing Calendar Talk, moving into Card Talk, and then doing a Write and Discuss. So…much…clapping…! And here’s another video where she sets Card Talk up with her class.

Here’s AnneMarie Chase doing Card Talk with her class. She is an expert at going sloooow, and she uses lots of artful questioning to include the class in the conversation.

What do you think? Do you feel ready to use Card Talk? Comment below and send me any questions you might have!