Tag: writing

Give ’em the dang sentence frames!

Recently, I went to a workshop with Lynn Johnston, who is an absolute rock star and will be PNCFL’s representative for ACTFL Teacher of the Year this November in Washington, DC. I have seen her present multiple times at WAFLT and WAFLT-COFLT conferences, and so appreciate her creativity and energy. I feel like her students’ brains must be bursting with L2 at the end of class – she has fabulous systems in place to make sure kids are getting tons of input every single day. She is also a reading rock star, and really turned me on to doing WAY more reading with my students.

One thing I have been thinking about a lot is how Lynn uses sentence frames to give students opportunities to express themselves, while also modeling higher level language use. In CI World (disclaimer: not a real place slash no one owns “CI”), teachers are often discouraged from “forcing” output – that is, pushing students to output beyond whatever mental representation they have acquired. This makes sense: you can’t wring water out of a dry sponge. But we also know that outputting can be motivating to learners (especially secondary learners), and that it may provide opportunities for their interlocutor (here, usually the teacher) to provide even more input as they follow up on whatever the learner said.

So, maybe we can provide sentence frames with most of the language filled in, and students can use those to express themselves at higher levels than they would be ready to produce on their own. This can give the teacher a brief break from providing all the input, while also modeling correct language usage.

I saw someone say once that even if students are working on super complex/”advanced” grammar and topics, if they are filling in a blank, they are only functioning at a Novice level – just words! With this in mind, if I’m working with Novices, I can provide them the structure to use their Novice-level words and phrases skills to build simple sentences. We each provide about 50% to get them successfully functioning at 100% Novice High, and we can do this early! Then we can push them towards Intermediate-Low (strings of sentences with supporting details) by modeling how to do that, too.

Ultimately, you get out what you put in. If we consciously feed our students a healthy diet of comprehensible language steps above their level, they will eventually (truly eventually – we’re playing the long game) be able to work at that level independently – because they have had repeated opportunities to see what that level looks like. If we’re only speaking to them in short, choppy sentences, or just short phrases, or via vocabulary lists, then…that’s what we’re going to get back. (“Hey Jimmy, how’s it going?” “Pencil…teacher…desk…Sit down please…”)

So! I’m going to try to give my students comprehensible, useful sentence starters/frames that match our topics. I can use them for quick turn and talks, as support for whole-class interactions, or even as exit ticket assessments. Again – I will be providing the grammar/vocab that pushes them up the proficiency scale, and they are filling in with information personal to them. I will have to support that with helpful vocab and input, too, and it will lead to some satisfying student language use in class.

I’ve been doing a training recently to assign performance levels to L2 writing, and I’ve learned that one of the indicators that a student has moved from Novice-High (simple sentences) to Intermediate-Low (strings of sentences) is the inclusion of supporting details, usually in the form of prepositional or verbal phrases. So maybe if we’ve been talking about food, I can model for my students the addition of details that move it towards Intermediate-Low writing/speaking. Take the simple sentence “I like to eat pizza,” for example. If it were in a composition with other similar sentences like “I play videogames. I rarely shower.” it would be rated at Novice High. But with some prepositional phrases, it can look like this:

With this image, I enter the Great Internet “Pineapple on Pizza” Debate. (For the record, I think it is a nice sweet counterpoint to the saltiness of the pizza, so I like it.)

Again, not life-changing in terms of wild L2 complexity, but by adding on any of these details, you’re moving out of Novice and into the Intermediate range. If we, as teachers, can model a variety of ways to add detail like this to our sentences (either through using these sentence frames as conversation pieces during class, or during Write and Discuss), we will push our students to use them more, as well. And all we would have to do is put up a sentence frame like “I like to eat _____ with _____” or “I like to eat _____ at _______” and students can fill in to their heart’s content!

The jump from Intermediate-Low to Intermediate-Mid is marked by increased use of “Complex Components,” which are dependent or subordinated clauses. Think clauses like, “When I was younger…” or “I like people who are…” or “I shop in stores that…” Those conjunctions build complexity by linking together clauses, and this is what really makes a student’s writing/speaking flow. Upper-level students could definitely benefit from getting sentence frames like these, especially when applied to AP/IB themes or topics!

This year, I am going to try to use more sentence frames so that students can “get practice” speaking the language and feeling successful. (Even though I know that this does not necessarily contribute to their acquisition of the language in the most efficient way, as I’m taking a bit of time away from providing more compelling input, we serve many masters in school jobs. This might help students feel more like they’re “doing something” in class beyond just trying to understand, and might head off possible administrator comments about a class being too “teacher-centered” or that the students never “actually speak the language.”)

But I can start small! Early in level 1: My name is _______. Then: I like ______. Do you like _______? Then: I eat a lot of __________. I can leave these frames posted for a certain amount of time, so students can refer to them and secretly get a bit of input if they look at them. Maybe I can put them in a pocket chart, or dedicate a section of wall to them. I want to commit also to changing them out regularly, so we don’t get to April and I’m like…uhh…Why is “Me llamo…” still cheerfully posted? (Last year, I was super gung-ho for rejoinders, but sadly only managed to post like…5 different ones. Oops. Growth area!)

This use of sentence frames for structured student output will also (hopefully) remind me to create related Writing Checklists for our class Write and Discuss work that will help us incorporate more strong writing moves into our shared writing. I’ll start small with conjunctions like “and” and “but,” and work my way up to including storytelling elements like “First…then…finally…”, nice transition words like “Nevertheless,” and those subordinating conjunctions that help build “Complex Components”: that, who, which, when, if, etc.

Here are some example sentence frames, linked to their performance indicator and a theme you might find in AP or IB.

Can you think of sentence frames that you could incorporate into your units or daily lessons that will push your students towards the next proficiency level? (Oof, there were prepositional phrases and two subordinated clauses in that one sentence! You get Intermediate-Mid, Benjamin.) Comment below with your thoughts and wonderings!

Students Want YOU to Write a CI Novel

List of potential novel topics generated by the Comprehensible Cascadia 2019 Pre-Conference Reading Workshop

Reading is an essential component of any TCI classroom. Written input provides different data for the brain than oral input (think literary language, more passive constructions, sight cognates may be easier than when heard), and Stephen Krashen has compiled numerous studies that show that reading improves learners’ vocabulary, spelling, grammatical accuracy, fluency…you know, ALL THE STUFF. Students need to be reading in the L2 every day, because the benefits are too good to pass up.

Many programs have implemented Free Choice Reading (FCR), empowering students to choose whatever book from the classroom library they like, and read for a predetermined amount of minutes to get some great written input. Of course, the “C” in “CI” stands for “comprehensible,” so we need for reading materials to be leveled so that students’ brains don’t implode when we set them to reading. They need to understand their texts for the input to do its job!

We are lucky to live in a time where there has been a surge in “CI Readers” – compelling stories written in simplified language to help students both enjoy a story and get great input. Companies like Fluency Matters produce beautiful books that are meticulously edited and often have stories that students get hooked on. There are also other authors that sell through vendors like Amazon or Teacher’s Discovery. If you teach Spanish, you are especially blessed, as there are soooo many Spanish CI Readers when compared with other languages.

But what makes a student into a reader is the book that just “fits” them, the “Home Run” book, the transformative reading experience that makes kids unable to put books down. If you are a reader as an adult, chances are you can remember a book or two that was this experience for you. When the Harry Potter books were still being published, my parents took me to a couple of the “midnight premiere” events where you could get the book as soon as it was out, and kids my age were rushing to be the first to finish the newest book and know all the dramatic plot points. I remember powering through The Goblet of Fire at all hours (well past bedtime, with a tiny reading lamp) because it was a wonderful, gripping story. I was a reader!

We want these same experiences for our own students, to make them literate people who can use their reading to build empathy, as well as skill in the L2. And the texts need to both compelling stories, AND written in language students can understand with only a year or two (or maybe even a semester!) of language class behind them. But since comprehension-based readers are a relatively recent discovery for many language teachers, there aren’t a TON of authors or titles available. (Again, more for Spanish than any other language.) Additionally, “authentic” children’s books in the L2 may be more simplified when compared with the literary canon of the culture, but they often contain low-frequency vocabulary, and might not exactly be compelling for a reading-avoidant secondary school student.

This is where you come in. Yes, you! See those topics above? They were generated through observation of student reading habits and by directly asking what students would be interested in reading. Students want to read these books in the L2, but they don’t quite exist yet in large variety.

You – yes, you! – could write a simple, 10-chapter reader that could spark that love of reading in a child, a love that will push them to higher levels of L2 proficiency. A chapter could be like two pages, with lots of illustrations to support comprehension! Not feeling extra creative? Pick one of the Seven Basic Plots and map one of the above themes onto it. JUST WRITE THE BOOK!! WRITE A BOOK! WRITE ANY BOOK!

Your students want to read in the L2, and the benefits are undeniable. So lets put the magic into their hands with some new, exciting readers.

Want to learn more?

If you’re feeling like this might be something you could do (because duh you can) then reach out to Mike Peto. This post was inspired by him, and he is an excellent resource when it comes to all things reading in a TCI classroom. WRITE THE BOOK. WRITE IT!!

Write and Discuss – An Essential Literacy Activity for Communicative Language Teaching

I have used Write and Discuss ever since I began teaching with CCLT strategies, but it was my experience with it at Comprehensible Cascadia last week in Portland that finally brought it all together for me. This is an ESSENTIAL strategy for classes centered on providing engaging CI, as it makes concrete the beautiful aural experience that students have just had with the language. If the Create phase of the lesson is playing a jazz ensemble piece with your students (structured with some improv), the Write and Discuss is putting that composition on sheet music so you can enjoy those moments and that exciting language again and again.

Why should you do it? To show students the written form of the language they’re able to understand aurally, and introduce how to be a strong writer in the L2 by modeling writing moves that push students towards higher levels of proficiency. Plus, the texts you create can be used for literacy activities and extension in the future!

When do I use Write and Discuss?

Use Write and Discuss after having any sort of language experience with your students, what we might call the Create or “Guided Oral Input” phase of the lesson. These Create experiences could be Card Talk, Calendar Talk, co-creating a story using an OWI or Invisibles, Scripted Stories a la TPRS, Picture Talk, Movie Talk, Special Person Interviews – whatever provides rich, compelling aural input in the L2 to learners. Move from the Create phase to a Review phase (any sort of activity that orally reviews the information learned/discovered/created in the Create phase of your lesson), and then to Write and Discuss.

How do I do it? – Logistics

There are a couple different ways to do this, but they have the same underlying principles. You can 1) write directly up on the whiteboard, 2) write by hand on your doc cam, or 3) use a keyboard (maybe a wireless one!) to type up the information into a word processing document. With any of these formats, you’ll want to save the texts you create somehow because they can become the basis for great literacy work the next day, the next week, or even much later in the year. If you write by hand on the board, take a picture of the completed W+D at the end of class so you have it for later. If you have a hand-written version or a pic of your board, you can type it up, or use Voice Typing in Google Docs to dictate it into a document. (Click “Tools” and then “Voice Typing”! LIFE-CHANGING – make sure you change the document language in the “File” tab as well to ensure maximum awesomeness / self-editing.) Some teachers also assign a student job of typing up what you are hand writing, to save you time and to give a special job to a fast processor.

Once the W+D is in digital form, you can share it with students in a format that allows them to “review” (aka just reread) it whenever they like. I usually create a class Google Slide that has all of the texts we have created as a class over the year, one on each slide, and I share a link to it on our learning management system. Whatever works for you and your students!

How do I do it? – Procedure

  1. The first time I do it, I say (in L1 or L2) that we are going to write a summary text about our class conversation/experience. Also, something to the effect of “Please help me, my memory is terrible!” (Not a Teacher Lie for me…)
  2. I find it helpful to begin every Write and Discuss by writing a good starter word in the L2 (e.g. “Today…” or “There is…” or “Once upon a time…”), and then saying it expectantly while slowly panning out across the class. This says “hey, this is the first word, keep it going!”
  3. Give students a bit of nonverbal encouragement to help finish the sentence, especially at first. Students might be silent for a long while, but then you might get one who says some stuff in the L1. That’s okay – see if giving them an encouraging smile pushes them to try some L2. Or! You’ll get a random string of L2 words from a student. CELEBRATE! This is a chance for students to tentatively try some L2 production in a low-stakes setting. If a student tries to finish your sentence with literally anything, love on them!!
  4. …And then take the language they provide and formulate a (probably more correct) sentence. Say the sentence slowly and thoughtfully – this may cause more students to shout out more details that you can use to enhance the sentence. For German at least, this may trigger some fun adjective endings or some subordinated clauses – fantastic! The students are aware of the language you’re using (because it came up in class and they’re able to provide it now), so you’re just reformulating it in a more natural, flowing way. This will serve as good input that will result in good output – in the future!
  5. Ride the wave of the details you can elicit to make the sentence fuller until you reach a good stopping point. To use Card Talk as an example, this might be repeating the information you learned about a student until students have filled in all the details. (“Ben plays soccer…oh! On a team. Ben plays soccer on a team…is it a school team?” etc etc) At the beginning, you don’t want to go all Thomas Mann (#DegreeInGermanLit) and have a 3-page sentence, but you can safely integrate all familiar language into a nice-sounding sentence that flows naturally. This is the Discuss part of Write and Discuss – if you just take what students say initially and write it right away, you might get shorter, choppier material like, “Ben plays soccer. He plays soccer on a school team. He likes it a lot.” Why not something more like “Ben plays soccer on a school team, and he likes it a lot.” This conveys the same information, but flows more like the language we would want our students to eventually produce. If you have established all this info with those shorter sentences during the Create phase, students will get to enjoy the natural melody of your language as they polish up what they’ve heard with you. Make a nicely flowing sentence, then write it up! Boom! (You might have an opportunity to show students language/conventions that are hard to hear…very fun/natural time to make comparisons between languages or marvel at the majesty of Umlauts.)
  6. After every few sentences, pause to reread the sentences you have already created to the class. More input! And they can appreciate the fruit of their brain labors.
  7. Keep going – discuss, and then write! You don’t want to go too long on this, because it can certainly lose its luster after a while. Some teachers choose to set certain limits: they only write for 6 minutes, or they write until one of their board spaces is filled, or they only write until they have like 5-6 solid sentences. Try not to let the energy die as you get some more good input in, and then choose a stopping point and be satisfied with that.
  8. After the text is completed, many teachers have their students copy the Write and Discuss into their own class notebooks. Do not have them do this while the text is being created – they will be distracted from the conversation if they are simultaneously attempting to hand copy information in the L2, whose writing conventions may need their undivided attention (especially at first). This copying time can give the teacher a break, too! And a notebook full of Write and Discuss can show families and other school community members all the text that your students are able to read and comprehend – what a lovely PR piece…

What do I do with it now that we’ve finished?

What’s fabulous about Write and Discuss is that you’ve just created a level-appropriate text for students that captures the energy of what class was about that day. It makes concrete what was previously a mostly oral/aural experience.

“House Pets,” an award-winning text by the Comprehensible Cascadia 2019 German Track (made comprehensible by my lovely orange Mr. Sketch marker)

The first thing I tend to do is reread the text aloud, so students can hear their creation in all its flowing glory. Then, I tell students that they are going to read the text to me, but in the L1. I go along pointing word by word, in the L2 word order, to make sure that students really understand word meanings, and also to illustrate specific characteristics of the written L2. (German word order, y’all…so funky. So fresh!) I stop to clarify any words/constructs that trip up students, marking the text in a different color to support more comprehension, and then reread to allow students to try it more confidently.

I also allow students to notice things about the L2 after they have seen it written. Some recent noticings have been “Oh hey, these two sounds are very similar! Can you re-pronounce them for us?” or “Oh wow, German capitalizes all nouns!” Let students take the lead and you will get lots of neat grammar noticings…without having to shove grammar down their throats. Win!

After this re-establishment of meaning, there are so. many. things (!) that you can do with the text. You can have students illustrate the text, you can give a Quick Quiz, you can dramatize it with a bit of Reader’s Theater – again, it’s a level-appropriate text that students co-created! The sky is the limit!

One thing to keep in mind is that this text you’ve created can serve as a base text that you can enhance during your planning. Maybe it’s the lowest level of an Embedded Reading that you flesh out to build in more transitions or written language conventions. Maybe you have some thematic vocab that your department wants you to target, and you find ways to slip it in to the text. Maybe you rewrite the text from a different perspective, or have students do that to get more input in different forms! (E.g. taking a story written in the third person, and rewriting it from a character’s perspective. With this, you could include more information about how the character is feeling, or what they are thinking!) This text you’ve created with your class can really be the jumping off point for any language or content goals you have for your classes.

Pro Tips!

  1. Keep it going! Like I said above, short, choppy sentences don’t sound great. (My early Write and Discusses were guilty of this awkwardness…character descriptions would read like “There was an elf. He was short. He was mean. He was blue. He was 12 years old.” Ugh.) Why not make the L2 flow more naturally with some transition words? In the lower levels, it might just be suggesting words like “and” or “but” to keep the expression of ideas going. (It might literally just be inserting a comma that provokes students to add more life to a sentence.) For higher levels, you might use constructs like “On the one hand… On the other hand…” or “Nonetheless…” Again, don’t get all classic-German-literature with the sentence length, but allow sentences to be more natural, longer, and more connected.
  2. Let students drive it! Early on, I tended to just use Write and Discuss to essentially circle information into text form, and I was truly leading the charge on what was written, where, and how. Now, I see it as more of an opportunity for students to try out some L2 and have you be like “AW YEAHHHH” while writing their awesome ideas on the board. Let awkward silence reign – with enough calm slowness in the Create phase, they’ll definitely have language in their heads to play with during the Write phase. (During Cascadia this year, some students – in their first week of German! – were putting the verb at the end in subordinate clauses. German swoooooon!)
  3. Use your boards as a scaffold! Chances are, you will have L2 words or images on your board that supported your conversation during the Create phase. Use these during W+D to help remind you and the class what might get included in the summary. You can indicate an image or word when writing stalls out to inspire students, or just erase information that has already been “covered” by the writing.
  4. Don’t forget dialogue! I often forget to include dialogue when using Write and Discuss, which is a bummer! Dialogue can be a great place to get reps on stuff in the first and second persons (third person often reigns supreme because we’re always talking about someone or something like that). Make sure to ask students “What did Soandso say?” or “What might Soandso be thinking in this moment?” Or maybe even, “What WOULD Soandso say about this?”
  5. Teach some punctuation! While you’re writing, use the L2 words for “comma,” “period,” “quotation marks,” etc. This is easy and natural, and can also help if you are doing a Dictation in the future.
  6. It doesn’t have to be perfect! Whatever text you create might be missing some things you talked about as a class, or the sentences may have come out in a less-than-smoothly-flowing order, despite your best efforts. You, as the teacher, can make pedagogical choices about how to enhance and change the text later, so don’t worry about it being ab.so.lute.ly perfect.

What if I want to learn more?

Many people have written glorious posts about Write and Discuss, and posted videos of them doing it with real students – check these out for more info, and to see if something in how they describe helps it “click” even better!

  • Mike Peto has an example of doing a Write and Discuss in class here! He also has great posts about what do with W+D after it’s done.
  • Annemarie Chase has examples here of doing it at different levels. She loves it because the students are quiet…I feel that feel…
  • Brett Chonko has a couple different posts (here, here, and here) that talk about they whys and hows, and improvements he has made to his W+D systems.
  • Here’s a video of Tina Hargaden moving from Small Talk, to Card Talk, to Write and Discuss.
Look at all this text! From three days of class and a commitment to Write and Discuss! German Track ROCKED. Also, spot Herr Fisher II

What do you think? Do you feel ready to use Write and Discuss? Comment below and send me any questions you might have!